Michel is a young technician in the fledgling TV industry and is due for military service in two months at the time of the Algerian War. Juliette and Liliane are inseparable best friends, ... See full summary »
Hervé is a lonely man who lives only for his self-defense courses. Fired from the zoo where he works because he depresses the animals, he becomes a night watchman in a factory. To pass the ... See full summary »
Durante la seconda guerra mondiale Natalino, col nome in codice di Cappellone, salva la vita ad un agente britannico, Harrison. Venti anni dopo quando si trova in cattive acque, Natalino ... See full summary »
A bad cop is engaged in a violent chase to catch a yakuza boss. In his absence his wife runs away with another man, who turns out to be the very same man that her husband is hunting. Once ... See full summary »
During the rehearsals for the production of the tragedy Andromaque, the leading actress and her director, a couple behind the scenes, can't find a way to leave their personal problems at ... See full summary »
André S. Labarthe
Jacques Rozier filmed this documentary on the set of Jean-Luc Godard's film "Contempt" (Le Mépris) during location shooting on the island of Capri, and he interviews Godard, star Brigitte ... See full summary »
The beautiful but neglected wife of a brilliant architect from Milan, betrayed by her husband and mocked by her friend who manages the amorous adventures that she dreams of having, decides ... See full summary »
Michel is a young technician in the fledgling TV industry and is due for military service in two months at the time of the Algerian War. Juliette and Liliane are inseparable best friends, and aspiring actresses, who hang around outside the TV studio. Michel invites them in to watch, flirts with them both, and dates them separately and together. When Michel goes on a holiday to Corsica, just before he is drafted, the girls follow. Written by
With A bout de Soufflé (and other Godard films), Adieu Philippine is in fact the only film that deserves the 'Nouvelle Vague' label term and that kept the promises of this generation, of a new way to approach cinema. (Truffaut looks very classical in comparison). A real liberation of the cinema's language : variation of feelings, tones (sentimental comedy, Algerian tragedy, boulevard, etc...) on the screen followed by variations of technique's shooting (television, improvisation, etc...), of montage or setting, a jubilating firework as an hymn to joy of life, imagination. For this and other points, Adieu Philippine has the role in French cinematography that in Italy Otto e mezzo may have played though in another way and much more secretly. Rarely characters have been given such importance, such vibration in every day's little things. The close-up on a young 'stupid' girl's despair dancing face to you is one of the numerous unforgettable moments of this still refreshing poem sometimes worried by the threat of death.
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