7.9/10
2,521
18 user 26 critic

Scratch (2001)

A feature-length documentary film about hip-hop DJing, otherwise known as turntablism. From the South Bronx in the 1970s to San Francisco now, the world's best scratchers, beat-diggers, ... See full summary »

Director:

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1 win & 2 nominations. See more awards »
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Cast

Credited cast:
Chali 2na ...
Himself - Jurassic 5 (as Chali 2NA)
Marc 7 ...
Himself - Jurassic 5
Afra ...
Himself
Carlos Aguilar ...
Himself (as DJ Quest)
Akil ...
Himself - Jurassic 5
The Allies ...
Themselves
Almighty K.G. ...
Himself
...
Herself (as DJ Shortee)
Dread Archie Jr. ...
Himself (as D.O.A.)
Babu ...
Himself - Dilated Peoples / Beat Junkies (as DJ Babu)
...
Himself
The Beat Junkies ...
Themselves (as Beat Junkies)
Jon Bernson ...
Himself
John Carluccio ...
Himself - Director
Cut Chemist ...
Himself - Jurassic 5
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Storyline

A feature-length documentary film about hip-hop DJing, otherwise known as turntablism. From the South Bronx in the 1970s to San Francisco now, the world's best scratchers, beat-diggers, party-rockers, and producers wax poetic on beats, breaks, battles, and the infinite possibilities of vinyl. Written by Doug Pray

Plot Summary | Add Synopsis

Plot Keywords:

hip hop | turntable | rap | d.j. | See All (4) »

Genres:

Documentary | Music

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »
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Details

Country:

Language:

Release Date:

7 November 2001 (France)  »

Also Known As:

Ди-Джей  »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

Color:

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Did You Know?

Trivia

To create the "scratched" sequences in the film (where a person during an interview suddenly speaks as if the film itself is being scratched), director Doug Pray sent audio clips which had been recorded onto vinyl to DJ Q-bert, who scratched them, and sent the recordings back to Pray. Pray then edited the interviews to match the scratched sound. See more »

Crazy Credits

Apologies and respect to the many great DJ's and others who we were unable to be included in this film. See more »

Connections

References Star Wars: Episode IV - A New Hope (1977) See more »

Soundtracks

Rockit 2.000
Performed by Herbie Hancock featuring Grand Mixer DXT, Mix Master Mike,
Rob Swift, DJ Q-Bert (as Qbert), Disk, Babu (as Babu), DJ Faust (as Faust) and Shannon Ames (as Shortee)
Reconstruction and mix translation by Bill Laswell
Courtesy of Transparent Music and Columbia Records
By Arrangement with Sony Music Licensing
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User Reviews

 
Fantastic
11 February 2004 | by See all my reviews

Being a huge fan of hip-hop and turntablism to begin with, I always knew I would like this film. However, I wasn't prepared for just how good the documentary actually is. It covers almost all the important aspects of the only element of hip-hop which has been there from the very start. The "story" begins in the early 70's, and follows the evolution of turntablism as an art from up until early 2000 (turntablism aficionados will point this out as significant).

The editing is nigh on perfect throughout the film. Aside from the excellent visual "scratch" techniques which they used, the rapid cutting between interviews and the stock footage is excellent, giving the film pace when it is needed. The sound editing is also very good, with some nice sweeping sounds being used to help with transitions.

The absence of a narrator was also welcome. We aren't taken by the hand through the story, and as a result the audience is able to make their own assumptions easier. Each DJ adds another side to the story, and it is so interesting to hear about the unknown stars of hip-hop, especially those who were there when hip-hop was being shunned left, right and centre by the music business.

Although there are many excellent things about this film, I do have a few gripes. The biggest of these is the absence of several notable DJs, such as Ca$hMoney and Jazzy Jeff, and also DJs from outside America, such as Scratch Perverts and DJ Noise. However, if you watch the commentary on the DVD (something which I highly recommend), producer and director go in to great depth about how they regret not being able to feature them. The deleted scenes contain many interviews with Ca$hMoney, Jazzy Jeff and the Scratch Perverts.

This is definitely the best documentary I've seen on hip-hop culture and music. It does stop short of showing the true potential of turntablism; for that I highly recommend checking out the DMC and ITF videos. However, that is a minor quibble. I highly recommend this movie, not least for the phat soundtrack, with excellent music throughout. (9/10)


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