Madame Ranevskaya (Rampling) is a spoiled aging aristocratic lady, who returns from a trip to Paris to face the loss of her magnificent Cherry Orchard estate after a default on the mortgage... See full summary »
Queen Victoria is deeply depressed after the death of her husband, disappearing from public. Her servant Brown, who adores her, through caress and admiration brings her back to life, but ... See full summary »
Centuries ago, under the sands of ancient Egypt, a prince was buried and his tomb eternally curses so that no man would ever again suffer from his evil ways. But hundreds of years later on ... See full summary »
Jason Scott Lee,
During one of her parents many parties, Chloe learns they're bankrupt. She's being courted by Niko, a wealthy Greek American, so she decides to charm him. He's quickly captivated. That ... See full summary »
Based on a true story, this film tells the tale of the 1950 US soccer team who, against all odds, beat England 1 - 0 in the city of Belo Horizonte, Brazil. Although no US team has ever won a World Cup title, this story is about the family traditions and passions which shaped the lives of the players who made up this team of underdogs.
Peter is a novelist who is going out of his mind because his wife and daughter have left him. He's bought a Smith & Wesson and put one bullet in it. He's pulled the trigger once in ... See full summary »
Madame Ranevskaya (Rampling) is a spoiled aging aristocratic lady, who returns from a trip to Paris to face the loss of her magnificent Cherry Orchard estate after a default on the mortgage. In denial, she continues living in the past, deluding herself and her family, while the beautiful cherry trees are being axed down by the re-possessor Lopakhin (Teale), her former serf, who has his own agenda. Written by
Helen Mirren was supposed to play the part of Ranyevskaya, eventually played by Charlotte Rampling. She was involved with the project from the very beginning and even attended the rehearsals. But when director 'Michael Cacoyannis' announced that no one was to leave Bulgaria during the 3 months of filming she pulled out. See more »
In this era of gratuitous special effects and uneven, even shoddy, production, one cannot depend on Hollywood to successfully transfer a stage play to the screen. This movie is partially the exception, as the movie amazingly pulls itself together in midstream to become a commendable work of art. The first part of this movie is a cinematic disaster. It's boring, slow, and muddled, with a terrible first ten minutes which is supposed to provide some background information about some of the main characters but which is totally disconnected from the main body of the story itself which takes place in a completely different venue. Then as this movie is heading toward a complete cinematic breakdown it amazingly recovers its strength and vitality and becomes crisp, sharp, focused and coherent, conveying a poignant story about torment and suffering in time of change. From that point on all the performances are great, especially that of Michael Gough, Alan Bates and the beautiful Charlotte Rampling who succeeds in capturing the essence of the woman whose whole world is being turned upside down. But despite the strong finish, that one first has to endure a truly bad start before getting to the good part makes this movie a tedious cinematic experience.
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