A German stage actor finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. As his associates and ... See full summary »
Klaus Maria Brandauer,
The film tells the story of Russian emigree and the only survivor from ship crash Yanko Goorall and servant Amy Foster in the end of 19th century. When Yanko enters a farm sick and hungry ... See full summary »
Set during the fading glory of the Austro-Hungarian empire, the film tells of the rise and fall of Alfred Redl (Brandauer), an ambitious young officer who proceeds up the ladder to become ... See full summary »
Klaus Maria Brandauer,
Hans Christian Blech,
In mid-1800's England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him... See full summary »
When "American Psycho" was released early in 2000 it reaffirmed author Bret Easton Ellis as the controversial "bad boy" of contemporary American Fiction. "This is Not an Exit" reveals the world inhabited by Ellis. In HD.
On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. ... See full summary »
Set in 1930s Shanghai, where a blind American diplomat develops a curious relationship with a young Russian refugee who works odd -- and sometimes illicit -- jobs to support members of her dead husband's aristocratic family.
A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of... See full summary »
Klaus Maria Brandauer,
In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat - a man often lacking in empathy, who suffers from restlessness, melancholy and, finally,... See full summary »
Young honest public official is sworn in after his predecessor had to leave due to a corruption scandal. Soon, the young idealist discovers just how far-reaching the corruption is in his town and how easy it is to become corrupt yourself.
The film follows a Jewish family living in Hungary through three generations, rising from humble beginnings to positions of wealth and power in the crumbling Austro-Hungarian Empire. The patriarch becomes a prominent judge but is torn when his government sanctions anti-Jewish persecutions. His son converts to Christianity to advance his career as a champion fencer and Olympic hero, but is caught up in the Holocaust. Finally, the grandson, after surviving war, revolution, loss and betrayal, realizes that his ultimate allegiance must be to himself and his heritage. Written by
The character of Adam Sonnenschein/Sors draws heavily upon the life and death of two great Hungarian Jewish sabreurs, 'Attila Petschauer' and Endre Kabos (winner of the Olympic Gold in Sabre at the 1936 Berlin Games). Tragically, neither survived World War II and the Holocaust. See more »
When Ivan and Carole have a brief talk on the banks of the Danube near the bridge, we see evening traffic on the quay at the opposite side of the river, with a considerable amount of cars passing by, headlights on. There would not have been this amount of traffic in Budapest in the 1950s. See more »
This epic crowns the legendary career of Istvan Szabo
SUNSHINE, the latest epic from arguably Central Europe's greatest living director of his generation, crowns a distinguished career. Many details of his earlier work, including the Sonnenschein name for the Jewish family (from the name of the Hungarian Imperial Jewish Doctor in COLONEL REDL) are evident; particularly themes and period touches from his brilliant trilogy, MEPHISTO, COLONEL REDL, HANUSSEN). OK. So Klaus Maria is missing. He is really unique. But who better than the brilliant Ralph Fiennes (awarded the 1999 European Best Actor "Oscar" for this performance last December)as the lead "Sunshine" patriarch? Make that three "Sunshine/Sors/Sonnenschein" patriarchs, all with their own nuances, all very in tune with his period, and character. And who better to play the "Sunshine" matriarch than the recent Tony winner Jennifer Ehle, as the younger Matriarch, followed by her own (obviously look alike) mother, the great Rosemary Harris, as her older self? The film is full of masterful strokes like these. After an Oscar-qualifying run in late December, the film was just re-released (I saw it in New York ten days ago), and will be expanding throughout America soon. Don't miss this masterpiece on the big screen, where it can really be appreciated.
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