7.2/10
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4 user 8 critic

Adieu Philippine (1962)

Michel is a young technician in the fledgling TV industry and is due for military service in two months at the time of the Algerian War. Juliette and Liliane are inseparable best friends, ... See full summary »

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(scenario and dialogue), (scenario and dialogue)
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Cast

Cast overview, first billed only:
Jean-Claude Aimini ...
Michel Lambert
Daniel Descamps ...
Daniel
Stefania Sabatini ...
Juliette
Yveline Céry ...
Liliane
Vittorio Caprioli ...
Pachala
David Tonelli ...
Horatio (as Davide Tonelli)
Annie Markhan ...
Juliette (voice)
André Tarroux ...
Régnier de l'Isle
Christian Longuet ...
Christian
Michel Soyet ...
André
Arlette Gilbert ...
Madame Lambert - la mère de Michel
Maurice Garrel ...
Monsieur Lambert - le père
Jeanne Pérez ...
La voisine
Charles Lavialle ...
Le voisin
Patricia Andrieux
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Storyline

Michel is a young technician in the fledgling TV industry and is due for military service in two months at the time of the Algerian War. Juliette and Liliane are inseparable best friends, and aspiring actresses, who hang around outside the TV studio. Michel invites them in to watch, flirts with them both, and dates them separately and together. When Michel goes on a holiday to Corsica, just before he is drafted, the girls follow. Written by Will Gilbert

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Country:

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Language:

Release Date:

25 September 1963 (France)  »

Also Known As:

Adiós Filipina  »

Filming Locations:

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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Awards:
  • Grand Prix des Rencontres Internationals de Prades 1962.


  • Grand Prix de la Fédération Française des Ciné-Clubs 1963.


  • Ducat d'Or du Festival de Mannheim 1963


  • Prix du Meilleur Premier Film d'Oberhausen 1963.


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Connections

Edited into Histoire(s) du cinéma: Seul le cinéma (1994) See more »

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User Reviews

 
an historic document
10 August 2014 | by (United States) – See all my reviews

This is indeed "nouvelle vague" in ways many other films of the time claimed to be but really weren't. The "innocent" onlookers on the side look at the camera, the dialog seems improvised to a large degree and the actors/actresses "introduced" were for the main part never heard from again. There's not really much of a plot as there were in many N.V products and at times it feels invented as it was made. The comedy throughout and the joyful music lighten the restrictions (and making it seem more 'nouvelle vague") but there are several elements just below the surface which are in sharp contrast. Two girls who swore fidelity in friendship are torn apart, the young protagonist is off the fight a very unpopular war, the young man who refuses to talk about his experiences fighting in Algeria... The film survives as an historical document of new ideas in French film-making of the time and as such rather severely dates itself. It's easy to understand why it was so popular when it was made but that fact works against it decades later.


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