| Daniel Auteuil | ... | Xavier Lombard | |
| Nastassja Kinski | ... | Deborah Spitz | |
| Katrin Cartlidge | ... | Emily | |
| Marianne Denicourt | ... | Nathalie | |
| Ciarán Hinds | ... | Carlos | |
| Billie Whitelaw | ... | Mrs. Spitz | |
| Cyril Shaps | ... | Mr. Spitz | |
| Bruce Greenwood | ... | Friedman | |
| Jamie Harris | ... | Hopper | |
| Hemal Pandya | ... | Shiva | |
| Billy Smyth | ... | Boy No 6 | |
| Cal Macaninch | ... | Martin | |
| Mark Benton | ... | Giant | |
| Michael Liebmann | ... | Peter | |
| Joe White | ... | Barman | |
| Natalie Rogers | ... | Lombard's Wife | |
| Charlotte Carew-Gibbs | ... | Lombard's Daughter | |
| Gregory McFarnon | ... | Leon | |
| Marsha Fitzalan | ... | Mrs. Carlton | |
| Will Welch | ... | Lover | |
| Ray MacAllan | ... | Paul | |
| David Hayman | ... | Nathalie's Pimp | |
| Christine Perez | ... | Nina | |
| Júlio Garcia | ... | Priest | |
| rest of cast listed alphabetically: | |||
| Mem Ferda | ... | Pimp (as Mem Ferda) | |
| Anneka Svenska | ... | Call Girl (uncredited) | |
Directed by | |||
| Chris Menges | |||
Writing credits(in alphabetical order) | ||
| Eric Leclere | writer | |
| Margaret Leclere | writer | |
| Mark Mills | writer | |
Produced by | |||
| Georges Benayoun | .... | executive producer | |
| Paul Cowan | .... | line producer | |
| Polly Duval | .... | assistant producer | |
| Finola Dwyer | .... | producer | |
| Marina Gefter | .... | co-producer | |
| Judy Menges | .... | associate producer | |
| Nik Powell | .... | executive producer | |
| Sarah Radclyffe | .... | executive producer | |
| Flore Rougier | .... | assistant producer | |
| Stephen Woolley | .... | executive producer | |
Original Music by | |||
| Goran Bregovic | |||
Cinematography by | |||
| Barry Ackroyd | |||
Film Editing by | |||
| Luc Barnier | |||
| Pamela Power | |||
Casting by | |||
| Catherine Conklin | (as Cathy Conklin) | ||
| Simone Ireland | |||
| Vanessa Pereira | |||
| Kathy Smith | |||
Production Design by | |||
| John Beard | |||
Art Direction by | |||
| Ray Chan | |||
| Ricky Eyres | |||
| Louise Marzaroli | |||
Set Decoration by | |||
| Niamh Coulter | |||
Costume Design by | |||
| Rosie Hackett | |||
Makeup Department | |||
| Roseann Samuel | .... | hair stylist | |
| Roseann Samuel | .... | makeup designer | |
| Tina Sims | .... | hair stylist | |
Production Management | |||
| Chris Wheeldon | .... | production manager: UK | |
Second Unit Director or Assistant Director | |||
| Stuart Renfrew | .... | assistant director | |
Art Department | |||
| David Balfour | .... | property master | |
| Helen Britten | .... | co-set decorator | |
| Tony Chance | .... | storyboard artist | |
| Kelvin Cook | .... | props | |
| Bill Garber | .... | greensman | |
| John M. Oswald | .... | on-set dresser | |
| Lee Ross | .... | lead scenic | |
| Anthony Szuch | .... | master drapes | |
| Lynny Warner | .... | set dresser | |
| John Wells | .... | chargehand dressing props | |
| Mark Scruton | .... | assistant set dresser (uncredited) | |
Sound Department | |||
| Chris Atkinson | .... | sound trainee | |
| Christopher Atkinson | .... | sound assistant | |
| Peter Burgis | .... | foley artist | |
| Annie Gould | .... | assistant dialogue editor | |
| Djordje Jankovic | .... | sound engineer | |
| Nick Lowe | .... | dialogue editor | |
| Predrag Milanovic | .... | sound engineer | |
| Kate Morath | .... | boom operator | |
| Ognjan Radivojevic | .... | sound engineer | |
| Bjorn Ole Schroeder | .... | first assistant sound editor | |
| Martin Trevis | .... | sound | |
Special Effects by | |||
| Bob Hollow | .... | special effects coordinator | |
| Tez Palmer | .... | special effects technician (as Terry Palmer) | |
Visual Effects by | |||
| Sally Clayton | .... | digital artist | |
| Simon Giles | .... | digital effects producer | |
| Chris Petts | .... | digital effects animator | |
| Peter Talbot | .... | effects film scanner | |
| Matthew Twyford | .... | digital effects compositor | |
Stunts | |||
| Marc Cass | .... | stunt performer | |
| Ray De-Haan | .... | stunt performer (as Ray De Han) | |
| Tom Delmar | .... | stunt coordinator | |
| Terry James | .... | stunt coordinator: Tuscan unit (as Terrance James) | |
| Mark Lisbon | .... | stunt performer | |
Camera and Electrical Department | |||
| Tony Devlin | .... | electrician | |
| Jean-Marie Leroy | .... | still photographer | |
| Darin Meyer | .... | camera trainee: Tucson | |
| Larry S. Prinz | .... | gaffer | |
| Miles Proudfoot | .... | clapper loader | |
| Diego Quemada-Diez | .... | assistant camera (as Diego Quemada) | |
| Alastair Rae | .... | Steadicam operator | |
Costume and Wardrobe Department | |||
| Blanca Garcia | .... | costume supervisor | |
| Tess Hammami | .... | costumer | |
| Alex Carey | .... | costume breakdown artist (uncredited) | |
Editorial Department | |||
| Emily Grant | .... | assistant editor | |
| Stephen Law | .... | post-production consultant | |
| Nadia Naimi | .... | second assistant editor | |
| Jamie Pearson | .... | first assistant editor | |
Music Department | |||
| Bob Last | .... | music consultant | |
| Bjorn Ole Schroeder | .... | music editor | |
Transportation Department | |||
| J.D. Hicks | .... | wardrobe driver | |
| Jason LaFountain | .... | driver | |
Other crew | |||
| Ryan Green | .... | runner | |
| Sasha Harris | .... | assistant production coordinator | |
| Jason Horwood | .... | stand-in | |
| Patrick Isherwood | .... | production accountant | |
| Becky Jones | .... | assistant location manager | |
| Keith Mosca | .... | armorer | |
| Pierre Mouline | .... | stand-in | |
| Jonathan Rutter | .... | publicist | |
| Rachel Quigley Smith | .... | assistant production accountant | |
| Scott Stravitz | .... | set medic | |
| Anthony Szuch | .... | master drapes | |
| Philippa Wood | .... | assistant to executive producer | |
| Recent Posts (updated daily) | User |
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| The Worst Film EVER! This time I mean it! | zorplo |
| Ending twist **Spoilers** | trish722 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb France section |
It is interesting that "8MM," with a plot so similar, came out the same year. I found this film more interesting and believable and far less dark and stomach-turning. It is well-filmed and acted with some interesting locations. The tension is well-metered. I enjoyed the colorfulness of the filming. The cosmopolitan/European flavor lends a great deal. I enjoyed the music as well. I would see this film again with a friend.