Tommy Jarvis goes to the graveyard to get rid of Jason Voorhees' body once and for all, but inadvertently brings him back to life instead. The newly revived killer once again seeks revenge, and Tommy may be the only one who can defeat him.
Mrs. Voorhees is dead, and Camp Crystal Lake is shut down, but a camp next to the infamous place is stalked by an unknown assailant. Is it Mrs. Voorhees' son Jason, who did not really drown in the lake some 30 years before?
Chucky hooks up with another murderous doll, the bridal gown-clad Tiffany, for a Route 66 murder spree with their unwitting hosts, two eloping high-school graduates. Written by
Rogers Cadenhead <email@example.com>
The scene when Tiffany got electrocuted in the bathtub was supposed to happen to Maggie in Child's Play (1988). See more »
When David grabs the police chief's gun off his corpse in the trunk and points it at Jesse and Jade, it is heard cocking, however it is revealed to be a Glock which has no external hammer which would make this impossible. It would also be unlikely that Chucky and Tiffany handled the chief's body twice and never took his gun. See more »
Hey I'm on my way. And don't forget my money.
See you soon. And Bailey, don't you forget. Curiosity killed the cat.
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At one point during the credits, you can hear Tiffany say "We belong dead", and at the very end, after a rock'n roll song is played, Chucky says "That's more like it", followed by his evil laughter. See more »
"Bride of Chucky" is a breath of fresh air in the "Child's Play" horror series.
Cleverly combining over-the-top gore with a huge dose of black humor; "Bride of Chucky" is easily the best of the bunch in the series. Visual stylist Ronny Yu delivers quite the eye candy here, some set pieces not only beautifully filmed and realized, but with disgusting and convincing gore to top it off.
The cast here is great. The usually intolerable Jennifer Tilly is a hoot as Chucky's bride and her chemistry with Brad Dourif is wonderfully wicked. The human actors are quite decent as well, with a nice supporting performance from the late John Ritter.
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