Angela's Ashes (1999)

User Rating:

7.0/10   

Director:

Alan Parker

Writers (WGA):

Frank McCourt (book)
Laura Jones (screenplay) ...

Release Date:

21 January 2000 (USA)

Genre:

Drama

Tagline:

The Hopes of a Mother. The Dreams of a Father. The Fate of a Child.

Plot:

Based on the best selling autobiography by Irish expat Frank McCourt, Angela's Ashes follows the experiences...

Plot Keywords:

Poverty | Brooklyn | Death | Prejudice | Religion

Awards:

Nominated for Oscar. Another 5 wins & 10 nominations

Cast

Emily Watson	...	Angela McCourt
Robert Carlyle	...	Malachy (Dad)
Joe Breen	...	Young Frank
Ciaran Owens	...	Middle Frank
Michael Legge	...	Older Frank
Ronnie Masterson	...	Grandma Sheehan
Pauline McLynn	...	Aunt Aggie
Liam Carney	...	Uncle Pa Keating
Eanna MacLiam	...	Uncle Pat
Andrew Bennett	...	Narrator (voice)
Shane Murray-Corcoran	...	Young Malachy
Devon Murray	...	Middle Malachy
Peter Halpin	...	Older Malachy
Aaron Geraghty	...	New Born Michael
Sean Carney Daly	...	Baby Michael

Runtime:

145 min

Country:

USA | Ireland

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

South Korea:15 | USA:R (Certificate #36720) | Argentina:16 | Australia:M | Denmark:A | Finland:K-10 | France:U | Germany:12 (w) | Iceland:L | Netherlands:12 | New Zealand:M | Portugal:M/12 | Sweden:11 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15

Filming Locations:

Ardmore Studios - Herbert Road, Bray, County Wicklow, Ireland

Company:

David Brown Productions

Trivia:

Poster and book cover by Bill Kaye.

Goofs:

Factual errors: In the scene of the lunar eclipse, the moon shown is actually a mirror image of the actual moon. In a later scene, showing clouds beginning to cover the moon, the moon is shown normally.

Quotes:

Narrator: It was the first time my father ever kissed me. I felt so happy I could float.

Movie Connections:

Referenced in "Gilmore Girls: The Perfect Dress (#6.11)" (2006)

Soundtrack:

Pennies from Heaven

Affecting look at the human face of poverty

The trouble with making a movie out of a Pulitzer Prize winning book is that no matter how good and true to the book it is, it will usually be a disappointment. This has a lot to do with the difference between reading a story and seeing one. When one reads a book, it is usually done over time, perhaps a week or two. The words stir the imagination and the scenes described become images, usually more illusory than real. There is plenty of time for this process to work. A film, in contrast, is viewed over a period of about two hours, where the viewer is perceiving rather than imagining. The portrayals are well defined and no matter how creative the director, it is very difficult to create scenes that equal those of readers who have previously conjured fantastic images in their heads.

I believe this is the reason this film was such a disappointment to so many viewers who had read the book. Thankfully, I saw the film first, so I had no preconceived notions. With that fresh perspective, I must say that it was outstanding.

It the story is taken from the memoirs of Frank McCourt, who recounted his childhood in Ireland in the 1930's and 1940's. It is a poignant and compelling story of a poor family struggling to survive. The images are powerful depictions of the indignity of indigence in a world where hunger and disease were common and people went almost as frequently to the cemetery as to the market.

Alan Parker brings us a starkly realistic view of McCourt's Ireland. He scoured Ireland to find a ghetto that brought forth the images described in the book, but after an exhaustive search, he decided to build the lane from scratch using McCourt's photographs. Upon visiting the set, McCourt said it was chillingly accurate and he couldn't believe he wasn't back home. Parker desaturated the color to give the film a very stark look, consistent with the squalor he was trying to portray. Paradoxically, the loss of color intensity intensified the power of the images. Though I'm not a big fan of this technique (I like rich and vibrant color), in this case it was the perfect choice.

The film suffers a bit from excessive length, undoubtedly because there was so much to cover. However, when Parker bombards the viewer with disturbingly hopeless imagery for well over two hours, it becomes tedious. This is another advantage of reading a book. You can more easily put it down and come back to it. Parker sometimes overdoes certain ideas that he could have condensed. We could have done without half a dozen vomiting scenes and all the chamber pot activity. One or two such scenes would have gotten the message across.

The cast was consistently excellent. Parker saw over 15,000 child actors before casting the three boys who played Frank at various ages. All three were wonderful, but my favorite was Michael Legge, the oldest Frank. He was the most hopeful person in the film, giving him character and determination, without losing his idealistic innocence.

Emily Watson is a great dramatic actress and rose to the occasion to endow Angela with superhuman strength, courage and persistence in the face of crushing hardship and sorrow. Robert Carlyle was also terrific as Frank's father. He made the character a lovable man with fatal flaws. Despite his heinously irresponsible behavior squandering money on drink as his family starved, his charming nature and effusive affection for the children evoked as much love from us as disgust.

This is a brilliant production. Though many who read the book were disappointed, I must point out that Frank McCourt, who wrote the book, was unabashed in praising it for its realism in capturing his impressions and feelings of the times. I rated it a 9/10. Other than a bit of overkill, this is superb filmmaking giving us an affecting look at the human face of poverty.