The MacManus brothers are living a quiet life in Ireland with their father, but when they learn that their beloved priest has been killed by mob forces, they go back to Boston to bring justice to those responsible and avenge the priest.
Sean Patrick Flanery,
When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
Two Irish brothers accidentally killed mafia thugs. They turned themselves in and were released as heroes. They then see it as a calling by God and started knocking off mafia gang members one by one. Willem Dafoe plays the detective trying to figure out the killings, but the closer he was to catching the Irish brothers, the more he thinks the brothers are doing the right thing. Written by
The tattoo that Connor has on his left hand/index finger says, "VERITAS," which is Latin for "Truth." Murphy also has a tattoo in the same place but on his right hand, that says, "AEQUITAS," which is Latin for "Justice/Equality." See more »
The Sicilians (who should know better) state that "duce" translates as duke. It in fact translates as "leader" (see biography for Benito Mussolini), whereas the Italian word for duke is "duca." See more »
Our father, who art in heaven, hallowed be thy name. Thy kingdom come, Thy will be done, on Earth as it is in Heaven. Give us this day our daily bread, and forgive us our trespasses, as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. For Thine is the kingdom, and the power, the glory, now and forever. Amen.
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Clips of people being interviewed about their opinions on "the saints" are shown while the credits roll. See more »
I've always enjoyed non-linear storytelling. A number of people seem to have picked up on this aspect of the movie and thus dubbed it similar to Pulp Fiction (though no one mentions Reservoir Dogs) when this movie takes non-linear storytelling to a level beyond where Quentin Tarrantino was ever able to go.
Now, certainly Memento came along afterwards and transformed the entire art of non-linear storytelling. However, Memento uses it to keep the movie watcher guessing until the very end, whereas Boondock Saints puts the pieces on the table, letting you try to put them together, but then will continue handing you pieces until the picture becomes clearer.
Clearly the movie is designed to be over-the-top, both from Williem Dafoe's character to the action sequences themselves. Williem Dafoe makes this movie for me. The plot, which centers on religiously-inspired vigilante justice, has an air of being somewhat cliched, although I would be hard pressed to name another movie which handles it in this matter.
I still fail to see how others consider this movie vacuous and without meaning, when its message about the pitfalls of our current legal system and the need for something that transcends it is quite clear. I thought the ending, in which various people are interviewed about their opinion of the "Saints" and how for some vigilante justice was an incredibly sensitive issue, made this point very clear.
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