A futuristic prison movie. Protagonist and wife are nabbed at a future US emigration point with an illegal baby during population control. The resulting prison experience is the subject of ... See full summary »
When Connor MacLeod sees his old friend Rachel die in an explosion, he's had it with his immortal life and the endless pain it brings him and those he loves. He locks himself inside the Sanctuary, a Watcher-organized retreat stationed on holy ground, where immortals who are tired of the game can go to forever escape it, as well as to ensure that The Prize never falls into the wrong hands. But when an old enemy, Jacob Kell, and his posse of assassins attack the Sanctuary and kill everyone there but Connor, he is forced out into the open and into battle. Kell and Connor were friends once, and knew each other back when Connor was cast from Glenfinnan; he returned when news came that his mother was to be burned at the stake, and in the attempt to free her, Kell was killed by none other than Connor himself, and became an immortal, bitter with hate, and devoted to making Connor's life a living hell. In the present day, Connor's kinsman Duncan MacLeod is attacked by Kell's posse, including ... Written by
The old Asian immortal in Kell's "Posse" is in real life Adrian Paul's martial arts instructor. See more »
After the scene with the stagecoach, you see Duncan McLeod in a NY Taxi with yellow bumpers and the number 13A on the door. When he arrives at his destination (the building that was blown up in an earlier scene) the bumpers have changed to black and the number on the door is now 45G. See more »
Every life I touch ends brutally and for no reason. It's a curse that's followed me for centuries. I can't outrun it and I can't out live it.
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The nail in the coffin of the already confused Highlander Franchise.
Unfortunately the "Highlander" concept has been heavily tainted by multiple visions from a variety of people and a constant push from the money men to milk it for all it's worth. Each individual addition thus far, while reasonable in isolation managed to damage the overall reputation of this franchise and directly damage the quality of the original classic movie when the whole thing is considered together.
Now what they have done with this fourth movie is created something that can't even stand in isolation and when put together with everything else tears it all to pieces, spits on it and throws it in the bin, just for the sake of giving this particular piece some feeling of importance.
One of my biggest pet peeves with movie sequels is when the writers of the latest piece decide to essentially re-write the whole thing and ignore where others have taken us up until this point. For better or worse, we have been taken to a point and it is just arrogance to assume you can re-write it all better then those that have gone before, while it shows limited skill to not be able to work inside that framework. There are many ways they could have made a tie in between the TV series and all the movies work, but they chose to make this a partial reboot instead.
The Critical mistake they made was to belittle the original film. No franchise should dismiss the reason that it is a franchise. Although it would still annoy me, they could have gotten away with the partial reboot, if they had just ignored the 2nd and 3rd movie. They even would have gotten away with not fully following on from the series. But they couldn't resist messing with the original to the point that they almost totally dismissed the events of film as meaningless and so it's no surprise that this has scored the low rating it has here on the IMDb.
I watched the whole of the series as well as all the films and this movie fails to adequately fit in with any of it. One day I hope movie makers will learn that you either need to do a full reboot or get people capable of working with what they already have. Don't just let the new guys mess up everyone that went before them.
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