Nick Beam's life couldn't get any worse. He discovers he has been living a lie and is on the verge of a nervous breakdown. So when T. Paul, a carjacker, attempts to rob him, it is the last ... See full summary »
John C. McGinley
Dr. Evil uses a device he calls a "Time Machine" to travel back to 1969 and remove Austin Powers' mojo. The sexually wounded swinger must travel back in time and, with the help of agent Felicity Shagwell, recover his vitality. Meanwhile, Dr. Evil's personal life runs amok as he discovers love, continues to shun his son and develops a close relationship with himself. Well, actually, a clone 1/8 his size whom he dubs "Mini-Me". The always time-baffled Dr. Evil begins his plan to put a gigantic cannon on the moon, thus turning it into a device called either "The Death Star" or "Alan Parson's Project," depending on which name is available. Written by
Michael "Rabbit" Hutchison <firstname.lastname@example.org>
In the original script, the title reads "Austin Powers 2: The Wrath of Khan" (Star Trek II: The Wrath of Khan (1982)). The narrator then talks about this title and eventually says that due to a lawsuit, the movie will be renamed to "Austinpussy" (Octopussy (1983)). The narrator then says that the title needs to be changed again in order to obtain a PG-13. The title "The Spy Who Shagged Me" is then displayed. See more »
When Felicity is looking at clothes in the street and Austin parks the car, the car moves in reference to the pedestrian walkway from scene to scene. See more »
Austin Powers, International Man of Mystery, was frozen in 1967 and defrosted in the Nineties to battle his nemesis, Dr. Evil. After foiling his archenemy's plan to send a nuclear warhead to the center of the earth, Austin banished Dr. Evil to the cold recesses of space and settled down with his new wife, Vanessa, to live happily ever after. Or so he thought...
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The opening credits cover Austin Powers' groin as he walks and dances naked. See more »
The follow-up to 1997's Austin Powers:International Man of Mystery was probably not a certainty form the get-go:if I recall correctly,the first Austin Powers was NOT the smashing success of a box-office film that many involved initially imagined,and had it not been for a strong reaction from video and DVD renters,the franchise may've stopped at one. Since I happened to enjoy the first one(saw it on video BTW),I can honestly say that while the sequels seemed to have depreciating value,I'm still glad that Myers and company went ahead with the follow-ups.
Now acclimated to the '90s,Austin(Myers,who else?)is about to settle into wedded bliss when he's attacked in his honeymoon suite by a legion of Fembots,given marching orders by a refugeed Dr.Evil(Myers,see previous ref). It seems that Evil's back trying to destroy the free world,this time with the aid of a time machine of his own making. Of course,the British secret service ALSO has a time machine(of course),and Austin races through time to stop Evil's plans,this time with the help of one Felicity Shagwell(Heather Graham,beautiful,sexy,game,and yet somehow out of her element here),an American NOC agent from the year 1969.
A whole series,moving almost in waves,of sight-gags,verbal plays and yet more homages to Bond and Bond-type movies of the '60s,basically keeps the continuity of the original going seamlessly. Much of the cast from the last movie-- particularly Robert Wagner as the chief Hench,Seth Green as sullen son Scott Evil,Mindy Sterling as Frau FArbissima,Michael York as Basil Exposition and Will Ferrell as Mustafa the Assassin(who must be asked the same question THREE times in order to get information. One of my favorite gags from the movie)--are back,supplemented by Rob Lowe as the younger Number Two,Verne Troyer as Evil's identical clone,one-tenth his size and Myers again as Fat Bastard,a Scotish assassin with a violent temper who weighs a metric ton(I think I'm paraphrasing there),among others. Cameos by(among others) Burt Bacharach(as from the previous film)and Elvis Costello are added to give the film it's small slice of romanticism. Jay Roach returns to direct this one,and he,as usual,is near transparent in allowing Myers(not only star and co-producer but also screenwriter)to pretty much take this film as high,low,far,close,loud,soft and whatever as he fancies. While the original's flavor seems to be getting steadily diluted by the "franchise effect" of sequels(in other words,the effect that kind of makes a movie more of a "product" than a piece of entertainment),it still has the same sass,cheeky humor and fun to keep it quite enjoyable.
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