Nick Beam's life couldn't get any worse. He discovers he has been living a lie and is on the verge of a nervous breakdown. So when T. Paul, a carjacker, attempts to rob him, it is the last ... See full summary »
John C. McGinley
Dr. Evil uses a device he calls a "Time Machine" to travel back to 1969 and remove Austin Powers' mojo. The sexually wounded swinger must travel back in time and, with the help of agent Felicity Shagwell, recover his vitality. Meanwhile, Dr. Evil's personal life runs amok as he discovers love, continues to shun his son and develops a close relationship with himself. Well, actually, a clone 1/8 his size whom he dubs "Mini-Me". The always time-baffled Dr. Evil begins his plan to put a gigantic cannon on the moon, thus turning it into a device called either "The Death Star" or "Alan Parson's Project," depending on which name is available. Written by
Michael "Rabbit" Hutchison <firstname.lastname@example.org>
Becky Dyroen-Lancer, the synchronized swimming choreographer for the opening sequence, was captain of the U.S. Synchronized Swimming Team that won the Gold Medal at the 1996 Olympics. See more »
The rear license plate "SWINGER 2" on Austin's time-traveling Beetle disappears and then reappears as he slides into the crowd. See more »
Austin Powers, International Man of Mystery, was frozen in 1967 and defrosted in the Nineties to battle his nemesis, Dr. Evil. After foiling his archenemy's plan to send a nuclear warhead to the center of the earth, Austin banished Dr. Evil to the cold recesses of space and settled down with his new wife, Vanessa, to live happily ever after. Or so he thought...
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The "Elizabeth Hurley as Vanessa" credit (in the opening credits scene) appears AFTER her only scene in the film. See more »
Austin Powers is one of those movies that has become MORE popular as time wears on. Austin's slang has worked its way into the lexicon and everything from the redhot video to the Austin Powers Penis Enlarger is on sale and raking in meeeeeelions. When news of a sequel hit the streets, fans freaked. It's safe to say that AP2 is rivaled only by The Phantom Menace as 1999's must see.
The wait is over.
The second-most anticipated movie of 1999 finally comes to theaters. We're ecstatic to report that AP is a friggin' laugh riot, as Myers and crew have strung together another brilliant collection of one-liners and over the top, sometimes horribly disgusting, sight gags. The follow-up to 1997's video hit has Austin heading back to the 60s to track down his mojo, stolen by one of Dr. Evil's comically evil hapless henchmen. What's mojo? A multi-colored, stringy looking mess that makes Austin irresistible to the ladies. But the plot isn't so important. This is the Austin you know and love, only this time he's even more raw and hardcore.
It's clear that Myers was given a much larger budget to bring his vision to the screen after the runaway success of Austin Powers on video. The sets in Spy are much more vibrant and huge, the effects (yes, effects) are top-notch, and the pacing is completely nonstop. I had a perma-grin stuck on my face through the whole thing and will need to see it again just because the audience drowned out some lines with laughter.
Here Kitty Kitty Kitty Spy picks up with Austin taking a trip in a time machine back to the smashing 60s where, as we all know, he is a sexual dynamo. The time travel bits can get confusing, but as Basil Exposition of British Intelligence says, "Just sit back and enjoy yourself." Back in the 60s, Austin quickly draws the attention of his nemesis Dr. Evil. The hilarity begins as a patchwork parade of moronic henchmen attempt to wipe out Austin.
Still, the best reason to shell out your cash is that AP2 is clearly Dr. Evil's movie. If he's your favorite, you're in luck. Most important, we see him get some.
The film does lean a bit too heavily on gags from the first flick and some of the "Yeah, baby" schtick grows old fast. (When your Mammy starts saying "Yeah, baby," it's clearly tired, right?) Still, fans of the original will feel right at home with the budget destructo devices, the horrid teeth, and the clumsy bumblings of Austin himself. In a summer full of high concepts and big budget, AP2 is just the ticket.
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