Reviews & Ratings for
Story of a Wild Elder Sister: Widespread Lynch Law More at IMDbPro »Yasagure anego den: sôkatsu rinchi (original title)

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15 out of 15 people found the following review useful:
Pinky J-Sleaze At It's Finest..., 14 February 2006
8/10
Author: EVOL666 from St. John's Abortion Clinic

DAMN I love this era of Japanese exploit film-making. I just recently really started digging into the 70's pinky and samurai films - but I have to say that I've LOVED every one that I've seen so far. Violent, gory, sleazy, sexy - they just don't make films like these anymore...

Unfortunately, the story behind FEMALE YAKUZA TALE is a little convoluted and can be hard to follow at times. This one has Ocho (female pickpocket and "swords-mistress" extraordinaire of SEX AND FURY fame) trying to bring down a drug cartel that uses dope-addicted women as mules to smuggle drugs in their snatches. There are some rival gangs also involved, and throw in a side-plot of some of the local girls becoming victims of a string of "Crotch-Gouge" crimes (!?!), another female assassin who prays before she kills, and a guy who is part of a local crime family who was in jail but now is out and is looking to take down the new leader...and there ya have it...

Again, the main problem with FTY is that there are too many things going on at once, and too many characters who are introduced and then not explained very well, so that the story can become confusing and hard to keep up with. But, on the good side - there is so much sleazy "fun" going on that it's hard to fault the film for some plot inconsistencies. We are treated to the typical rape, torture, some hilarious dildo play, tons of tits and ass, and a few good fight scenes (including an awesome end battle of the drug dealers versus a gang of ex-mules who are naked and p!ssed!!!). I do think there could have been some more violence also - but I won't really hold that against the film either, as there is just so much fun stuff going on in this one. And in typical fashion for the Japanese exploit-style films of this time-frame - the sets, settings, cinematography, choreography, and acting are all top-notch. An absolute winner and highly recommended for pinky fans. Check out also SEX AND FURY, FEMALE PRISONER 701: SCORPION, LADY SNOWBLOOD, and the BABY CART series. 8.5/10 for FEMALE YAKUZA TALE...

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12 out of 13 people found the following review useful:
not quite as delirious as 'Sex and Fury', 17 November 2005
8/10
Author: christopher-underwood from Greenwich - London

For me, not quite as delirious as 'Sex and Fury', there are less set pieces and this is a little confusing now and again. Even so with the fabulous Reiko Ike to the fore with her penchant for bare breasted swordfights, this remains a must. The opening credit sequence with the parasols is wonderful and I was surprised not to see it reprised during the body of the film. Super camera-work, splendidly colourful sets and costumes plus an incredible amount of female flesh. So many beautiful naked girls, prancing, dancing and bending over to have phials inserted! The final fight is way over the top with naked flesh and rivers of blood, it just seems a shame there were not a couple more such scenes between the glorious opening and the gratuitous finale. Very enjoyable, nevertheless!

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8 out of 8 people found the following review useful:
Highly Enjoyable Pinky Violence, 3 June 2007
Author: Rapeman from New Zealand

Reiko Ike returns as skilled gambler & swordswoman Ochô Inoshika in this unrelated sequel to Norifumi Suzuki's Sex and Fury directed by Ero-gro master Teruo Ishii (Joys of Torture series, Blind Woman's Curse).

When she is framed as the "Crotch-Gouge'' killer by three men, Ocho sets out to discover their identities and in turn becomes embroiled in a convoluted plot involving Yakuza-related drug smuggling between Japan and China. She soon learns the men have mistaken her for one of their dope-addicted prostitutes they've been using as drug mules to import the Heroin.

Meanwhile the Ogi Clan are having leadership troubles as their old boss has died and his young daughter is missing. Ocho subsequently finds out the bosses daughter is being held in a mental institution but arrives on the scene too late as the girl has already been electrocuted then strangled to death.

Female Yakuza Tale definitely lacks the surreal and psychedelic visuals of Suzuki's direction in Sex and Fury. Aside from the excellent opening sequence involving a naked Ocho slaughtering multiple opponents in slo-mo with her trusty sword and the films fantastic climax, the blood & action mainly takes a backseat here to be replaced with copious amounts of softcore sex, goofy comedy relief and an often hard to follow plot.

On the plus side though, there's plenty of sleazy sex & rape, a badass Nun / assassin who says a little prayer before she kills, a hilarious bullet-in-the-eye scene, some extremely bizarre mental patients and the spectacular finish in the form of a garishly lit kill-a-thon which reminded me of the Batman TV series from the 60's. Add to that a superb score, brilliant fight choreography and slick cinematography and you have one slightly flawed but still highly enjoyable Pinky Violence flick. 8/10

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4 out of 5 people found the following review useful:
Lethal Babe Ochô Is Back, With More Awesome Sleaze, 3 June 2008
8/10
Author: Benjamin Gauss from Salzburg, Austria

The ravishing Reiko Ike is back, sexy and deadly as ever in this awesomely sleazy sequel to Norifumi Suzuki's "Sex And Fury" (1973). Brought to you by cult-director Teruo Ishii ("Black Cat's Revenge", "The Executioner", "Orgies Of Edo", "Horrors of Malformed Men",...), "Yasagure anego den: sôkatsu rinchi" aka. "Female Yakuza Tale: Inquisition and Torture" of 1973 is yet another great entry to the Japanese 'Pinky Violence' Exploitation sub-genre. The film's great visual style, tons of sleaze and violence, and, above all, genre-goddess Reiko Ike make this a must-see for my fellow Pinky Violence enthusiasts and highly recommended to any fan of cult-cinema.

The sexy and lethal gambling-lady, thief and swords-woman Ochô Inoshika (Reiko Ike) is back, and immediately confronted with lots of new enemies. Among others, she has to struggle with a ring of drug smugglers who smuggle heroin in a very kinky manner... I don't won't give away any more of the story, as I don't wanna spoil any of the fun, but I can assure that my fellow Japanese Exploitation lovers should be more than satisfied. While "Female Yakuza Tale" may not be quite as good story-wise as the foregoing "Sex And Fury", it even surpasses its predecessor in sleaziness. The film is again beautifully shot, with immensely stylish fighting sequences. What makes these (often slow-motion) sword-fights even more memorable is the fact that the ravishing heroine Ochô tends to fight bare-breasted or even completely naked. Also, the ONLY thing that I did not love about "Sex And Fury" namely the romance (Christina Lindberg's voice made me understand why her character in "Thriller, En Grym Film" was mute) is omitted here for good, and even though I might stand alone with this opinion, I liked the fact that Lindberg was not part of this one. There's again a lot of bloodshed, and the sleaze-factor is enormous. I won't go into detail, but Pinky Violence fans will know what to expect, and I assure that their expectations are not going to be disappointed. A great sequel to the brilliant "Sex And Fury", "Female Yakuza Tale" is pure cult-cinema that satisfies in all regards and a must see for every fan of Japanese Exploitation cinema! Highly Recommended!

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4 out of 5 people found the following review useful:
Visually gorgeous but a lightweight offering from Teruo Ishii, 14 February 2007
Author: DVD_Connoisseur from England

The beautiful Reiko Ike returns in this low-budget sequel to "Sex and Fury". A non-stop, rather confusing tale of gangs, drug running and revenge, "Female Yakuza Tale: Inquisition and Torture" is a wonderfully visual movie with a great '70s score and an excellent cast.

Despite finding the plot a little too convoluted, I enjoyed watching this movie. The scenes of softcore romps with middle-aged men started to exceed their welcome in no time at all but the film has a decent pace and energy that allows it to overcome its limitations. Reiko Ike is a stunning actress and steals every scene. Her willingness to give 100% to the film soon becomes apparent in the opening credits where she manages to full disrobe in the midst of a sword fight with numerous assailants.

Not the most exciting crime thriller I've seen from Japan, "Female Yakuza Tale" is still an entertaining movie from bonkers director Teruo Ishii.

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2 out of 2 people found the following review useful:
the bloody birth of Tarantino, 16 February 2007
Author: nag2103 from United States

*** This review may contain spoilers ***

If you like Tarantino, this will probably appeal to you -- Kill Bill seems to be in no small way based on this film. I would like to take issue with some of the negative reviews: Yes, the plot is complicated. Watching a movie in translation will *never* capture the original subtleties. If you have to watch it twice to understand, the fault is not the director's so much as the language barrier. Also, there were some remarks about the nudity being 'unerotic'. When and why should nudity be erotic? To me, the nudity in this film is all about power - in every scene, with the key exceptions of the opening sequence and closing fight, nudity is equated with weakness and vulnerability. By completely reversing that association in the final scene, nudity (and, by extension, womanhood) is held up as a powerful force.

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4 out of 6 people found the following review useful:
A bit of a let-down, 26 November 2005
5/10
Author: Earl Toper from United Kingdom

*** This review may contain spoilers ***

After the stunning 'Sex & Fury', Rieko Ike reprises her role of Ocho in 'Female Yakuza Tale', but this outing is markedly inferior as director Teruo Ishii simply does not exhibit any of the visual style which Norifumi Suzuki displayed in the original.

Despite it's rather unpleasant storyline about female drug mules at times seems like a slapstick comedy and fails to engage the viewer. The film also suffers from an overly large cast - characters are introduced who do virtually nothing & screen time is eaten up by a meandering plot, unfunny slapstick and rather unerotic nudity. Most annoyingly Rieko Ike is simply not on screen for long enough.

The film does have it's moments, with the most stunning sequence being the opening fight where a parasol spinning Ocho butchers a gang of men while losing her clothing. Infuriatingly the opening credits are plastered over this scene which was obviously cut short before it's conclusion. One wonders if this was an out-take from 'Sex & Fury' as it is so different in style from everything else in the movie. None of the other fights come close to this one and the climactic battle between the male villains and an army of naked women is disappointing, totally lacking the outstanding choreography and slo-mo intensity which made Ike's naked fight in 'Sex & Fury' so outstanding.

'Female Yakuza Tale' is worth watching if you are a fan of Japanese exploitation despite it not being anywhere near as good as it's predecessor - maybe if you plan to watch them, you should see this first.

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1 out of 1 people found the following review useful:
Sleazy 70's Fun!, 9 September 2010
7/10
Author: GoregirlsDungeon from Canada

The vagina gets stuffed and gouged at regular intervals throughout Female Yakuza Tale. But it's not just about vagina's it's also about boobs. Japanese men are continually seen fondling and suckling at the female teet. Director Teruo Ishii uses every possible opportunity to show female nudity he can, even throwing some in while the opening credits are running. Ochô is shown taking on several men in a downpour and she loses pieces of her clothing eventually fighting completely naked. There is considerably more nudity and sexuality than violence in this film, at least up to the final outrageous battle. In the end, the women do get a gratifying revenge. Ochô is a great character, she is strong and confident and even when she is naked and bound she is uttering threats. We spend time getting to know some of the secondary players as Ochô crosses their paths which made for some entertaining sub-plots. My major complaint about the film is its sleazy premise is lightened considerably by slapstick comedy that sometimes fell flat. The gags were pretty PG for a film that was otherwise rated R. I won't deny there were a few moments that cracked me up. Most notably when a character THROWS a bullet into another characters eye! I really think the film would have benefited from a little less cheesy humour. Female Yakuza Tale has some wildly perverse and even disturbing moments despite the humour that give the film some exploitative bite. Visually, the film is very watchable. Its colourful and cheery sets and strangely buoyant music add a twisted flair that gave the film a unique vibe.

Of course it all comes down to those nasty Yakuza! Among the criminal underworld there is double-crossing and dirty dealings and it all centers around the new boss of the Ogi Clan. We learn through a flashback that Ochô feels a debt of gratitude to the old boss for saving her when she was very young from losing fingers. After Ochô is caught cheating while gambling, he allows his own finger to be severed instead. The bad ass that did the severing is coming to see the new boss to collect on a gambling debt. Ochô challenges him to a game of cards to erase the debt and to do some finger collecting of her own. Besides his drug interests and gambling problems the new boss of the Ogi Clan has been hiding the old boss' young daughter in a mental asylum. You'll have to see for yourself how this all unfolds! I'll tell you only this, it features what I can only guess is a mentally disturbed Kabuke theatre troop. Fighting naked would have some advantages. Regular street clothes wouldn't do much to protect you from a weapon anyway, why not distract your opponent with nudity?! The final battle set in a warehouse features a group of Yakuza about to battle amongst themselves only to find an army of women have collected on the upper floor with their own agenda. The women remove their clothing one by one and soon we have a whole lot of naked women killing the hell out of a bunch of Yakuza in an outrageous and bloody spectacle! It really must be seen to be appreciated. Its awkward mix of sleaze and humour doesn't always work but a strong lead and enough bizarre and memorable moments make Female Yakuza Tale: Inquisition and Torture a trip worth taking. Recommended.

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1 out of 1 people found the following review useful:
Your pussy is going to catch a cold., 9 March 2009
7/10
Author: lastliberal from United States

I recall some politician once being advertised as "tan, rested, and ready." Well, Ochô (Reiko Ike) has recovered from her massive wounds sustained in Sex & Fury, and is ready to do battle again.

This time she is involved in the "Crotch-Gouge" murders. Something to do with Chinese drug mules who smuggle the drug up their crotch. Needless to say, the drug gang picked the wrong person to mess with.

Exploring the video nasties of the 70s and the pinky violence of the same period is an adventure in just how wild filmmakers can be. At least the Japanese films are all in glorified color and full of gorgeous beauty. The music is also very upbeat and enjoyable.

There are more breasts than in a chicken processing plant, and the blood flows freely in the final battle. This was not as good as Sex & Fury, but it had a whole lot more skin.

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5 out of 9 people found the following review useful:
More a softcore sex romp than a tale of bloody vengeance, 20 December 2005
6/10
Author: fertilecelluloid from Mountains of Madness

This "sequel" to "Sex and Fury" is more of a softcore sex romp than the bloody tale of revenge its parent was. Teruo Ishii's direction is a little flat and uneven and it's quite obvious his passion is female flesh, not kinetic action or creating a glorious action/erotic hybrid. Norifumi Suzuki, the director of "Sex and Fury", is a more original, energetic director and brought great artistry and aesthetic brilliance to his work. Ishii's accomplishment is a diverting time filler with too many characters, some intrigue, and mountains of softcore canoodling. The opening fight scene revisits the stylistics of the original film, but quickly dispenses with that style and involves itself in unnecessarily complex plotting. The finale is reasonably bloody, but it never reaches the towering heights of its predecessor because Ishii directs it like he's bored.

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