| James Caan | ... | Philip Marlowe | |
| Dina Meyer | ... | Laura Parker-Marlowe | |
| David Keith | ... | Larry Victor / Charles Nichols | |
| Tom Bower | ... | Lt. Arnie Burns | |
| Julia Campbell | ... | Miriam 'Muffy' Blackstone-Nichols | |
| Brian Cox | ... | Clayton Blackstone | |
| Nia Peeples | ... | Angel | |
| Sam Vlahos | ... | Eddie Garcia | |
| Michael Laskin | ... | Manny Lipshultz | |
| David Byrd | ... | Seymour | |
| Joe Don Baker | ... | P.J. Parker | |
| Royce D. Applegate | ... | Ivan, the Motel Manager | |
| Billy Beck | ... | Old Man in Jail | |
| Gary Bullock | ... | L.A. Captain | |
| Michael Cooke | ... | Captain | |
| Eric DaRe | ... | Guard | |
| Johanna DaRe | ... | Secretary | |
| Thomas F. Duffy | ... | Fat Cop | |
| La Joy Farr | ... | Lola Faithful | |
| Mo Gallini | ... | J.D. (as Matt Gallini) | |
| Blanca Marsillach | ... | Coat Check Lady | |
| Rene L. Moreno | ... | Tino (as René Moreno) | |
| Julianna McCarthy | ... | Mrs. Dubrowski | |
| Timothy McNeil | ... | Sloppy Desk Cop | |
| Dibble Rafelson | ... | TV Anchorman | |
| Brad Stine | ... | Cop | |
| Carl Sundstrom | ... | Burns' Detective | |
| Gabrielle Taurek | ... | Lady of the Streets | |
| Greg Travis | ... | Leonard | |
| Frank Van Keeken | ... | Singing Drunk (as Frank van Keeken) | |
| Robert Wightman | ... | Slim Cop | |
| Bugsy | ... | Rags | |
| Avalon | ... | Lola's Bird | |
| Wrigley | ... | Lola's Bird | |
| rest of cast listed alphabetically: | |||
| Tom Stoppard | ... | (unconfirmed) | |
| Joe Davis | ... | Angels Boyfriend (uncredited) | |
Directed by | |||
| Bob Rafelson | |||
Writing credits(WGA) | ||
| Robert B. Parker | (book) and | |
| Raymond Chandler | (book) | |
| Tom Stoppard | (teleplay) | |
Produced by | |||
| Jon Avnet | .... | executive producer | |
| William Horberg | .... | executive producer | |
| Jordan Kerner | .... | executive producer | |
| Tony Mark | .... | producer | |
| Sydney Pollack | .... | executive producer | |
| Geoff Stier | .... | co-executive producer | |
Original Music by | |||
| Michael Small | |||
Cinematography by | |||
| Stuart Dryburgh | |||
Film Editing by | |||
| Steven Cohen | |||
Casting by | |||
| Elaine J. Huzzar | |||
| Johanna Ray | |||
Production Design by | |||
| Mark Friedberg | |||
Art Direction by | |||
| Scott Plauche | |||
Set Decoration by | |||
| Kristen Toscano Messina | |||
Costume Design by | |||
| Melinda Eshelman | |||
Makeup Department | |||
| Enid Arias | .... | key hair stylist | |
| Felicity Bowring | .... | makeup department head | |
| Jene Fielder | .... | body makeup artist (as C. Jene Fielder) | |
| Jane Galli | .... | key makeup artist | |
| Lynda Gurasich | .... | hair department head | |
Production Management | |||
| Mark S. Hoerr | .... | post-production supervisor | |
| Sue Jett | .... | production supervisor | |
| Tony Mark | .... | unit production manager | |
Art Department | |||
| Billy Baker | .... | set dresser (as William V. Baker) | |
| Nancy M. Bates | .... | second assistant property master | |
| Susan A. Burig | .... | graphic designer | |
| Michael A. Capps | .... | construction foreman | |
| Gary Clark | .... | paint department head | |
| Michael Cutler | .... | set dresser | |
| Jonathan R. Hodges | .... | property master | |
| Courtney Jackson | .... | assistant property master | |
| Courtney Elizabeth Jackson | .... | assistant property master | |
| Richard Jerebicz | .... | propmaker | |
| Carolyn Lassek | .... | on-set dresser | |
| Patrick Lees | .... | lead man | |
| Jason Mahakian | .... | art department assistant | |
| Rhonda Marshall | .... | set dresser | |
| Stephen J. Readmond | .... | set dresser | |
| Rob Rudas | .... | set dresser | |
| Domenic Silvestri | .... | set designer | |
| Easton Michael Smith | .... | set designer | |
| Sheri von Seeburg | .... | art department coordinator | |
| Amy Vuckovich | .... | lead man | |
Sound Department | |||
| Wayne Artman | .... | sound re-recording mixer | |
| Brian Best | .... | sound editor | |
| Joe Bosco | .... | adr recordist | |
| Lawrence L. Commans | .... | boom operator | |
| Casey J. Crabtree | .... | foley artist (as Casey Crabtree) | |
| Michael Crabtree | .... | foley artist (as Mike Crabtree) | |
| Zack Davis | .... | adr supervisor | |
| John Michael Fanaris | .... | sound effects coordinator | |
| Bruce Fortune | .... | sound editor | |
| Robert L. Harman | .... | sound re-recording mixer | |
| Grover B. Helsley | .... | sound re-recording mixer (as Grover Helsley) | |
| Glenn Hoskinson | .... | sound editor | |
| Steve Mann | .... | sound editor | |
| Blake Marion | .... | sound effects coordinator | |
| Anthony Milch | .... | sound editor (as Anthony R. Milch) | |
| Ed Novick | .... | sound | |
| Christopher O'Donnell | .... | boom operator | |
| Kim Secrist | .... | supervising foley editor | |
| Dean St. John | .... | adr mixer | |
| Dean St. John | .... | foley mixer | |
| Tim Tuchrello | .... | assistant sound editor | |
| Dustin Van Baalbergen | .... | apprentice sound editor | |
| Donald L. Warner Jr. | .... | sound editor | |
| Richard E. Yawn | .... | supervising sound editor | |
Special Effects by | |||
| James J. Guarrera | .... | effects foreman | |
| Todd Jensen | .... | effects technician (as Todd K. Jensen) | |
| Joe D. Ramsey | .... | special effects coordinator (as Joe Ramsey) | |
Stunts | |||
| Simone Boisseree | .... | stunts | |
| Erik Kleven | .... | stunts | |
| Max Kleven | .... | stunts | |
| Carl Paoli | .... | stunt double: James Caan | |
| David Rowden | .... | stunts (as David S. Rowden) | |
| Walter Scott | .... | stunt coordinator | |
| Gwynn Turnbull | .... | stunts | |
| Julie Wagner | .... | stunts | |
Camera and Electrical Department | |||
| James Barrett | .... | electrician | |
| Ron Batzdorff | .... | still photographer | |
| Rick A. Benedetto | .... | best boy electric (as Richard A. Benedetto) | |
| John Brumby | .... | generator operator | |
| Loren Corl | .... | key grip | |
| Andreas Crawford | .... | dolly grip | |
| Ed Dally | .... | camera loader | |
| Dhamarata Dhiensuwana | .... | rigging key grip | |
| Anthony D. Guzman | .... | lighting technician | |
| Jamie Lagerhausen | .... | best boy | |
| Jerry L. Marshall | .... | grip | |
| Scott McGeo | .... | grip | |
| Ted Morris | .... | camera operator | |
| Max Neal | .... | second assistant camera | |
| Brian W. Nordheim | .... | first assistant camera | |
| James Plannette | .... | gaffer | |
| Jason Poteet | .... | grip | |
Casting Department | |||
| Mary Jane Fendler | .... | casting associate (as Mary Jane Lavacca) | |
| Wendy Weidman | .... | casting associate | |
Costume and Wardrobe Department | |||
| Ruben D. Calderon | .... | set costumer | |
| Lisa A. Doyle | .... | set costumer | |
| David Ferry | .... | costumer | |
| Alix Friedberg | .... | assistant costume designer | |
| Alison Hirsch | .... | wardrobe supervisor | |
| David W. King | .... | costumer | |
Editorial Department | |||
| Anthony Gore | .... | post-production coordinator | |
| Eric Johannessen | .... | colorist | |
| Robert LaRossa | .... | color timer | |
| Paul Martinez | .... | first assistant editor | |
Music Department | |||
| P.J. Bloom | .... | music coordinator | |
| Christopher Dedrick | .... | orchestrator | |
| Brenda Heins | .... | assistant music editor | |
| Stan Jones | .... | music editor | |
| Evyen Klean | .... | music supervisor | |
Transportation Department | |||
| Steve Boyd | .... | transportation coordinator | |
| Burton L. Warner | .... | driver | |
Thanks | |||
| Alex Humphrey | .... | thanks | |
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| Body Heat | So Sweet, So Dead | All Good Things | American Psycho | The Black Dahlia |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
The late Raymond Chandler's unfinished manuscript POODLE SPRINGS, masterfully completed as a novel by SPENCER creator Robert B. Parker, has been given a first-class screen treatment by Director Bob Rafelson, Screenwriter Tom Stoppard and Production Designer Mark Friedberg. Every familiar signature trait of the Chandler-Marlowe Los Angeles is meticulously recreated and served up with nearly reverential devotion. James Caan is a letter-perfect Marlowe. The part fits him like his gray fedora, no small feat considering he follows in the shoes of such legends as Humphrey Bogart and Robert Mitchum. From matchbooks to automobiles to motels the period atmosphere is extraordinary. When a character drinks a Tab cola, the bottle is a 1963 Tab bottle. When Marlowe pays a call on the rich and powerful, the decor is '63 chic. There is no mistaking it.
Phillip Marlowe is the paradigm 1940s private investigator, but setting this story in 1963, four years after Chandler's death in 1959, is not only correct, it is part of the material's distinguished treatment. Had Chandler lived a few more years, this might well be the Marlowe he wrote for us. Parker, Rafelson and Stoppard have honored the Chandler-Marlowe heritage as the golden fleece of the American film noir and hard-boiled genres. Which, of course, it is.
One question: Why did I just happen to catch this on cable TV a year after it was released? I'd never heard anything about it. Such excellent work deserves publicity. Lots of it.