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| Index | 16 reviews in total |
15 out of 15 people found the following review useful:
Pinky J-Sleaze At It's Finest..., 14 February 2006
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Author:
EVOL666 from St. John's Abortion Clinic
DAMN I love this era of Japanese exploit film-making. I just recently
really started digging into the 70's pinky and samurai films - but I
have to say that I've LOVED every one that I've seen so far. Violent,
gory, sleazy, sexy - they just don't make films like these anymore...
Unfortunately, the story behind FEMALE YAKUZA TALE is a little
convoluted and can be hard to follow at times. This one has Ocho
(female pickpocket and "swords-mistress" extraordinaire of SEX AND FURY
fame) trying to bring down a drug cartel that uses dope-addicted women
as mules to smuggle drugs in their snatches. There are some rival gangs
also involved, and throw in a side-plot of some of the local girls
becoming victims of a string of "Crotch-Gouge" crimes (!?!), another
female assassin who prays before she kills, and a guy who is part of a
local crime family who was in jail but now is out and is looking to
take down the new leader...and there ya have it...
Again, the main problem with FTY is that there are too many things
going on at once, and too many characters who are introduced and then
not explained very well, so that the story can become confusing and
hard to keep up with. But, on the good side - there is so much sleazy
"fun" going on that it's hard to fault the film for some plot
inconsistencies. We are treated to the typical rape, torture, some
hilarious dildo play, tons of tits and ass, and a few good fight scenes
(including an awesome end battle of the drug dealers versus a gang of
ex-mules who are naked and p!ssed!!!). I do think there could have been
some more violence also - but I won't really hold that against the film
either, as there is just so much fun stuff going on in this one. And in
typical fashion for the Japanese exploit-style films of this time-frame
- the sets, settings, cinematography, choreography, and acting are all
top-notch. An absolute winner and highly recommended for pinky fans.
Check out also SEX AND FURY, FEMALE PRISONER 701: SCORPION, LADY
SNOWBLOOD, and the BABY CART series. 8.5/10 for FEMALE YAKUZA TALE...
12 out of 13 people found the following review useful:
not quite as delirious as 'Sex and Fury', 17 November 2005
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Author:
christopher-underwood from Greenwich - London
For me, not quite as delirious as 'Sex and Fury', there are less set pieces and this is a little confusing now and again. Even so with the fabulous Reiko Ike to the fore with her penchant for bare breasted swordfights, this remains a must. The opening credit sequence with the parasols is wonderful and I was surprised not to see it reprised during the body of the film. Super camera-work, splendidly colourful sets and costumes plus an incredible amount of female flesh. So many beautiful naked girls, prancing, dancing and bending over to have phials inserted! The final fight is way over the top with naked flesh and rivers of blood, it just seems a shame there were not a couple more such scenes between the glorious opening and the gratuitous finale. Very enjoyable, nevertheless!
8 out of 8 people found the following review useful:
Highly Enjoyable Pinky Violence, 3 June 2007
Author:
Rapeman from New Zealand
Reiko Ike returns as skilled gambler & swordswoman Ochô Inoshika in
this unrelated sequel to Norifumi Suzuki's Sex and Fury directed by
Ero-gro master Teruo Ishii (Joys of Torture series, Blind Woman's
Curse).
When she is framed as the "Crotch-Gouge'' killer by three men, Ocho
sets out to discover their identities and in turn becomes embroiled in
a convoluted plot involving Yakuza-related drug smuggling between Japan
and China. She soon learns the men have mistaken her for one of their
dope-addicted prostitutes they've been using as drug mules to import
the Heroin.
Meanwhile the Ogi Clan are having leadership troubles as their old boss
has died and his young daughter is missing. Ocho subsequently finds out
the bosses daughter is being held in a mental institution but arrives
on the scene too late as the girl has already been electrocuted then
strangled to death.
Female Yakuza Tale definitely lacks the surreal and psychedelic visuals
of Suzuki's direction in Sex and Fury. Aside from the excellent opening
sequence involving a naked Ocho slaughtering multiple opponents in
slo-mo with her trusty sword and the films fantastic climax, the blood
& action mainly takes a backseat here to be replaced with copious
amounts of softcore sex, goofy comedy relief and an often hard to
follow plot.
On the plus side though, there's plenty of sleazy sex & rape, a badass
Nun / assassin who says a little prayer before she kills, a hilarious
bullet-in-the-eye scene, some extremely bizarre mental patients and the
spectacular finish in the form of a garishly lit kill-a-thon which
reminded me of the Batman TV series from the 60's. Add to that a superb
score, brilliant fight choreography and slick cinematography and you
have one slightly flawed but still highly enjoyable Pinky Violence
flick. 8/10
4 out of 5 people found the following review useful:
Lethal Babe Ochô Is Back, With More Awesome Sleaze, 3 June 2008
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Author:
Benjamin Gauss from Salzburg, Austria
The ravishing Reiko Ike is back, sexy and deadly as ever in this
awesomely sleazy sequel to Norifumi Suzuki's "Sex And Fury" (1973).
Brought to you by cult-director Teruo Ishii ("Black Cat's Revenge",
"The Executioner", "Orgies Of Edo", "Horrors of Malformed Men",...),
"Yasagure anego den: sôkatsu rinchi" aka. "Female Yakuza Tale:
Inquisition and Torture" of 1973 is yet another great entry to the
Japanese 'Pinky Violence' Exploitation sub-genre. The film's great
visual style, tons of sleaze and violence, and, above all,
genre-goddess Reiko Ike make this a must-see for my fellow Pinky
Violence enthusiasts and highly recommended to any fan of cult-cinema.
The sexy and lethal gambling-lady, thief and swords-woman Ochô Inoshika
(Reiko Ike) is back, and immediately confronted with lots of new
enemies. Among others, she has to struggle with a ring of drug
smugglers who smuggle heroin in a very kinky manner... I don't won't
give away any more of the story, as I don't wanna spoil any of the fun,
but I can assure that my fellow Japanese Exploitation lovers should be
more than satisfied. While "Female Yakuza Tale" may not be quite as
good story-wise as the foregoing "Sex And Fury", it even surpasses its
predecessor in sleaziness. The film is again beautifully shot, with
immensely stylish fighting sequences. What makes these (often
slow-motion) sword-fights even more memorable is the fact that the
ravishing heroine Ochô tends to fight bare-breasted or even completely
naked. Also, the ONLY thing that I did not love about "Sex And Fury"
namely the romance (Christina Lindberg's voice made me understand why
her character in "Thriller, En Grym Film" was mute) is omitted here for
good, and even though I might stand alone with this opinion, I liked
the fact that Lindberg was not part of this one. There's again a lot of
bloodshed, and the sleaze-factor is enormous. I won't go into detail,
but Pinky Violence fans will know what to expect, and I assure that
their expectations are not going to be disappointed. A great sequel to
the brilliant "Sex And Fury", "Female Yakuza Tale" is pure cult-cinema
that satisfies in all regards and a must see for every fan of Japanese
Exploitation cinema! Highly Recommended!
4 out of 5 people found the following review useful:
Visually gorgeous but a lightweight offering from Teruo Ishii, 14 February 2007
Author:
DVD_Connoisseur from England
The beautiful Reiko Ike returns in this low-budget sequel to "Sex and
Fury". A non-stop, rather confusing tale of gangs, drug running and
revenge, "Female Yakuza Tale: Inquisition and Torture" is a wonderfully
visual movie with a great '70s score and an excellent cast.
Despite finding the plot a little too convoluted, I enjoyed watching
this movie. The scenes of softcore romps with middle-aged men started
to exceed their welcome in no time at all but the film has a decent
pace and energy that allows it to overcome its limitations. Reiko Ike
is a stunning actress and steals every scene. Her willingness to give
100% to the film soon becomes apparent in the opening credits where she
manages to full disrobe in the midst of a sword fight with numerous
assailants.
Not the most exciting crime thriller I've seen from Japan, "Female
Yakuza Tale" is still an entertaining movie from bonkers director Teruo
Ishii.
2 out of 2 people found the following review useful:
the bloody birth of Tarantino, 16 February 2007
Author:
nag2103 from United States
*** This review may contain spoilers ***
If you like Tarantino, this will probably appeal to you -- Kill Bill seems to be in no small way based on this film. I would like to take issue with some of the negative reviews: Yes, the plot is complicated. Watching a movie in translation will *never* capture the original subtleties. If you have to watch it twice to understand, the fault is not the director's so much as the language barrier. Also, there were some remarks about the nudity being 'unerotic'. When and why should nudity be erotic? To me, the nudity in this film is all about power - in every scene, with the key exceptions of the opening sequence and closing fight, nudity is equated with weakness and vulnerability. By completely reversing that association in the final scene, nudity (and, by extension, womanhood) is held up as a powerful force.
4 out of 6 people found the following review useful:
A bit of a let-down, 26 November 2005
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Author:
Earl Toper from United Kingdom
*** This review may contain spoilers ***
After the stunning 'Sex & Fury', Rieko Ike reprises her role of Ocho in
'Female Yakuza Tale', but this outing is markedly inferior as director
Teruo Ishii simply does not exhibit any of the visual style which
Norifumi Suzuki displayed in the original.
Despite it's rather unpleasant storyline about female drug mules at
times seems like a slapstick comedy and fails to engage the viewer. The
film also suffers from an overly large cast - characters are introduced
who do virtually nothing & screen time is eaten up by a meandering
plot, unfunny slapstick and rather unerotic nudity. Most annoyingly
Rieko Ike is simply not on screen for long enough.
The film does have it's moments, with the most stunning sequence being
the opening fight where a parasol spinning Ocho butchers a gang of men
while losing her clothing. Infuriatingly the opening credits are
plastered over this scene which was obviously cut short before it's
conclusion. One wonders if this was an out-take from 'Sex & Fury' as it
is so different in style from everything else in the movie. None of the
other fights come close to this one and the climactic battle between
the male villains and an army of naked women is disappointing, totally
lacking the outstanding choreography and slo-mo intensity which made
Ike's naked fight in 'Sex & Fury' so outstanding.
'Female Yakuza Tale' is worth watching if you are a fan of Japanese
exploitation despite it not being anywhere near as good as it's
predecessor - maybe if you plan to watch them, you should see this
first.
1 out of 1 people found the following review useful:
Sleazy 70's Fun!, 9 September 2010
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Author:
GoregirlsDungeon from Canada
The vagina gets stuffed and gouged at regular intervals throughout
Female Yakuza Tale. But it's not just about vagina's it's also about
boobs. Japanese men are continually seen fondling and suckling at the
female teet. Director Teruo Ishii uses every possible opportunity to
show female nudity he can, even throwing some in while the opening
credits are running. Ochô is shown taking on several men in a downpour
and she loses pieces of her clothing eventually fighting completely
naked. There is considerably more nudity and sexuality than violence in
this film, at least up to the final outrageous battle. In the end, the
women do get a gratifying revenge. Ochô is a great character, she is
strong and confident and even when she is naked and bound she is
uttering threats. We spend time getting to know some of the secondary
players as Ochô crosses their paths which made for some entertaining
sub-plots. My major complaint about the film is its sleazy premise is
lightened considerably by slapstick comedy that sometimes fell flat.
The gags were pretty PG for a film that was otherwise rated R. I won't
deny there were a few moments that cracked me up. Most notably when a
character THROWS a bullet into another characters eye! I really think
the film would have benefited from a little less cheesy humour. Female
Yakuza Tale has some wildly perverse and even disturbing moments
despite the humour that give the film some exploitative bite. Visually,
the film is very watchable. Its colourful and cheery sets and strangely
buoyant music add a twisted flair that gave the film a unique vibe.
Of course it all comes down to those nasty Yakuza! Among the criminal
underworld there is double-crossing and dirty dealings and it all
centers around the new boss of the Ogi Clan. We learn through a
flashback that Ochô feels a debt of gratitude to the old boss for
saving her when she was very young from losing fingers. After Ochô is
caught cheating while gambling, he allows his own finger to be severed
instead. The bad ass that did the severing is coming to see the new
boss to collect on a gambling debt. Ochô challenges him to a game of
cards to erase the debt and to do some finger collecting of her own.
Besides his drug interests and gambling problems the new boss of the
Ogi Clan has been hiding the old boss' young daughter in a mental
asylum. You'll have to see for yourself how this all unfolds! I'll tell
you only this, it features what I can only guess is a mentally
disturbed Kabuke theatre troop. Fighting naked would have some
advantages. Regular street clothes wouldn't do much to protect you from
a weapon anyway, why not distract your opponent with nudity?! The final
battle set in a warehouse features a group of Yakuza about to battle
amongst themselves only to find an army of women have collected on the
upper floor with their own agenda. The women remove their clothing one
by one and soon we have a whole lot of naked women killing the hell out
of a bunch of Yakuza in an outrageous and bloody spectacle! It really
must be seen to be appreciated. Its awkward mix of sleaze and humour
doesn't always work but a strong lead and enough bizarre and memorable
moments make Female Yakuza Tale: Inquisition and Torture a trip worth
taking. Recommended.
1 out of 1 people found the following review useful:
Your pussy is going to catch a cold., 9 March 2009
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Author:
lastliberal from United States
I recall some politician once being advertised as "tan, rested, and
ready." Well, Ochô (Reiko Ike) has recovered from her massive wounds
sustained in Sex & Fury, and is ready to do battle again.
This time she is involved in the "Crotch-Gouge" murders. Something to
do with Chinese drug mules who smuggle the drug up their crotch.
Needless to say, the drug gang picked the wrong person to mess with.
Exploring the video nasties of the 70s and the pinky violence of the
same period is an adventure in just how wild filmmakers can be. At
least the Japanese films are all in glorified color and full of
gorgeous beauty. The music is also very upbeat and enjoyable.
There are more breasts than in a chicken processing plant, and the
blood flows freely in the final battle. This was not as good as Sex &
Fury, but it had a whole lot more skin.
5 out of 9 people found the following review useful:
More a softcore sex romp than a tale of bloody vengeance, 20 December 2005
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Author:
fertilecelluloid from Mountains of Madness
This "sequel" to "Sex and Fury" is more of a softcore sex romp than the bloody tale of revenge its parent was. Teruo Ishii's direction is a little flat and uneven and it's quite obvious his passion is female flesh, not kinetic action or creating a glorious action/erotic hybrid. Norifumi Suzuki, the director of "Sex and Fury", is a more original, energetic director and brought great artistry and aesthetic brilliance to his work. Ishii's accomplishment is a diverting time filler with too many characters, some intrigue, and mountains of softcore canoodling. The opening fight scene revisits the stylistics of the original film, but quickly dispenses with that style and involves itself in unnecessarily complex plotting. The finale is reasonably bloody, but it never reaches the towering heights of its predecessor because Ishii directs it like he's bored.
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