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The Lost Son (1999)

R  |   |  Crime, Drama, Romance  |  21 April 1999 (France)
6.6
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Ratings: 6.6/10 from 1,225 users  
Reviews: 31 user | 18 critic

Xavier Lombard is a world-weary private eye in London, in exile from his native Paris; his best friend is Nathalie, a high-class call girl. He gets a call from an old friend from the Paris ... See full summary »

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Title: The Lost Son (1999)

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Cast

Cast overview, first billed only:
...
Xavier Lombard
...
...
Emily
Marianne Denicourt ...
Nathalie
...
...
Mrs. Spitz
Cyril Shaps ...
Mr. Spitz
...
...
Hopper
Hemal Pandya ...
Shiva
Billy Smyth ...
Boy No 6
...
Martin
...
Giant
Michael Liebmann ...
Peter
Joe White ...
Barman
Edit

Storyline

Xavier Lombard is a world-weary private eye in London, in exile from his native Paris; his best friend is Nathalie, a high-class call girl. He gets a call from an old friend from the Paris police department, now a businessman whose brother-in-law is missing. The missing man's parents hire Xavier over their daughter's objections, and quickly he finds himself in the realm of children's sexual slavery. He guesses that the lost son is dead and shifts his focus to finding and breaking this lucrative business of child trafficking. He involves a reluctant Nathalie to hunt "the Austrian," the shadowy head of the business. Violence erupts quickly, and Xavier soon has little more to lose. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Innocence isn't lost. It's taken See more »


Motion Picture Rating (MPAA)

Rated R for scenes involving sexual exploitation of children, strong violence, language and some nudity | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

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Language:

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Release Date:

21 April 1999 (France)  »

Also Known As:

Az elveszett fiú  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

After 45 features in his native language, this is Daniel Auteuil's first English speaking role. See more »

Goofs

Lombard picks up a Walther PPK pistol with the magazine removed. He cycles the slide and then inserts the magazine. Although it appears he was charging the weapon, all he has done is ensure the gun is not loaded (there may be rounds in the mag, but there is no round in the chamber). See more »

Connections

Features Sleeping Beauty (1922) See more »

Soundtracks

100% Pure Love
Written by Teddy Douglas, Jay Steinhour, Tommy Davis, Crystal Waters
Performed by Crystal Waters
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User Reviews

 
An excellent "Flic" - French Cop-Style Thriller
22 April 2007 | by (United Kingdom) – See all my reviews

I just watched this film on DVD, and sought it out because I love Daniel Auteil's acting.

This film felt very French to me in its cinematography and overall styling, although largely London based, and shot mainly in English.

The acting throughout was excellent, perhaps with the exception of Ciaran Hinds' Brazilian/American/Irish accent! Ciaran plays the lost son's brother in law, who brings Lombard, the French private detective living in London, in to try to solve the case of the disappearance.

The film does deal with a very sensitive subject, but I felt it did so sensitively, showing how an empire can be brought down by one man, if he feels strongly enough to sacrifice everything he has.

There are some very violent scenes, and they are wholly central to the script, highlighting how low Lombard's character, is brought by his passion and anger at what horrors he has uncovered in a paedophile ring, involved in the disappearance of the lost son. Lombard makes moral decisions throughout the film that are understandable and I feel that this is a very powerful film.

The late Katrin Cartlidge puts in a very strong performance, supporting Lombard's character in his ultimate revenge plot. Lombard's "tart with a heart" best friend, Marianne Denicourt, is excellent in a stunning bitter-sweet role, and Billie Whitelaw is fabulous as the stern, businesslike matriarch, whose lost son is being sought by Lombard, and who also comes to terms with tragic loss, as Lombard also must. Auteuil, as always, is credible, beautiful and gives a very moving performance. Although it took me a few minutes to get over his English "voice"!

In my opinion, this must be one of the best international, cross-over, thrillers in recent years.


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