Tommy Jarvis goes to the graveyard to get rid of Jason Voorhees' body once and for all, but inadvertently brings him back to life instead. The newly revived killer once again seeks revenge, and Tommy may be the only one who can defeat him.
Chucky hooks up with another murderous doll, the bridal gown-clad Tiffany, for a Route 66 murder spree with their unwitting hosts, two eloping high-school graduates. Written by
Rogers Cadenhead <email@example.com>
A certain Bride of Chucky promotional poster is a parody of one of the Scream 2 (1997) posters. See more »
After Tiffany gives Chucky the bride doll, she throws rice at his face, the amount of rice on his face changes in between shots See more »
Hey I'm on my way. And don't forget my money.
See you soon. And Bailey, don't you forget.
[Bailey nearly gets into an accident from glancing at the bag]
Curiosity killed the cat.
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At one point during the credits, you can hear Tiffany say "We belong dead", and at the very end, after a rock'n roll song is played, Chucky says "That's more like it", followed by his evil laughter. See more »
Realizing he needs to turn back into human form, the killer doll and his former lover, now a doll as well, enlist a couple to accomplish the task but find their murderous personalities preventing it from happening.
This here is one of the more impressive entries in the genre and one of the better ones in the series. One of the main issues is the fact that there's an utterly perfect balance between the horrific and the humorous, as this combines utterly perfect laugh-out-loud moments, from hilarious one-liners to sight gags and puns, mixed in with the horror- centered areas present here. It's the comedy here that wins out for the most part, from the failed ceremony, the continuous references to the other toy dolls she has laying around and the utterly hilarious running gag of everybody's reaction to Tiffany and Chucky dolls throughout the film, though the greatest material is their quips and jokes to each other. These are truly gut-busting as the dolls begin conversing about being out-of-touch in regards to movie-killer practices and trying to instill the need for variety in the kills to be committed or in their relationship woes which sound like real, actual relationship arguments but come off as hilarious due to the nature of being said by plastic dolls. As well with the comedy, the horror elements here are wholly impressive including the extravagant visual flair found in many of the scenes here that readily turns this into a comedy, from the initial attack in the trailer-park house that gets her into doll-form as the distraction from the movie allows for the trap to be deployed which is just suitably perfect here. The road-trip nature here allows for the great traveling scenes as well, with the diner attack coming off nicely with the explosive reaction and general panic or the utterly insane kill at the motel which is really impressive here and gives this a spectacular centerpiece sequence. Even the finale at the graveyard is fun with the numerous stalking to get the upper-hand, the confrontation over the grave is fun and there's a lot to like with the great action in the big brawl here to finally end this. All of this means the pace is perfect with tons of outstanding encounters to keep the pace going strong with tons of high-energy action and plentiful gore provided by the outstanding kills here. As well, the film gets an absolute ton of positives from the stellar special effects work for the dolls, as this is an absolutely amazing part of the film. Given that this one spends as much time as it does here showcasing them on-screen, they need to come off flawlessly and they manage to come across as realistic dolls and puppets throughout here due to these perfectly conceived creations. Mixed along with a return to the more horror-centric side of Chucky, these manage to create an overall winning film. While there's a ton to love here, there are a few small, near-inconsequential flaws to this. One of the biggest is that it does tend to homage too many other films at times and feel more like it's actively trying to be funny or clever without doing anything important to the film trying to awkwardly shove the reference into the scene. This also bleeds somewhat into the other flaw, that the comedic one-liners are a bit much to get over and wear themselves out somewhat. However, since this one doesn't have too many real flaws there's so much to like here it becomes quite impressive.
Rated R: Graphic Violence, Graphic Language, Brief Nudity, a shadowy puppet sex scene and some drug use.
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