A German stage actor finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. As his associates and ... See full summary »
Klaus Maria Brandauer,
In mid-1800s England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him ... See full summary »
On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. ... See full summary »
A tale based on the life of Wilhelm Furtwangler, the controversial conductor of the Berlin Philharmonic whose tenure coincided with the controversial Nazi era. One of the most spectacular ... See full summary »
Set in 1930s Shanghai, where a blind American diplomat develops a curious relationship with a young Russian refugee who works odd -- and sometimes illicit -- jobs to support members of her dead husband's aristocratic family.
Set during the fading glory of the Austro-Hungarian empire, the film tells of the rise and fall of Alfred Redl (Brandauer), an ambitious young officer who proceeds up the ladder to become ... See full summary »
Klaus Maria Brandauer,
Hans Christian Blech,
In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat - a man often lacking in empathy, who suffers from restlessness, melancholy and, finally,... See full summary »
The film tells the story of Russian emigree and the only survivor from ship crash Yanko Goorall and servant Amy Foster in the end of 19th century. When Yanko enters a farm sick and hungry ... See full summary »
A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of... See full summary »
Klaus Maria Brandauer,
The film follows a Jewish family living in Hungary through three generations, rising from humble beginnings to positions of wealth and power in the crumbling Austro-Hungarian Empire. The patriarch becomes a prominent judge but is torn when his government sanctions anti-Jewish persecutions. His son converts to Christianity to advance his career as a champion fencer and Olympic hero, but is caught up in the Holocaust. Finally, the grandson, after surviving war, revolution, loss and betrayal, realizes that his ultimate allegiance must be to himself and his heritage. Written by
The character of Adam Sonnenschein/Sors (played by Ralph Fiennes) draws heavily upon the life and death of two great Hungarian Jewish sabreurs, Attila Petschauer and Endre Kabos (winner of Olympic Gold in Sabre at the 1936 Berlin Games). Tragically, neither survived World War II and the Holocaust. See more »
When fencing for the gold medal, Adam Sors' opponent has his foot way across the line at the start. This would never be allowed at the Olympics. See more »
[talking to Ivan Sors]
I left your grandfather once. I fell in love with another man. Your grandfather and I hadn't been getting along. He wasn't the sort of person I hoped he'd be. The other man was passionate, a wonderful lover. That is important, darling. He gave me an old medallion engraved with: "I love you."
When your grandfather get in trouble with the Communists, I came back. You must try to find joy in your life.
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This historical epic/family drama from the master of Hungarian cinema, Istvan Szabo (Mephisto, 1981; Being Julia, 2004) is a wonderful and memorable film that has been overlooked, underrated and sadly under-seen.
This is a moving and always engrossing drama about one Jewish-Hungarian family that rises and falls throughout the 20th century. Ralph Fiennes is outstanding as the grandfather, the father and the grandson. All three - complex and tragic characters, victims of their times, politics and wars. I think it was a brilliant idea to cast one actor as a face of three generations of one family. If ever anyone attempts to adapt Marquez's "One Hundreds Years of Solitude", that's how it should be done, IMO.
"Sunshine" is three hours long but never for a minute had I felt it was too long or it was losing its power. It is a serious, thought-provoking film which is also a superb work of art.
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