This short looks at the odd bequests that people have made in their wills over the years. They include a woman who left her fortune to her pet cat and a murderer who ensured that his ...
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A racketeer sets up an employment agency, and then sends his henchmen to lineup foremen in companies that employ unskilled labor. The foreman is promised a cut on each new man he hires, and... See full summary »
A classic film featuring a boy who is able to hear what the racehorses at the track are thinking. He bases their moods on how well he thinks they'll do, and tells his older brother who is ... See full summary »
Jackie 'Butch' Jenkins,
In Nazi Germany in 1936 seven men escape from a concentration camp. The camp commander puts up seven crosses and, as the Gestapo returns each escapee he is put to death on a cross. The ... See full summary »
Pete Smith tells the story of 'Sparky', a German shepherd dog trained to lead his blind master, a country doctor who lost his sight in a fire, and now has to depend upon the dog to lead him... See full summary »
This short looks at the odd bequests that people have made in their wills over the years. They include a woman who left her fortune to her pet cat and a murderer who ensured that his corneas would be donated to a blind girl after he was put to death in the electric chair. At the end, the will of Charles Lounsberry, who died with no earthly possessions, is read in its entirety. Written by
David Glagovsky <firstname.lastname@example.org>
Whether foolish, spiteful, wise or sentimental, a person's Last Will and Testament can have far-reaching consequences.
This short film memorably illustrates some unusual final bequeaths & depositions. The viewer will meet a modest goldfish, a most fortunate spaniel, a surprised wife and a tenderhearted killer. The film ends with the beautiful & poignant will of Charles Lounsberry, a hobo who left to the world the joy of life.
Directed by Fred Zinnemann, this was part of the MGM series John Nesbitt's Passing Parade, and was narrated by Mr. Nesbitt. Movie mavens will recognize a snippet from DAVID COPPERFIELD (1935), featuring an unbilled Fay Chaldecott as a joyous Little Em'ly.
Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.
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