A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
James Bond is back. An oil tycoon is murdered in MI6 and Bond is sent to protect his daughter. Renard, who has a bullet lodged in his brain from a previous agent, is secretly planning the destruction of a pipeline. Bond gains a hand from a research scientist, Dr. Christmas Jones who witnesses the action which happens when Bond meets up with Renard, but Bond becomes suspicious about Elektra King, especially when Bond's boss, M goes missing. Bond must work quickly to prevent Renard from destroying Europe. Written by
Published newspaper reports during production of the film indicated that, as the last Bond film of the millennium, this would feature cameos by virtually every surviving previous Bond girl. Ursula Andress, Diana Rigg, Famke Janssen and Barbara Bach were mentioned by name as among those slated to appear. Sadly, this idea - if it was ever more than a media rumor - never came to fruition. See more »
As Bond jumps through the door in the underground shootout, we see a brief shot of him bounding headfirst through a door, with his gun outstretched. Closer inspection reveals that the gun was discharging during this jump, but no sound is heard. See more »
So good of you to come see me, Mr Bond, particularly on such short notice.
If you can't trust a Swiss banker, then what's the world come to?
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Top casting and exciting action make this one of the most entertaining Bond films for a while.
Some may disagree, but I think Brosnan has the edge over Connery now. Sophie Marceau is fantastic as Electra, one of the most interesting characters to grace the series for a while. Carlyle, although shortlived, is a very believable and even sympathetic villain and Robbie Coltrane makes a meal of his second appearance as Valentin Zukovsky.
The opening scene of TWINE is probably the best action scene ever in a Bond film and while the ones that follow cannot quite match up to it, they are still top class. Director Michael Apted shows that he has a real talent for dealing with these parts of the movie, and the excellent soundtrack can only improve them.
I went to see this movie on consecutive days and bought the soundtrack (Garbage&David Arnold) the second time, this is the best recommendation that I can possibly give it.
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