Jason Davis is a reporter who gets an anonymous tip that turns him into an eyewitness to a judge's murder.

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Cast

Credited cast:
...
Amber Collins
...
Nancy Drake
...
Jason Drake
...
Richard Dunn, Esq.
...
Janet
...
Bob
...
Rest of cast listed alphabetically:
Amy Breliant ...
Maxie
Karen Breliant ...
Theresa
...
Police officer
Kool Moe Dee
Martika
...
Security Guard
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Storyline

Jason Drake is a reporter who gets an anonymous tip that turns him into an eyewitness to a judge's murder. Separated from his wife Nancy, Jason meets Amber, an intriguing photographer. There is instant heat between them. After a passionate night together, Jason finds a bullet hole in his windshield and a menacing note. As Jason gets increasingly violent death threats, he realizes the judge's killer is after him... Written by Anonymous

Plot Summary | Add Synopsis

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Caught between passion and revenge, Jason comes face to face with a murder he may have caused.

Genres:

Drama | Mystery

Motion Picture Rating (MPAA)

Rated R for violence, sexuality and language | See all certifications »
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Release Date:

23 February 2005 (Philippines)  »

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Did You Know?

Soundtracks

Like an Engine
Written by Amilia K. Spicer
Performed by Amilia K. Spicer
Courtesy of AllSpice Music
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User Reviews

Quite flawed, yet oddly compelling
25 July 2001 | by (USA) – See all my reviews

Far from being incidental, the theme of continuing child sexual abuse *is* the story of "Footsteps." (Alternate title: "Expose.") A haunting, disconnected portrayal of the deep effects on the psyche of this type of abuse, the film itself takes on the characteristics of those sexually abused from a young age. The seemingly aimless, stilted, dissociative quality of the movie is a reflection of one of the main characters. Her story unfolds in an enigmatic fashion, deliberately drawing on one of the key aspects of the child victim's personality – the quest to be unknowable, yet cherished.

Although the sexual capriciousness shown in the movie often seems gratuitous, it is also tragically characteristic. Told on an 'insider' level, there is no psychiatric consultant on the side constantly interpreting the characters and events for us. Even though this movie leaves much to be desired, it is nonetheless compelling, in no small part due to the music of Amilia K Spicer, whose compositions imbue the viewer with an awareness of subtleties which the movie's characterizations do not satisfactorily express. The artists who perform 'Sodom' undergird the final moments with a sense of inexorable ruination, which nearly makes their acting out superfluous.

In spite of the fact that this film is often clumsy and superficial, and too thoroughly graphic, the compassion and purpose behind Daphna Edwards' effort shines through. Apparently, she took on this amateurish effort with a mission in mind. Those looking for mere entertainment will be unimpressed.


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