1 out of 1 people found the following comment useful :- Interesting and Authentic Down Under Nihlism, 29 June 2003
Author:
secragt from United States
Here's a quirky little New Zealand gen-x rock and roll oddity (released on
VHS in the states as TEARAWAY; possibly the only title that could be worse
than QUEEN CITY ROCKER), this sleeper has moments of genuine power and the
advantage of aching earnestness. The thumping soundtrack is chockful of
up-and-coming mid-80s NZ bands you've never heard of (especially if you're
from the west), but is surprisingly effective. None of the actors in this
modest production will likely ever be nominated for anything other than
"most horrific haircut," but lead Matthew Hunter smartly radiates the
angsty
alienation of surly late teendom as "Ska" and his punky girlfriend is also
pretty effective. This is an early overseas reaction to MTV videos and
the
chop cut short attention span editing style is clearly an effort to do
something of an updated music video version of REBEL WITHOUT A CAUSE. Not
entirely successful, but packs an occasional emotional wallop and is an
interesting time capsule of mid-late 80s sensibilities
regardless.
Not much plot here, but then, the story documents a quasi-episodic "Sid
and
Nancy" kind of adrenaline-based random reactionary world that a certain
segment of post adolescents tend to dwell in. Nothing to spend ten bucks
in
a theater for, but certainly worth a spin if it ever appears late night on
cable or on VH1's "MOVIES THAT ROCK."
Wild in the streets., 24 April 2004
Author:
Pepper Anne from Orlando, Florida
I'm confused as to why 'The Quiet Earth' should be listed as the recommended
title to viewers who have watched Queen City Rocker ('Tearaway' to us Yanks)
as they are two completely different films, other than having the common
trait of being New Zealand productions.
Moreover, I didn't find Queen City Rocker to be the rock n' roll (or punk)
anthem comparable to 'Repo Man' or 'Sid & Nancy' (although it is just as
solemn as 'Sid & Nancy') as the synopsis on the box compares this movie to
those. There is hardly even a rock n' roll setting to this movie, aside from
a few catchy songs on the soundtrack and one scene at a concert. Queen City
Rocker is hardly about rock n' roll at all. It is, however, about a bunch of
street tough teens who soon realize that their lives as small-time thieves
and petty thugs are going nowhere fast.
Ska (Matt Hunter) is the main character. He's a young kid, quiet and
presumably wise. His buddy is Andrew (Mark Pilisi), a young black kid who
enjoys the free life. Fran is Ska's sister, and the one who's he on a
dangerous mission to protect from the tight-fisted binds of a high class
pimp/businessman.
Ska's epiphany to get off his ass and do something about his sister comes
from an extroverted young girl he saves from being gang raped on the
streets. Stacey comes from money, and it looks as though she initially likes
the idea of "slumming it" purely for kicks, but as the story goes along, her
interest in Ska and his determination seems genuine indeed. However, Stacey
arrives in the movie so quickly, and as a motivating, it's hard to believe
that a stranger with such an abrupt arrival should have such an impact on
Ska's decisions. One could assume that he was planning to undertake the
mission to save his sister and fix things with himself long before Stacey's
arrival (as he sits atop the building in the beginning looking down on the
street, Ska seems frustrated with the imprisoning street life and small
town). Still, even as Stacey hangs around Ska more, they start to get very
close, but once again, she doesn't seem to have much in common with Ska, or
at least known him very long, that would make this romance aspect of the
movie very believable.
Another thing, too, is that the story moves all too quickly. Ska plans to
help his sister Fran quit the business and then fight off the high class
pimp and his henchmen because Ska and Andrew do some vandamage to the guy's
hotel in the course of forcing Fran out (she's reluctant to ever quit
herself because of the money). However, Ska and Andrew's opportunities for
revenge seem to occur over the course of one day, if not simply a few hours.
In most cases, where you're dealing with a do or die situation to get out of
something dangerous, I would expect more than just a few hours or a day to
mull things over (see Where the Day Takes You), especially when the
resulting action is only minor. In fact, whatever Queen City Rocker was
trying to express, they seemed to arrange it all in a compact story format.
Nonetheless, the product overall was good. Ska and his friend Andrew,
despite being part of the hopeless street life, are appealing. They're like
regular young kids just looking for a good time. Although for Ska, his good
time soon comes to an end once he starts trying to define himself against
everyone else. Hunter does a good job with his character. He seems like just
a regular guy, not some obnoxious punk or anything like that. The movie is
kind of slow at points, particularly in the beginning as you try to figure
out a quiet guy like Ska. The mood is just plain all around. Nothing flashy,
just simple. And for Queen City Rocker (again, 'Tearaway' for us Yanks), it
worked out. It's definitely something to try out if you ever have the
opportunity to catch it.
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1 out of 1 people found the following comment useful :-

Interesting and Authentic Down Under Nihlism, 29 June 2003
Author: secragt from United States
Here's a quirky little New Zealand gen-x rock and roll oddity (released on VHS in the states as TEARAWAY; possibly the only title that could be worse than QUEEN CITY ROCKER), this sleeper has moments of genuine power and the advantage of aching earnestness. The thumping soundtrack is chockful of up-and-coming mid-80s NZ bands you've never heard of (especially if you're from the west), but is surprisingly effective. None of the actors in this modest production will likely ever be nominated for anything other than "most horrific haircut," but lead Matthew Hunter smartly radiates the angsty alienation of surly late teendom as "Ska" and his punky girlfriend is also pretty effective. This is an early overseas reaction to MTV videos and the chop cut short attention span editing style is clearly an effort to do something of an updated music video version of REBEL WITHOUT A CAUSE. Not entirely successful, but packs an occasional emotional wallop and is an interesting time capsule of mid-late 80s sensibilities regardless.
Not much plot here, but then, the story documents a quasi-episodic "Sid and Nancy" kind of adrenaline-based random reactionary world that a certain segment of post adolescents tend to dwell in. Nothing to spend ten bucks in a theater for, but certainly worth a spin if it ever appears late night on cable or on VH1's "MOVIES THAT ROCK."
Wild in the streets., 24 April 2004
Author: Pepper Anne from Orlando, Florida
I'm confused as to why 'The Quiet Earth' should be listed as the recommended title to viewers who have watched Queen City Rocker ('Tearaway' to us Yanks) as they are two completely different films, other than having the common trait of being New Zealand productions.
Moreover, I didn't find Queen City Rocker to be the rock n' roll (or punk) anthem comparable to 'Repo Man' or 'Sid & Nancy' (although it is just as solemn as 'Sid & Nancy') as the synopsis on the box compares this movie to those. There is hardly even a rock n' roll setting to this movie, aside from a few catchy songs on the soundtrack and one scene at a concert. Queen City Rocker is hardly about rock n' roll at all. It is, however, about a bunch of street tough teens who soon realize that their lives as small-time thieves and petty thugs are going nowhere fast.
Ska (Matt Hunter) is the main character. He's a young kid, quiet and presumably wise. His buddy is Andrew (Mark Pilisi), a young black kid who enjoys the free life. Fran is Ska's sister, and the one who's he on a dangerous mission to protect from the tight-fisted binds of a high class pimp/businessman.
Ska's epiphany to get off his ass and do something about his sister comes from an extroverted young girl he saves from being gang raped on the streets. Stacey comes from money, and it looks as though she initially likes the idea of "slumming it" purely for kicks, but as the story goes along, her interest in Ska and his determination seems genuine indeed. However, Stacey arrives in the movie so quickly, and as a motivating, it's hard to believe that a stranger with such an abrupt arrival should have such an impact on Ska's decisions. One could assume that he was planning to undertake the mission to save his sister and fix things with himself long before Stacey's arrival (as he sits atop the building in the beginning looking down on the street, Ska seems frustrated with the imprisoning street life and small town). Still, even as Stacey hangs around Ska more, they start to get very close, but once again, she doesn't seem to have much in common with Ska, or at least known him very long, that would make this romance aspect of the movie very believable.
Another thing, too, is that the story moves all too quickly. Ska plans to help his sister Fran quit the business and then fight off the high class pimp and his henchmen because Ska and Andrew do some vandamage to the guy's hotel in the course of forcing Fran out (she's reluctant to ever quit herself because of the money). However, Ska and Andrew's opportunities for revenge seem to occur over the course of one day, if not simply a few hours. In most cases, where you're dealing with a do or die situation to get out of something dangerous, I would expect more than just a few hours or a day to mull things over (see Where the Day Takes You), especially when the resulting action is only minor. In fact, whatever Queen City Rocker was trying to express, they seemed to arrange it all in a compact story format.
Nonetheless, the product overall was good. Ska and his friend Andrew, despite being part of the hopeless street life, are appealing. They're like regular young kids just looking for a good time. Although for Ska, his good time soon comes to an end once he starts trying to define himself against everyone else. Hunter does a good job with his character. He seems like just a regular guy, not some obnoxious punk or anything like that. The movie is kind of slow at points, particularly in the beginning as you try to figure out a quiet guy like Ska. The mood is just plain all around. Nothing flashy, just simple. And for Queen City Rocker (again, 'Tearaway' for us Yanks), it worked out. It's definitely something to try out if you ever have the opportunity to catch it.
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