After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
On his first day on the job as a Los Angeles narcotics officer, a rookie cop goes beyond a full work day in training within the narcotics division of the LAPD with a rogue detective who isn't what he appears to be.
Quadripeligic ex-cop Lincoln Rhyme was looking forward to his assisted suicide when he got the news: some sicko was abducting people in a taxi and leaving them to die in particularly sadistic ways. With time counting down between each abduction and possible death, Rhyme recruits rather-unwilling Amelia Donaghy, haunted by her cop father's suicide and thinking she's next, into working the crime scenes to track down the killer. Written by
Jeff Cross <firstname.lastname@example.org>
At the end, at Lincoln's Christmas party, you see Paulie's (Ed O'Neill's) family. It consists of a redheaded wife, a blonde daughter, and a dark haired son. This family mirrors Al Bundy's family in the television show Married with Children (1987), for which Ed O'Neill is best known. See more »
Amelia's case seems to make its own way around the tunnels when she goes to examine the body that was steamed to death. See more »
Maybe... maybe he's trying to share the responsibility of these murders with us. If we don't figure out the clues in time, the blood's on our hands. If we don't find the victim in time, we're as responsible for the murders as he is.
See more »
When NYPD cop Amelia Donaghy uncovers a mutilated corpse she shows a natural eye for detail and preserving crime scenes. When the killer turns out to be a serial killer leaving clues to his next crime, NYPD turn to the paralysed ex-forensics cop, Rhyme to help them piece together the clues. With Rhymes bedridden, Donaghy becomes his eyes, ears and legs as she walks the scenes under his guidance to uncover the trail.
This is a star vehicle - two Oscar winners and some good supporting actors (Luis Guzman, Michael Rooker to name two). However the plot is below the Washington and Jolie. It is the old "killer taunting cops to catch him" chestnut. It is slightly spiced up by the use of forensics etc and watching Washington putting together the logical clues is quite fun - mainly because you get the feeling that you're right there with him and that it all makes sense. However most of it doesn't makes sense, a lot of the forensics is bull and relies of coincidence or Washington dragging facts from the back of his head. This is a shame because it feels like the film is just being lazy at times and is cheating us out of logic. This laziness feeds right through to the ending - if you thought that the Scream films were lazy and stupid wait till you see the stupid ending to this! Up till this the film does have plenty of horrible scenes and lots of tense bits with Jolie walking round in the dark with the killer potentially just round the corner.
Jolie is good and deals with her character well - despite the fact that a beat cop would never just be able to become a crime scene officer on the whim of an ex-cop. Washington deals well with his character being paralysed for the whole film but does get a bit silly at the end where he fights the killer with just his head! Support is fine - but Guzman is not as good as he usually is.
Overall this is a B movie that got an A movie budget. The film is dark and tense but ultimately a bit lazy and blows it totally with a stupid lazy conclusion.
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