What's the bond between partners, between brothers, and between spouses? In L.A., Bill Holt handcuffs Sean Rickhart inside a rebar frame for a freeway pillar at a construction site; Bill's ... See full summary »
With his pregnant wife at death's door after a car crash, desperate husband John Barrett invades the home of Mark Driscoll and his rich, neglected wife Sally. He holds the couple hostage in... See full summary »
Backstreet Dreams is the story of a man, who has a disturbed child. He and his wife take their son to a clinic, where he is diagnosed by a talented psychologist (Stevie), as being autistic.... See full summary »
Recently widowed Shelby Naylor (Sherilyn Fenn) listening to her husbands police scanner overhears a husband and wife arguing on the phone. The wife ends up dead and Widow Naylor points the finger endangering herself.
Karen, Sarah, and Emma Tunney are all moving to a small town in Pennsylvania where, unknown to them, in 1913, a horrid mine accident trapped dozens of children alive, underground. But there's a problem. They're still alive.
Chloë Grace Moretz
Ray Trueblood, member of a street gang, is framed by an enemy of a rival gang, Billy "Spider" Masters. Ray is accused of killing a cop and he has to escape leaving behind his little brother... See full summary »
A serial killer is on the prowl in the badlands of Ozona, Oklahoma, and the travelers who intersect at a roadside cafeteria somewhere between Texas and New Mexico are destined to cross his path. They include a circus clown and his stripper girlfriend, grieving sisters, a trucker, and a woman who is taking her mother to see the ocean before she dies. Tying everything together even tighter is the presence of the local radio station, whose DJ and boss don't seem to be getting along too well. Written by
Ary Luiz Dalazen Jr.<email@example.com>
It is a truly offbeat dream-poem of a movie about the loneliness of the open prairie roads on the graveyard shift. The plot winds together several seemingly unrelated storylines united by the fact that all the characters listen to the same two-bit radio station, and seem headed for a common fate. The tension occurs because a serial killer is roaming the highways among the usual losers, misfits, daffodils and lonely hearts.
It's not quite a great movie because it tried to dominate the entire experience with murky tone and forlorn bluesy dialogue, and that is a difficult meal to concoct without grinding it all to cornball mush. The movie is the cinematic equivalent of a sad saxophone wail, and while it had some great moments, that type of mood is sometimes best left to the sax, because expressing it in dialogue can ring false and corny (the Sherilyn Fenn character was an unrealisticly shallow and cardboard cliche, for example).
On the other hand, if you have a taste for the offbeat, you may really enjoy this collection of anecdotes and vignettes. Because of a "this is my song, and I'm going to sing it my way" attitude, it's more interesting than a lot of big budget studio pictures.
A very eclectic cast
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