Susan wants her reprehensible ex-husband dead and, in several bungled attempts by henchmen, tries to accomplish the deed. First her boyfriend hires two dim-witted hitmen. Then she hires a ... See full summary »
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Susan wants her reprehensible ex-husband dead and, in several bungled attempts by henchmen, tries to accomplish the deed. First her boyfriend hires two dim-witted hitmen. Then she hires a former biker boyfriend to smother him in the hospital where he is recuperating from the first attempt. Then Zane's former wife figures out what is going on and wants a part of the action. Written by
John Sacksteder <jsackste@bellsouth.net>
After getting so frustrated with the changes the studio made to Blues Brothers 2000, John Landis decided to make something for himself. This film was the result. See more »
Quotes
Betty Johnson:
If it's a choice between me ending up a cocktail waitress or Paul being dead, there's just no contest.
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With some wonderful names attached to this film you would expect to see some great acting... no disappointment there. All the main cast were superb in their roles.
So why am I not enthusing over this film. There seemed to be something just slightly off key with the humour. It had all the trappings of being exceptional but, perhaps it went a little too far overboard and became a little confusing - in the 'why did the Director want to do that?' sense of the word.
The highs: Michael Biehn as the inept, would-be-killer, Bill, stuck in the closet with panicking Billy Zane's Insurance salesman and Bill's 'flatulent' best buddy.
Dan Ackroyd in a wonderful deadpan role as 'Bob'.
The Lows: The script - it was a little too flat and I am amazed the actors did such a great job given some of the lines they had to work with.
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With some wonderful names attached to this film you would expect to see some great acting... no disappointment there. All the main cast were superb in their roles.
So why am I not enthusing over this film. There seemed to be something just slightly off key with the humour. It had all the trappings of being exceptional but, perhaps it went a little too far overboard and became a little confusing - in the 'why did the Director want to do that?' sense of the word.
The highs: Michael Biehn as the inept, would-be-killer, Bill, stuck in the closet with panicking Billy Zane's Insurance salesman and Bill's 'flatulent' best buddy.
Dan Ackroyd in a wonderful deadpan role as 'Bob'.
The Lows: The script - it was a little too flat and I am amazed the actors did such a great job given some of the lines they had to work with.