Set during the fading glory of the Austro-Hungarian empire, the film tells of the rise and fall of Alfred Redl (Brandauer), an ambitious young officer who proceeds up the ladder to become ... See full summary »
Klaus Maria Brandauer,
Hans Christian Blech,
A German stage actor finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. As his associates and ... See full summary »
Klaus Maria Brandauer,
The film tells the story of Russian emigree, and the only survivor from ship crash Yanko Goorall, and servant Amy Foster in the end of nineteenth century. When Yanko enters a farm, sick and... See full summary »
On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. ... See full summary »
The film follows a Jewish family living in Hungary through three generations, rising from humble beginnings to positions of wealth and power in the crumbling Austro-Hungarian Empire. The patriarch becomes a prominent judge but is torn when his government sanctions anti-Jewish persecutions. His son converts to Christianity to advance his career as a champion fencer and Olympic hero, but is caught up in the Holocaust. Finally, the grandson, after surviving war, revolution, loss and betrayal, realizes that his ultimate allegiance must be to himself and his heritage. Written by
The venerable courtyard and house used as the Sonnenschein family home in the film is, in reality, the house where director István Szabó grew up. See more »
When Ivan and Carole have a brief talk on the banks of the Danube near the bridge, we see evening traffic on the quay at the opposite side of the river, with a considerable amount of cars passing by, headlights on. There would not have been this amount of traffic in Budapest in the 1950s. See more »
[talking to Ivan Sors]
I left your grandfather once. I fell in love with another man. Your grandfather and I hadn't been getting along. He wasn't the sort of person I hoped he'd be. The other man was passionate, a wonderful lover. That is important, darling. He gave me an old medallion engraved with: "I love you."
When your grandfather get in trouble with the Communists, I came back. You must try to find joy in your life.
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Schindler's List was apparently enough for most film goers. "Sunshine," superior to "Schindler" in many respects, got fewer accolades and much less attention. Why do I think "Sunshine" is superior to "Schindler?" Primarily because it tells the story of the Holocaust through the lens of a single family whose pre-Holocaust history gives a dimension and depth to the tragedy of that family that "Schlinder" is incapable of providing because of its quite different narrative strategy and focus. To be sure, "Schindler's" narrative sweep affords a greater sense than "Sunshine" of the scope of the slaughter. But "Sunshine" stands in relation to "Schindler" as a novel stands to a work of history. One brings the insights offered by individual tragedies, the other brings more of a societal perspective. The best "Holocaust" film, however, remains in this viewer's opinion, "The Pawnbroker" with Rod Stieger, which had an even narrower focus than "Sunshine" and brought the horror of the Holocaust to life by exploring the emotional desolation/death suffered by a single survivor. A truly great film.
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