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Dr. Evil uses a device he calls a "Time Machine" to travel back to 1969 and remove Austin Powers' mojo. The sexually wounded swinger must travel back in time and, with the help of agent Felicity Shagwell, recover his vitality. Meanwhile, Dr. Evil's personal life runs amok as he discovers love, continues to shun his son and develops a close relationship with himself. Well, actually, a clone 1/8 his size whom he dubs "Mini-Me". The always time-baffled Dr. Evil begins his plan to put a gigantic cannon on the moon, thus turning it into a device called either "The Death Star" or "Alan Parson's Project," depending on which name is available. Written by
Michael "Rabbit" Hutchison <email@example.com>
Basil's remark to the audience about ignoring the mechanics of time travel was unscripted. See more »
In the London café scene, a bus goes past behind Austin, but when the scene cuts to Felicity who is standing next to him, it is nowhere to be seen. See more »
Austin Powers, International Man of Mystery, was frozen in 1967 and defrosted in the Nineties to battle his nemesis, Dr. Evil. After foiling his archenemy's plan to send a nuclear warhead to the center of the earth, Austin banished Dr. Evil to the cold recesses of space and settled down with his new wife, Vanessa, to live happily ever after. Or so he thought.
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The "Elizabeth Hurley as Vanessa" credit (in the opening credits scene) appears AFTER her only scene in the film. See more »
The Spy who Shagged Me - not a title you'd expect to garner much respect, but this movie does okay. With Austin Powers 2 we see the arrival of such characters as Mini-Me and Fat Bastard, who inevitably help steer the sequel way from completely recycling every joke used in the first film. However, there is still that overlap, so a lot of the humor comes off a bit stale and tacky. There is virtually no end to the plot holes, inconsistencies, and various irregularities, but that is often a big part of the humor of the Austin Powers movies - making direct fun of the spy genre, as well as themselves.
And, on a personal note, Heather Graham is by far more attractive than Liz Hurley, and she flaunts it with great respect for us, the juvenile minded male audience. Overall, I'd consider this sequel about on par with the original, not in any specific details, but in all-around entertainment value.
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