In 1935, 99-year-old former slave Shadrach asks to be buried on the soil where he was born to slavery, and that land is owned by the large Dabney family, consisting of Vernon, Trixie and ... See full summary »
In 1935, 99-year-old former slave Shadrach asks to be buried on the soil where he was born to slavery, and that land is owned by the large Dabney family, consisting of Vernon, Trixie and their seven children, and to bury a black man on that land is a violation of strict Virginia law. Written by
The name Shadrach is Biblical, and comes from the Book of Daniel. Shadrach, along with Meshach and Abednego was one of the three men of God who were put into a fiery furnace, but who came out unscathed, because the Lord had protected them. They had been put in there by Nebuchadnezzer, the King of Babylon, when they refused to bow to an idol. (Daniel 3:1-29) See more »
The film is set in 1935. When Paul walks into the house past his father and up the stairs (at the beginning of the film), a smoke detector is visible on the ceiling at the bottom of the stairs. See more »
[Paul has learned curse words from the Dabneys and is yelling them into the closet.]
Son of a bitch, whorehouse, Jesus Christ, pisspot, asshole!
Come on, Paul, it's time to go to church!
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Music by Harry Warren (uncredited)
Lyrics by Al Dubin (uncredited)
Performed by Moving Star Hall Singers
Courtesy of Smithsonian Folkways Recordings See more »
How refreshing it is to see a movie about northeastern North Carolina-southeastern Virginia that could actually have been filmed in the area and that features people who could actually have lived here! Well, it was a bit hard to believe that after living a hard life and birthing that many children, Andie McDowell's character would still look young, thin, and pretty. If I thought it would make me look like that, I'd take up drinking beer.
Amazingly, Harvey Keitel is believable as the irascible father, and his accent is even tolerable. Perhaps what is amazing is his versatility as an actor, since he was also believable as Baines in "The Piano," Auggie in "Smoke" and "Blue in the Face," the police detective in "Thelma and Louise," and all those heavies in all those gangster films.
What should you expect if you view this film? A glimpse at what this part of the world looked like before WWII and farm-to-market roads and typhoid shots and birth control; a child's-eye view of growing up in a rural family in the Depression; a story about doing what's right. I liked it.
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