Popular Broadway actor Gary Johnston is recruited by the elite counter-terrorism organization Team America: World Police. As the world begins to crumble around him, he must battle with terrorists, celebrities and falling in love.
Dr. Evil uses a device he calls a "Time Machine" to travel back to 1969 and remove Austin Powers' mojo. The sexually wounded swinger must travel back in time and, with the help of agent Felicity Shagwell, recover his vitality. Meanwhile, Dr. Evil's personal life runs amok as he discovers love, continues to shun his son and develops a close relationship with himself. Well, actually, a clone 1/8 his size whom he dubs "Mini-Me". The always time-baffled Dr. Evil begins his plan to put a gigantic cannon on the moon, thus turning it into a device called either "The Death Star" or "Alan Parson's Project," depending on which name is available. Written by
Michael "Rabbit" Hutchison <firstname.lastname@example.org>
Felicity Shagwell's cigarette when she is in bed with Fat Bastard. See more »
Austin Powers, International Man of Mystery, was frozen in 1967 and defrosted in the Nineties to battle his nemesis, Dr. Evil. After foiling his archenemy's plan to send a nuclear warhead to the center of the earth, Austin banished Dr. Evil to the cold recesses of space and settled down with his new wife, Vanessa, to live happily ever after. Or so he thought...
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The "Elizabeth Hurley as Vanessa" credit (in the opening credits scene) appears AFTER her only scene in the film. See more »
Based on "At the Sign of the Swingin' Cymbal"
Written by Brian Fahey
Arranged by Alex Gifford
Performed by The Propellerheads (as Propellerheads)
Courtesy of Dreamworks Records and Headsspin Records
Under license from Universal Music Special Markets and Propellerheads See more »
Hilarious return to the international man of mystery with this non stop laugh ride of a film with Myers doing it again as Austin, Dr. Evil and a new character named Fat Bastard. There are many funny moments in the film especially the Scott/Dr. Evil episode of Jerry Springer and the emergence of Mini-Me, perfectly played by Verne Troyer. The laughs are constant. You'll laugh so hard, you'll have a headache when you leave the theater.
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