| Photos (See all 15 | slideshow) | Videos (see all 2) |
| Martin Sheen | ... | Narrator (voice) | |
| John Franklin Sawyer | ... | Shadrach | |
| Scott Terra | ... | Paul | |
| Ginnie Randall | ... | Virginia | |
| Darrell Larson | ... | Father | |
| Deborah Hedwall | ... | Mother | |
| Jonathan Parks Jordan | ... | Middle Mole | |
| Erin Underwood | ... | Lucinda | |
| Alice Rogers | ... | Cloris | |
| Monica Bugajski | ... | Edmonia | |
| Daniel Treat | ... | Little Mole | |
| Andie MacDowell | ... | Trixie | |
| Michael Ruff | ... | Smut | |
| Muse Watson | ... | Captain | |
| Doug Chancey | ... | Dock Worker | |
| Harvey Keitel | ... | Vernon | |
| Rick Warner | ... | Presbyterian Minister | |
| Edward Bunker | ... | Joe Thorton | |
| Clarinda Hollmond | ... | Chapel Singer | |
| Melvin L. Cauthen | ... | Earvin Williams (as Melvin Cauthen) | |
| Richard K. Olsen | ... | Seddon Washington (as Richard Olsen) | |
| Olivia Bost | ... | Sweet Betty | |
| Bill Nelson | ... | Fauntleroy | |
| Walter Hand | ... | Preacher |
Directed by | |||
| Susanna Styron | |||
Writing credits(WGA) | ||
| William Styron | (short story) | |
| Susanna Styron | (screenplay) & | |
| Bridget Terry | (screenplay) | |
Original Music by | |||
| Van Dyke Parks | |||
Cinematography by | |||
| Hiro Narita | (director of photography) | ||
Film Editing by | |||
| Colleen Sharp | |||
Casting by | |||
| Tracy Kilpatrick | |||
Production Design by | |||
| Burton Rencher | |||
Set Decoration by | |||
| Valerie Fann | |||
Costume Design by | |||
| Dona Granata | |||
Makeup Department | |||
| Susan Buffington | .... | assistant hair stylist | |
| Susan Buffington | .... | assistant makeup artist | |
| Rudolph Eavy III | .... | key makeup artist (as Rudolph Eavey III) | |
| Jeff Goodwin | .... | makeup artist: Shadrach | |
| Thomas Holland | .... | makeup artist: Shadrach | |
| Linda Kamp | .... | assistant hair stylist | |
| Linda Kamp | .... | assistant makeup artist | |
| Mary Hedges Lampert | .... | assistant hair stylist (as Mary Lampert) | |
| Mary Hedges Lampert | .... | assistant makeup artist (as Mary Lampert) | |
| Aldo Signoretti | .... | key hair stylist | |
Production Management | |||
| George Gale | .... | post-production supervisor: Millenium Films | |
| Eleanor Hemingway | .... | production supervisor | |
| Brad Smith | .... | unit production manager | |
Art Department | |||
| C. Scott Baker | .... | art department assistant (as Scott Baker) | |
| Goldie Fairfa | .... | art department intern | |
| Matt Fann | .... | on-set dresser | |
| Alex Ferguson | .... | swing crew | |
| Brian Avery Galligan | .... | assistant property master | |
| Jake Ippolito | .... | swing crew | |
| Bob Kennedy | .... | foreman | |
| Dean Kennedy | .... | construction coordinator | |
| Ted J. Koch | .... | property master (as Ted Koch) | |
| Gregory Messer | .... | swing crew | |
| Randall Milazzo | .... | lead man | |
| Donald G. Millis | .... | greensman | |
| Patrick O'Kelly | .... | scenic chargeman | |
| Samuel Schons | .... | carpenter | |
| Terry Tullock | .... | labor | |
| Jennifer Wynn O'Kelly | .... | lead scenic artist (uncredited) | |
Visual Effects by | |||
| Christopher Dusendschon | .... | in-show optical process and effects compositor: THDX (uncredited) | |
| Christopher Dusendschon | .... | main title sequence optical compositor: THDX (uncredited) | |
| Mindy Minkow | .... | optical camera (uncredited) | |
Stunts | |||
| John Copeman | .... | stunt coordinator | |
| Dino Muccio | .... | utility stunts (uncredited) | |
Camera and Electrical Department | |||
| Alan Aldridge | .... | first assistant camera (as Alan Alderidge) | |
| Eric Bartsch | .... | key grip | |
| Patrick Borowiak | .... | second assistant camera | |
| Edward Brennan | .... | second assistant camera | |
| Stephen Brock | .... | electrician (as Steve Brock) | |
| Kelly Curry | .... | best boy | |
| Chris Dambra | .... | electrician | |
| Kevin Davis | .... | grip (as Cuz Davis) | |
| Matt Doll | .... | grip | |
| Frank Godwin | .... | first assistant camera | |
| Rufus Granger Jr. | .... | dolly grip (as Rufus Grainger) | |
| Prashant Gupta | .... | still photographer | |
| Billy Hendricks | .... | best boy (as Billybob Hendricks) | |
| Fredrick D. Lewis | .... | grip | |
| Bob Newcomb | .... | camera operator | |
| Cristiano Palermi | .... | electrician | |
| Daniel Taylor | .... | camera loader | |
| James Tomaro | .... | gaffer (as Jim Tomaro) | |
| Troy N. Wade | .... | dolly grip (as Troy Wade) | |
| Alexandre Naufel | .... | gaffer: Los Angeles (uncredited) | |
| Bob Newcomb | .... | cinematographer: second unit (uncredited) | |
| Mike Smith | .... | Steadicam operator (uncredited) | |
Casting Department | |||
| Katie Conkey | .... | extras casting (as Katie Conkley) | |
| Susan Shopmaker | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Cameron Doyle | .... | set costumer | |
| Lisa A. Doyle | .... | costume supervisor (as Lisa Doyle) | |
| Micelle Pridgen | .... | wardrobe production assistant (as Michelle Pridgen) | |
| Alonzo Wilson | .... | costume supervisor (as Alonzo V. Wilson) | |
Editorial Department | |||
| Monica Coronati | .... | editorial intern | |
| Saul Escobedo | .... | color timer | |
| Todd Gilbert | .... | post-production coordinator: Millenium Films | |
| Justine Halliday | .... | assistant editor | |
| Noëlle Penraat | .... | negative cutter (as Noelle Penraat) | |
| Perri Pivovar | .... | second assistant editor | |
| Lucy Jo Stone | .... | editorial coordinator | |
| Anne-Marie Hess | .... | editorial intern (uncredited) | |
Music Department | |||
| Jon Baker | .... | score mixer | |
| Cary Ginell | .... | music clearance | |
| Ira Ingber | .... | pre-score producer | |
| Walter Robinson | .... | music consultant | |
| John Rosenberg | .... | music contractor | |
| Sherry Whitfield | .... | music editor | |
| Todd Hayen | .... | conductor (uncredited) | |
| Todd Hayen | .... | orchestrator (uncredited) | |
| Frank Macchia | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Donell Crumpler Jr. | .... | driver (as Donell Crumpler) | |
| Mary Dailey | .... | driver | |
| Chuck Flynn | .... | transportation coordinator | |
| Russell Hicks | .... | driver | |
| Phyllis Leigh | .... | driver | |
| J.B. Long | .... | driver | |
| Mark McNeill | .... | transportation captain | |
| Mack Odham | .... | driver | |
| Nick Prosser | .... | driver | |
| Diane Renna | .... | driver | |
| Scott Siler | .... | driver | |
| Sonya Tomaro | .... | transportation co-captain | |
Other crew | |||
| Taylor Ammons | .... | production secretary | |
| Matthew Bautch | .... | production intern | |
| Mandy Branch | .... | vice president of production: Millenium Films | |
| Penelope Bunsen | .... | post-production accountant: Millenium Films | |
| John C. Carlton | .... | stand-in | |
| Mitch Carter | .... | group supervisor | |
| Elayne Barbara Ceder | .... | title designer (as Elayne Ceder) | |
| Hal Cosec | .... | stand-in | |
| Martin Eckhardt | .... | stand-in | |
| Jason E. Frankel | .... | legal services | |
| Heather Gnegy | .... | production intern | |
| April H. Grantham | .... | craft service (as April Grantham) | |
| Jonathan Heller | .... | caterer | |
| Therese Honeycutt | .... | assistant locations | |
| Diane Jedrezejczyk | .... | production intern | |
| Michael G. Jefferson | .... | key set production assistant (as Michael Jefferson) | |
| Yuri Karjane | .... | production intern | |
| Bill Kilmon | .... | caterer | |
| Robert A. Kline | .... | legal services | |
| Loren Lockwood | .... | assistant: Mr. Keitel | |
| Lexie Longstreet | .... | script supervisor | |
| Alisha Manlove | .... | production intern | |
| Susan Muir | .... | completion guarantor | |
| Ante Novakovic | .... | trainer | |
| Rudy A. Persico | .... | set production assistant (as Rudy Persico) | |
| Steve Ransohoff | .... | completion guarantor | |
| Eric Rei | .... | caterer | |
| Caroline Rogers | .... | assistant: Ms. MacDowell | |
| Alicia Rudd | .... | animal trainer | |
| John Sawyer Jr. | .... | stand-in | |
| Ken Schatz | .... | dialect coach | |
| Linda Schmitt | .... | set teacher | |
| Scott T. Seibold | .... | stand-in | |
| Jon Shiffman | .... | assistant vice president: Imperial Entertainment Group (as John Shiffman) | |
| Jackie Short | .... | assistant accountant | |
| Van Starling | .... | set production assistant | |
| Janet Stegall | .... | stand-in | |
| Sally Strickland | .... | set medic | |
| Tisha D. Trevino | .... | office production assistant | |
| Clive Turner | .... | accountant | |
| Jared Underwood | .... | senior vice president: Imperial Entertainment Group | |
| Ginger Ussery | .... | location manager | |
| Neda Armian | .... | production associate (uncredited) | |
| Mary Tobler | .... | assistant to producer (uncredited) | |
Thanks | |||
| Cari Beauchamp | .... | special thanks | |
| George Borghi | .... | special thanks | |
| Terry Carlton | .... | special thanks | |
| Marie Hélène Desbiens | .... | special thanks (as Marie-Helene Desbiens) | |
| Peggy Farrell | .... | special thanks | |
| Jeanne Field | .... | special thanks | |
| Linda Francis | .... | special thanks | |
| Betty Goldberg | .... | special thanks | |
| Steven J. Goldfisher | .... | special thanks | |
| Peggy Gormley | .... | special thanks | |
| Adrienne Harvey | .... | special thanks | |
| Philip Horne | .... | special thanks | |
| Lynn Houston | .... | special thanks | |
| Julie Janney | .... | special thanks | |
| Phyllis Kaufman | .... | special thanks | |
| Elizabeth Kling | .... | special thanks | |
| Emma Larson | .... | special thanks | |
| Lilah Larson | .... | special thanks | |
| David Littlefield | .... | special thanks | |
| Irene Mecchi | .... | special thanks | |
| Danielle Merrill | .... | special thanks | |
| Robert Messinger | .... | special thanks | |
| Vera Moss | .... | special thanks | |
| Bill Nisselson | .... | special thanks | |
| Michael Ontkean | .... | special thanks | |
| Constance Royster | .... | special thanks | |
| Art Seidel | .... | special thanks | |
| Justin Smith | .... | special thanks | |
| Jamie Smith-Jackson | .... | special thanks (as Jamie Smith Jackson) | |
| Mark L. Stricklin | .... | special thanks (as Mark Stricklin) | |
| Calvin Ussery | .... | special thanks | |
| Douglas Vaughan | .... | special thanks (as Rev. Douglas Vaughan) | |
| Margarita Villalobos | .... | special thanks | |
| James L. West III | .... | special thanks | |
|
|
|
|
|
| Down in the Delta | Sunshine State | Bamboozled | Giant | Cookie's Fortune |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
This beautiful story got overlooked somewhere; what you call a 'sleeper'. Most certainly undeservedly, as this is indeed a wonderful film.
One could say that 'Shadrach' is an 'amateur' production, as most of the cast and the director Susanna Styron had not made any other films previously. Albeit the inclusion of very well-known names in the cast such as Martin Sheen (invisible narrator), Andy MacDowell and Harvey Keitel, who must be considered the 'professionals' in the whole enterprise.
Hiro Narita's photography is excellent, capturing the essence of rural Virginia and the sweat on the actors' faces in all kinds of light. The music is correct lending great atmosphere to the development of the film.
I cannot remember Harvey Keitel in a better role: here he is a convincing poor Virginian trying to eke out a living selling a few bottles of illegal whiskey, father of seven children. No overacting: nicely controlled interpretation of a simple rough type with a bit of good heart. Commendable performance. Andy MacDowell is not bad, though how she could possibly have such a good-looking sexy figure after seven children escapes all reason!
And the old man of the film: John Franklin Sawyer, aged 91 when this film was shot, the only film he has ever been in, is magnificent: you really feel for this old man as the film progresses and you empathise with his desire to return to the soil that saw him born. Wonderful, but without being a soppy tear-jerker. A sober feat, brilliantly handled. Scott Terra and Ginnie Randall give authentic performances.
All this points a finger at Susanna Styron: masterful directing, comparable with other masters of greater experience. She knew how she wanted to develop the characterization of her actors, and the result is extremely satisfying. She knew how she wanted those old cars to appear, and how the little old houses should appear. A great accomplishment. This is because from this 'amateur' production, it is clearly evident the amount of effort and loving care with which everyone concerned were bent on so as to make this beautifully told story be so warm and human.
If you have the luck to find this film on any channel or on video, do not miss it: this film is richly rewarding. It deserves to be far better known than it is. My vote is a high seven out of ten.