A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
James Bond is back. An oil tycoon is murdered in MI6 and Bond is sent to protect his daughter. Renard, who has a bullet lodged in his brain from a previous agent, is secretly planning the destruction of a pipeline. Bond gains a hand from a research scientist, Dr. Christmas Jones who witnesses the action which happens when Bond meets up with Renard, but Bond becomes suspicious about Elektra King, especially when Bond's boss, M goes missing. Bond must work quickly to prevent Renard from destroying Europe. Written by
The first James Bond film that was not released or co-produced by United Artists. Instead, UA's parent company MGM released and co-produced the film. See more »
During the opening boat chase, the route actually taken through London's Isle of Dogs does not match the route displayed on Bond's on-board computer map. Specifically: The map shows the route through West India Docks, but the chase is obviously through Millwall Inner and Outer Docks. Further, the boats come out of what is, in reality, a dead end. See more »
So good of you to come see me, Mr Bond, particularly on such short notice.
If you can't trust a Swiss banker, then what's the world come to?
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The opening credits don't begin until approximately 15 minutes into the movie -- the longest delay in the series to date. See more »
Top casting and exciting action make this one of the most entertaining Bond films for a while.
Some may disagree, but I think Brosnan has the edge over Connery now. Sophie Marceau is fantastic as Electra, one of the most interesting characters to grace the series for a while. Carlyle, although shortlived, is a very believable and even sympathetic villain and Robbie Coltrane makes a meal of his second appearance as Valentin Zukovsky.
The opening scene of TWINE is probably the best action scene ever in a Bond film and while the ones that follow cannot quite match up to it, they are still top class. Director Michael Apted shows that he has a real talent for dealing with these parts of the movie, and the excellent soundtrack can only improve them.
I went to see this movie on consecutive days and bought the soundtrack (Garbage&David Arnold) the second time, this is the best recommendation that I can possibly give it.
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