| Photos (See all 18 | slideshow) | Videos (see all 2) |
| Vanessa Paradis | ... | Adèle | |
| Daniel Auteuil | ... | Gabor | |
| Frédéric Pfluger | ... | Contortionist | |
| Demetre Georgalas | ... | Takis | |
| Catherine Lascault | ... | Irene | |
| Isabelle Petit-Jacques | ... | Bride | |
| Mireille Mossé | ... | Miss Memory | |
| Didier Lemoine | ... | TGV Ticket Conductor | |
| Bertie Cortez | ... | Kusak | |
| Stéphane Metzger | ... | Italian Waiter | |
| Claude Aufaure | ... | Suicide Victim | |
| Farouk Bermouga | ... | TGV Waiter | |
| Nicolas Donato | ... | Mr. Loyal | |
| Enzo Etokyo | ... | Italian Megaphone | |
| Giorgios Gatzios | ... | Barker | |
| Pierre-François Martin-Laval | ... | Fireman #1 | |
| Franck Monsigny | ... | Intern | |
| Boris Napes | ... | The Barman | |
| Luc Palun | ... | Stage Manager | |
| Jacques Philipson | ... | Guy in T-Shirt | |
| Jean-Paul Rouvray | ... | Fireman #2 | |
| Philippe Sire | ... | Hotel Concierge | |
| Natasha Solignac | ... | Nurse | |
| Isabelle Spade | ... | Casino Woman | |
| Jacques Vertan | ... | Clown | |
| Bruno Villien | ... | Casino Neighbor |
Directed by | |||
| Patrice Leconte | |||
Writing credits(in alphabetical order) | ||
| Serge Frydman | dialogue | |
| Serge Frydman | screenplay | |
Produced by | |||
| Christian Fechner | .... | producer | |
| Hervé Truffaut | .... | executive producer | |
Cinematography by | |||
| Jean-Marie Dreujou | |||
Film Editing by | |||
| Joëlle Hache | |||
Production Design by | |||
| Ivan Maussion | |||
Costume Design by | |||
| Annie Périer | |||
Makeup Department | |||
| Véronique Boitout | .... | hair stylist | |
| Christophe Danchaud | .... | key makeup artist | |
| Joël Lavau | .... | key makeup artist | |
| John Nollet | .... | key hair stylist | |
Production Management | |||
| Catherine Adart | .... | post-production manager | |
| Daniel Baschieri | .... | production manager | |
| Yorick Kalbache | .... | unit manager | |
| Grégory Valais | .... | unit manager trainee | |
Second Unit Director or Assistant Director | |||
| Grégoire Barachin | .... | assistant director | |
| Marianne Capian | .... | assistant director | |
| Jacques Pasquier | .... | trainee assistant director | |
| Emmanuel Roussille | .... | assistant director | |
Art Department | |||
| Virginie Denis Roy | .... | assistant decorator (as Virginie Denis) | |
| Ludovic Garçon | .... | painter | |
| Nicolas Raffy | .... | property master | |
Sound Department | |||
| Jean-Philippe Angelini | .... | post-synchronization assistant | |
| Serge Ardos | .... | stereo sound consultant: Dolby | |
| Fanchon Brulé | .... | dialogue editor | |
| Pascal Chauvin | .... | sound effects | |
| Pascal Dedeye | .... | sound effects assistant | |
| Michel Filippi | .... | post-synchronization engineer | |
| Jean Goudier | .... | sound | |
| Katrina Heaulme | .... | post-synchronization assistant | |
| Dominique Hennequin | .... | sound | |
| Jean-Paul Hurier | .... | sound mixer | |
| Jean-Paul Hurier | .... | sound re-recording mixer | |
| Paul Lainé | .... | sound | |
| Jean-Louis Lebras | .... | post-synchronization boom operator | |
| Peggy Rivoallan | .... | trainee sound operator | |
| Hervé Roux | .... | DTS consultant | |
| Sandrine Strauss | .... | assistant sound editor | |
Special Effects by | |||
| Séverine De Wever | .... | production coordinator | |
| Jean-Pierre Grandet | .... | special effects accessories | |
| Philippe Hubin | .... | special effects | |
Visual Effects by | |||
| Alain Carsoux | .... | visual effects director | |
| Stéphanie Dargent | .... | matte painter | |
| Thomas Duval | .... | visual effects supervisor | |
| Xavier Fourmond | .... | digital compositor | |
| Frederic Medioni | .... | digital compositor | |
| Antoine Simkine | .... | visual effects executive producer: Duboi | |
| Georges Tornero | .... | digital compositor | |
| Daniel Trujillo | .... | digital effects artist | |
| Rip Hampton O'Neil | .... | director of reseach and development: DuboiColor (uncredited) | |
Stunts | |||
| Rémi Canaple | .... | assistant stunt coordinator | |
| Rémi Canaple | .... | stunts | |
| Patrick Cauderlier | .... | stunts | |
| Elisabeth Joinet | .... | stunts | |
| Roland Neunreuther | .... | stunts | |
| Alain Vilain | .... | stunts | |
Camera and Electrical Department | |||
| Florent Bazin | .... | first assistant camera | |
| Frédéric Bergé | .... | grip | |
| Alexandre Bon | .... | assistant camera | |
| Catherine Cabrol | .... | still photographer | |
| Renaud Chassaing | .... | second assistant camera | |
| Patrick Gasché | .... | electrician | |
| Marie Gennesseaux | .... | video controller | |
| Axel Jenneson | .... | grip | |
| Raphael Jourdan | .... | grip | |
| Patrice Leconte | .... | camera operator | |
| Pierre Mery | .... | grip | |
| Pascal Morisset | .... | assistant camera: underwater cinematography | |
| Michel Méry | .... | grip | |
| Charlet Recors | .... | aerial director of photography (as Charles Recors) | |
| Jean-Claude Reux | .... | chief electrician | |
| Michel Revest | .... | assistant camera: underwater cinematography | |
| Roland Savoye | .... | underwater cinematographer | |
| Denis Scozzesi | .... | key grip | |
| Gilbert Seybald | .... | electrician | |
| Antoine Vidal | .... | crane operator: Louma crane | |
Casting Department | |||
| Geneviève Acien | .... | extras casting assistant | |
| Catherine Deserbais | .... | extras casting | |
Costume and Wardrobe Department | |||
| Marie Foulon | .... | costumes trainee | |
| Tess Hammami | .... | costumer | |
Editorial Department | |||
| Olivier Fontenay | .... | color timer | |
| Isabelle Julien | .... | color timer | |
| Yvan Lucas | .... | color timer | |
| Denis Parrot | .... | editor trainee | |
| Sylvie Van der Vorm | .... | assistant editor | |
Music Department | |||
| Didier Lizé | .... | music mixer | |
Other crew | |||
| Tony Baldridge | .... | technical supervisor: Legend Films, Inc. | |
| Anne Barbier | .... | assistant location manager | |
| Tahar Boualam | .... | groupman | |
| Danielle Dumanoir | .... | production secretary | |
| Jean-Marc Dupuy | .... | assistant manager | |
| Christine Janeau | .... | assistant manager | |
| Florence Jennert | .... | juridical director | |
| Jean-Claude Landon | .... | assistant manager | |
| Philippe Lévy | .... | production administrator | |
| Maggie Perlado | .... | script supervisor | |
| Isabelle Sauvanon | .... | press attache | |
| Lucie Truffaut | .... | trainee script supervisor | |
| Didier Warin | .... | locksmith | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
The old Hollywood formula, Boy Meets Girl, Cute, is given a nice French twist is this very funny and intriguing romantic comedy starring Daniel Auteuil and Vanessa Paradis. Paradis is Adele, a twenty-something waif who looks like a Parisian model except for the charming and disarming gap between her two front teeth. She's sur la pont and looking to jump off into the Seine. Auteuil appears as Gabor, a forty-something carnival knife thrower, looking for a new and more exciting target. He taunts her a little, shames her a bit. She gets insulted and jumps. He jumps in right after her.
Well, I have it on good report that Nora Ephron is jealous as hell. I mean wouldn't, say, Meg Ryan and Mel Gibson just be adorable meeting like this?
I...don't...think...so. For one thing, this would never work in the American cinema since one of the essentials is that the "boy" be twenty years older than the "girl" so that his patience with her frequent liaisons is plausible. Hollywood would have to find another slant on their relationship (something banal no doubt) and alter the ending to make it more romantic. But Hollywood can do that! Watch for the remake--a Nancy Meyers film, directed by Ephron--in theaters everywhere, circa 2010.
Since the script, containing some very witty dialogue by Serge Frydman, and the fine acting by Auteuil and Paradis, carry the show, Director Patrice Leconte was able to film this on the cheap in glorious black and white, which doesn't detract from the film at all. I didn't really notice there was no color until about twenty minutes in because I was so taken with, first, Paradis as the girl who could never say no, and then Auteuil who is funny, commanding, and obviously having a great time. By the way, the device of her being interviewed to open the film makes us think for a moment that we are being shown a video recording of that interview. Following a well-established cinematic convention of rendering video recordings in black and white, this makes our minds accept the black and white cinematography without question.
Paradis is child-like and sexy by turns. The scene after the train passes and she says to Gabor something like, "You KNOW what I want to do, and I want to do it NOW," leads to a rather strange, but clearly erotic, symbolic sexual experience. Paradis plays her part very well.
The theme is the mystery of capricious luck, believed in passionately by those who feel they have none, which is how Adele and Gabor feel before they meet each other. Together, however, they can call the number at roulette, win at the lottery, and find gold on the ground!
The enigmatic and rather predictable ending warrants some pondering. Are they going to live happily ever after as man and wife, lovers, or as a kind of father/daughter team? It's not clear, and that's deliberate. Draw your own conclusions, but don't miss this one. It's definitely worth seeing.
(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)