| Photos (see all 7 | slideshow) |
| Marc 7 | ... | Himself - Jurassic 5 | |
| Afra | ... | Himself | |
| Carlos Aguilar | ... | Himself (as DJ Quest) | |
| Akil | ... | Himself - Jurassic 5 | |
| The Allies | ... | Themselves | |
| Almighty K.G. | ... | Himself | |
| D.J. Babu | ... | Himself - Dilated Peoples / Beat Junkies (as DJ Babu) | |
| Afrika Bambaataa | ... | Himself | |
| The Beat Junkies | ... | Themselves (as Beat Junkies) | |
| Jon Bernson | ... | Himself | |
| John Carluccio | ... | Himself - Director | |
| DJ Craze | ... | Himself (as DJ Craze) | |
| Frank Cuevas | ... | Himself (as DJ Cue) | |
| DJ Curse | ... | Himself (as DJ Curse) | |
| Steve Dee | ... | Himself | |
| Eddie Def | ... | Himself | |
| Dilated Peoples | ... | Themselves | |
| D.O.A. | ... | Himself | |
| Dot-a-Rock | ... | Himself - MC (as Dot a Rock) | |
| Grand Mixer DXT | ... | Himself | |
| Emanon | ... | Himself | |
| Snayk Eyez | ... | Himself | |
| DJ Faust | ... | Himself | |
| DJ Flare | ... | Himself (as DJ Flare) | |
| Grandmaster Flash | ... | Himself (archive footage) (as Grand Master Flash) | |
| Yoga Frog | ... | Himself | |
| Doze Green | ... | Himself | |
| Herbie Hancock | ... | Himself (archive footage) | |
| Mark Herlihy | ... | Himself | |
| Naut Humon | ... | Himself - Asphodel Records | |
| Billy Jam | ... | Himself - Record Label Owner | |
| DJ Jazzy Jay | ... | Himself | |
| Jurassic 5 | ... | Themselves | |
| Kevie Kev | ... | Himself - MC | |
| Klever | ... | Himself | |
| DJ Krush | ... | Himself | |
| Lucas MacFadden | ... | Himself - Jurassic 5 (as Cut Chemist) | |
| DJ Marz | ... | Himself (as DJ Marz) | |
| Melo-D | ... | Himself - Beat Junkies | |
| Mix Master Mike | ... | Himself | |
| Mysterio | ... | Himself | |
| DJ NuMark | ... | Himself - Jurassic 5 (as Numark) | |
| Christie Z. Pabon | ... | Herself | |
| Dave Paul | ... | Himself - Record Label Owner | |
| DJ Premier | ... | Himself - Gang Starr | |
| DJ Q-Bert | ... | Himself | |
| Roc Raida | ... | Himself - X-ecutioners | |
| Kool DJ Red Alert | ... | Himself (as DJ Red Alert) | |
| DJ Relm | ... | Himself (as DJ Relm) | |
| Swift Rock | ... | Himself | |
| DJ Shadow | ... | Himself | |
| Shortcut | ... | Himself (as Shortkut) | |
| DJ Shortee | ... | Herself | |
| Mista Sinista | ... | Himself - X-ecutioners | |
| Jay Slim | ... | Himself | |
| Soup | ... | Himself - Jurassic 5 (as Zaakir) | |
| Gang Starr | ... | Themselves | |
| Steinski | ... | Himself - Double Dee / Steinski | |
| Charles Stewart | ... | Himself - Jurassic 5 (as Chali 2NA) | |
| DJ Streak | ... | Himself (as DJ Streak) | |
| DJ Swamp | ... | Himself | |
| Rob Swift | ... | Himself - X-ecutioners | |
| The Guru | ... | Himself - Gang Starr (as Guru) | |
| Grand Wizard Theodore | ... | Himself | |
| Total Eclipse | ... | Himself - X-ecutioners | |
| X-ecutioners | ... | Themselves | |
| DJ Z-Trip | ... | Himself (as Z-Trip) |
Directed by | |||
| Doug Pray | |||
Produced by | |||
| Heidi Addison | .... | co-producer (as Heidi Rataj Addison) | |
| Brad Blondheim | .... | producer | |
| John Carluccio | .... | associate producer | |
| Albert Hughes | .... | executive producer | |
| Allen Hughes | .... | executive producer | |
| Ernest Meza | .... | producer | |
Original Music by | |||
| Mix Master Mike | |||
| DJ Q-Bert | (as Qbert) | ||
Cinematography by | |||
| Robert Bennett | |||
Film Editing by | |||
| Doug Pray | |||
Production Management | |||
| Carrie Fix | .... | production manager: New York | |
| Michele Van Valey | .... | production manager: New York | |
Art Department | |||
| Henry Chalfant | .... | artist | |
| Philip DeWolff | .... | web graphic designer | |
| Timi D. | .... | artist | |
| Shepard Fairey | .... | web graphic designer | |
| Damon Holzborn | .... | web graphic designer | |
| Daniel Racusin | .... | graphics | |
| Tony Tone | .... | artist | |
Sound Department | |||
| David Bartlett | .... | sound designer | |
| David Bartlett | .... | sound editor | |
| David Bartlett | .... | sound re-recording mixer | |
| Jason Blackburn | .... | sound recordist | |
| Dan Flaherty | .... | sound recordist | |
| Eric Christopher Meza | .... | sound recordist | |
| Doug Pray | .... | sound recordist | |
| Thomas Appel | .... | first sound assistant (uncredited) | |
| Kelly Vandever | .... | sound recordist (uncredited) | |
Visual Effects by | |||
| Rafi Ekmekian | .... | motion controller | |
| Christopher Dusendschon | .... | digital imaging: THDX (uncredited) | |
| Erick Schiele | .... | title effects (uncredited) | |
Camera and Electrical Department | |||
| Keith Barefoot | .... | electrician | |
| Keith Barefoot | .... | gaffer | |
| Andrew Bennett | .... | grip | |
| Jason Blackburn | .... | camera equipment supplier: Hollywood Camera | |
| Matthew C. Blea | .... | loader (as Matt Blea) | |
| Theresa Dillon | .... | still photographer | |
| Timi D. | .... | still photographer | |
| Kate E. Emmert | .... | loader (as Kate Emmert) | |
| Richard Gunderman | .... | assistant camera | |
| Albert Hughes | .... | additional photographer | |
| Brian Knappenberger | .... | director of photography: second unit | |
| Steven Lubensky | .... | first assistant camera | |
| Diego Martien | .... | camera production assistant | |
| Doug Pray | .... | additional photographer | |
| Sacha Riviere | .... | first assistant camera (as Sache Riviere) | |
| Rebekah Sitty | .... | first assistant camera | |
| Perry Unjang | .... | additional electrician | |
| Perry Unjang | .... | gaffer | |
| Mark Wasserman | .... | still photographer | |
Casting Department | |||
| Christie Z. Pabon | .... | casting consultant: east coast | |
Editorial Department | |||
| Geof Addison | .... | post-production advisor | |
| Robert C. Auten | .... | post-production advisor | |
| Knar Kitabjian | .... | assistant editor | |
| Kelly Reese | .... | telecine colorist: high definition | |
| Dana Ross | .... | color timer | |
| Chris Webb | .... | negative cutter | |
| Joan Zapata | .... | contributing editor | |
Music Department | |||
| Carol Sue Baker | .... | music supervisor | |
| David Bartlett | .... | music editor | |
| Jon L. Fine | .... | associate music supervisor | |
| Jonathan Hafter | .... | music supervisor | |
Thanks | |||
| Michael Babcock | .... | special thanks | |
| Lorrie Boula | .... | major thanks | |
| DJ Cam | .... | special thanks (as DJ Cam) | |
| John Carluccio | .... | major thanks | |
| Annmarie Deringer | .... | major thanks (as AnnMarie Deringer) | |
| DJ Design | .... | special thanks (as DJ Design) | |
| Sarah Diamond | .... | special thanks | |
| DJ Disk | .... | special thanks | |
| Robert Downey Sr. | .... | special thanks | |
| Grand Mixer DXT | .... | major thanks (as DXT) | |
| Thom 'Coach' Ehle | .... | special thanks (as Thom 'Coach' Ehly) | |
| Grandmaster Flash | .... | special thanks (as Grand Master Flash) | |
| Esther Friedman | .... | special thanks | |
| Spoonie Gee | .... | special thanks | |
| Brian Gibbon | .... | special thanks | |
| Tommy Gunn | .... | major thanks | |
| Lisa M. Haugen | .... | special thanks | |
| Mark Herlihy | .... | special thanks | |
| Billy Jam | .... | major thanks | |
| John Paul Jones | .... | special thanks | |
| Josh Kouzomis | .... | special thanks | |
| Pamela Lillis | .... | special thanks (as Pamela Lillig James) | |
| Jimmy Page | .... | special thanks | |
| Christie Z. Pahon | .... | major thanks | |
| Robert Plant | .... | special thanks | |
| 'Lee' George Quinones | .... | special thanks (as Raymond Lee George Quinones) | |
| Kool DJ Red Alert | .... | special thanks (as Red Alert) | |
| D. Shabazz | .... | special thanks (as DJ Shabazz) | |
| Jeffrey A. Townes | .... | special thanks (as Jazzy Jeff) | |
| T-Ray | .... | special thanks | |
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| Beat Street | Hip-Hop: Beyond Beats & Rhymes | Awesome; I Fuckin' Shot That! | Rhyme & Reason | Nerdcore for Life |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
| Add this title to MyMovies |
Scratch is the story of scratch music's evolution from its birth in the late seventies/ early eighties to its ever growing musical status in modern day culture. Scratch tells the story of the music with the help of some of the most important scratch pioneers of the last 20 years, such as Babu (of Dilated Peoples and Beat Junkies), DJ Q-Bert and Afrika Bambaataa amongst others. These interviews give us an incite about how the music was born and its growth. We also get helpful tips on the art of scratching from Q-Bert and Mix Master Mike (from The Beastie Boys).
I am interested in a lot of genres of music, jazz, rock, indie etc. but I have never invested much interest in scratching, sure I have all the classic rap albums, Dr. Dre, Snoop Dogg, Eminem etc. and I have recently got into new hip-hop (a musical genre that uses DJs a lot) such as Dilated Peoples (who's performance in the film made my day), Blackalicious and Jurassic 5 (also featured), but I still had no idea of the art of scratching (or turntablism as it's referred to here), so I went into this movie no sure what to expect.
This movie is very similar to a lot of the documentaries that have been appearing in the last few years from America, such as Baadasssss Cinema (the story of blacksploitation films), The Backyard and Beyond the Mat (both about the growing popularity of wrestling). But the documentary it seemed to have the most in common with was American Pimp (the story of surprise, surprise American pimps). It was almost the same documentary, sharp editing, grainy camera work, loud soundtrack, sharp dialogue and the DJ's taking over the part of the flamboyant, over the top and eccentric pimps and matching them for madness on every level. And I was justified in my beliefs when I read in the credits that the film was produced by the two directors of American Pimp, Allen and Albert Hughes (who also directed Dead Presidents and From Hell) and later found out that the director of Scratch, Doug Pray was also the editor of American Pimp (he also edited Scratch).
It's not surprising that it is edited by the director as the editing is an important part of the movie and helps the music get noticed a lot more. He almost makes the footage like the music, rewinding it slowing it down, speeding it up and all sorts of other techniques, which although brilliant do give you a bit of a headache after an hour or so.
But apart from the moderate headache this is a very good movie that I thing will really change your opinion on scratching if you aren't a fan. And if you are a fan then this is a must see. Good direction, superb editing and an interesting subject matter, go and see it if you get the chance.
7 out of 10