The story of a famous Brazilian criminal, called The Red Light Bandit because he always used a red flashlight to break in the houses during the night. Working alone, he also used to rape his female victims.
Macabea has just moved to the big city after her aunt, who raised her, died. She gets a job as a typist and moves into a boarding house with three other women. In her spare time she listens... See full summary »
In a small city of Brazil, Flor (a very good looking woman) marries Vadinho, a very handsome and erotic man. Once married she finds he is a good-for-nothing. She works teaching cooking to ... See full summary »
In a small town in Minas Gerais, the arrival of a young priest causes a commotion in the conservative atmosphere of the place, aggravated by the sudden attraction this priest feels for a ... See full summary »
Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981,... See full summary »
Tite de Lemos,
There are many concurrent plots in this film. The main one being the one in which a desperate guy kills his parents with an open razor and then goes to the movies. At the same time, other ... See full summary »
Antero de Oliveira
The story of Paulo Honório, a poor kid who becomes a rich farmer. Obsessed by his desire to get even richer, he doesn't pay much attention to his wife, Madalena, a teacher who reacts against his tyrannical ways.
Luiz Carlos Braga
The story a famous Brazilian criminal, called The Red Light Bandit because he always used a red flashlight to break in the houses during the night. Working alone, he also used to rape his female victims. Written by
A Milestone of the Brazilian "Cinema Marginal" (Underground Cinema)
In the 60's, The Red Light Bandit (Paulo Villaça) is a famous Brazilian criminal, who uses a red flashlight while breaking into residences in São Paulo, and usually rapes his female victims. The police chases him as a legend, but does not know his true identity.
In the end of the 60's in Brazil, young directors broke with the Brazilian movement "Cinema Novo" (meaning "New Cinema"), and begin a new movement, called "Cinema Marginal" (meaning "Underground Cinema"). "O Bandido da Luz Vermelha" is a milestone of this new current of filmmakers. Rogério Sganzerla presents this movie as if it were a popular police radio chronic of São Paulo and in a very chaotic way, following the worldwide movement of counterculture and the Brazilian Tropicalismo, in the toughest period of the military dictatorship in my country. This movie is the debut of Sonia Braga in the cinema, and her participation is limited to one scene, as a victim of the criminal. My vote is seven.
Title (Brazil): "O Bandido da Luz Vermelha" ("The Red Light Bandit")
Note: On 09 December 2010, I saw this film again on DVD.
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