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Based on the best selling autobiography by Irish expat Frank McCourt, Angela's Ashes follows the experiences of young Frankie and his family as they try against all odds to escape the ... See full summary »

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Nominated for 1 Oscar. Another 5 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Joe Breen ...
Ciaran Owens ...
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Ronnie Masterson ...
Pauline McLynn ...
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Eanna MacLiam ...
Andrew Bennett ...
Narrator (voice)
Shane Murray-Corcoran ...
Young Malachy (as Shane Murray Corcoran)
...
Middle Malachy
...
Older Malachy
Aaron Geraghty ...
New Born Michael
Sean Carney Daly ...
Baby Michael
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Storyline

Based on the best selling autobiography by Irish expat Frank McCourt, Angela's Ashes follows the experiences of young Frankie and his family as they try against all odds to escape the poverty endemic in the slums of pre-war Limerick. The film opens with the family in Brooklyn, but following the death of one of Frankie's siblings, they return home, only to find the situation there even worse. Prejudice against Frankie's Northern Irish father makes his search for employment in the Republic difficult despite his having fought for the IRA, and when he does find money, he spends the money on drink. Written by KB-26

Plot Summary | Plot Synopsis

Plot Keywords:

irish | limerick | ira | drink | prejudice | See All (237) »

Taglines:

The Hopes of a Mother. The Dreams of a Father. The Fate of a Child.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for sexual content and some language | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

21 January 2000 (USA)  »

Also Known As:

Las cenizas de Ángela  »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$54,628 (USA) (24 December 1999)

Gross:

$13,038,660 (USA) (19 May 2000)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Richard Harris strongly condemned both the film and Frank McCourt in a series of interviews in 2000. See more »

Goofs

As Frankie McCourt cycles to the sanatorium to visit the stricken Theresa, a television aerial can be seen on the roof of the building. RTE, the Irish TV broadcaster, didn't start transmission until 1961. See more »

Quotes

Aunt Aggie: [to Frank] You're wearin me dead mothers dress!
See more »

Connections

Spoofed in Mirrorball (2000) See more »

Soundtracks

The Maids of Castlebar
Traditional
Arranged and performed by Kevin Joyce
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Frequently Asked Questions

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User Reviews

 
Read the novel first - then see the film: you will appreciate things better
23 November 2003 | by (La Rioja, Spain) – See all my reviews



The Emerald Isle, due to its naturally green countryside, has more than its fair share of rain; we see plenty of that in `Angela's Ashes: and people splashing or wading through murky puddles to get to their rented houses: the tenants may be able to afford the few shillings rent per week, or may be not. Such were the conditions in a slum of Limerick, locality afamed for its humorous five-lined verses, in the west of Eire, then still very much under English `ownership'. Eire is today the only European country to have less population than it did in 1900. Reading/watching `Angela's Ashes' makes it quite clear why that was so: the Irish emigrated to North America and Australia, and indeed as a lad trying to grow up in post-war London I could hear comments like `there are more Irish in Islington than in Ireland'. I could have mentioned any other suburb of London, but it so happens that Alan Parker and Emily Watson were both born in this inner suburb. Many of those Irish émigrés found fame and fortune, and their offspring have helped to keep the White House occupied, though mostly they found their ways into suburbs of Chicago, New York, Boston, etc.

But the 1930's in poor suburbs of New York in the Great Depression was hardly a friendly environment lurking behind the awesome sight of the lady with the torch in the harbour (a present of the French Government).

`Angela's Ashes' records those grim years for a poor family, based on hard autobiographical facts; but Frank McCourt's book better conveys that curiously Irish sense of fatalistic humour combined with that strangely abject Catholicism so pervasive in life of those times. The elements contrast and contradict themselves: the useless alcoholic father who must be respected because he is their father, though later he disappears, and the boy's (Frankie) obedient and supposedly devout sessions at the confessionary box, would seem to veer into mirth if it were not for the sinister underlying sociological aspects. And it is the classroom where much of this spoon-fed doctrinal interpretation obviates the ruthless imposition of supposedly `clean' ideology - whether Catholic or not.

Beautifully filmed in almost black and white, with more colour creeping in as the film progresses, undoubtedly Alan Parker has done a good job and has tried to remain faithful to the philosophical concepts of the book. Excellent Emily Watson and Robert Carlyle, but no less so the different youngsters used in the film as the children grew up, especially Michael Legge. Other secondary actors are all exemplary, well cast. The result is a film that has an authentic feel to it, such that having already read the book and seeing this film twice in no way diminishes the interest it suscitates. The music is a very different kind of John Williams to what we are accustomed, giving correct ambience to the story's unfolding.


5 of 8 people found this review helpful.  Was this review helpful to you?

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Why do they hate people from the North? sweet-karan
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