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Husband (senior ministry official) and wife find their house is riddled with listening devices put there by his own ministry. A harrowing night follows (reminiscent of 'Who's Afraid Of ... See full summary »
Grim story of one of the major battles of the Korean War. While negotiators are at work in Panmunjom trying to bring the conflict to a negotiated end, Lt. Joe Clemons is ordered to launch ... See full summary »
In a small town in Minas Gerais, the arrival of a young priest causes a commotion in the conservative atmosphere of the place, aggravated by the sudden attraction this priest feels for a ... See full summary »
A group of students are spending the summer vacation at a university camp studying the science of linguistics. One of the camp directors, Jaroslaw, is a young professor who prefers the ... See full summary »
An engineer in charge of the production line of a factory in Moscow is sent to a small town to try to specify the distributor the new dimensions of a mechanic part they need. But in this ... See full summary »
Colourful 'optimistic tragedy' of a poor family in Ukraine, living in the Carpathian mountains near the Romanian border, during the Second World War. Five sons of the family make up the ... See full summary »
This film is now available on DVD in Russia, but there's no distributor name on the packaging (I bought it at a 505 store in St. Petersburg).
This is a little new wave gem. It's reminiscent of Sergo Paradjanov's "Shadows of Forgotten Ancestors" (1964) -- Ilyenko was Paradjanov's cameraman and both worked for Dovzhenko Studios in Kiev. Paradjanov's film (based on the Kotsiubynsky story of the same name) is set among the Hutsuls of western Ukraine while Ilyenko's takes place in central Cossack Ukraine. The considerable cultural differences are overcome by the similar approach to the material -- some critics use the term "Ukrainian Poetic Cinema" for the films made by the group around Paradjanov and Ilyenko, and you can read a fine article about them by Bohdan Nebesio on-line. Ilyenko went on to make "White Bird with a Black Spot," which I saw as an undergrad at UM and now have only the vaguest memory of; and the 2002 "Prayer for Hetman Mazepa" which had a very stormy reception.
The packaging says that this is a "poetic fantasy on the motifs of the stories of N. V. Gogol and Ukrainian folk tales." That's about right: the plot loosely follows Gogol's story, and also includes moments from the other "Dikanka" stories (the pig busting in on the Cossacks is especially nice), as well as from Ukrainian folk rituals.
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