Paul Harrington thinks he has the perfect wife, stunning, kind, and ambitious. Yet behind Lauren's pretty face (played by Madchen Amick) lies a wicked person who sent her former boyfriend ... See full summary »
Alma, a lonely woman, falls for the conman who steals her money after seducing her. Frank doesn't want Alma around him, but he cannot do anything about the situation in case she goes to the... See full summary »
Elizabeth Chase is busy remodeling her new home with her husband and daughter. She hires a contractor, Javier, to help. But soon, Elizabeth starts to grow suspicious of Javier and learns that he'd targeted the family all along.
Based on the true life experiences of poet Jimmy Santiago Baca, the film focuses on half-brothers Paco and Cruz, and their bi-racial cousin Miklo. It opens in 1972, as the three are members... See full summary »
Joseph Price, a former artist (painter) and now nature park ranger, has fallen for a woman who he meets in the park. They get on really well and before long they're married, but Joe doesn't... See full summary »
Sex Crimes Unit is an unprecedented look inside the New York District Attorney's unit dedicated to the prosecution of rape and sexual assault. The film examines the history of injustice ... See full summary »
Maria Richwine is cast as Rosanna, a prosecuting attorney who, after being raped early in the film, does not report the crime due to her distaste of adverse publicity and, after being appointed as a superior court judge and therefore committed to strict interpretation of laws, the criminal cases she must reject because of technicalities, when added to her recent victimization, cause her to assume various disguises while searching for career criminals who have preyed upon women and, after locating them, she kills them. This plot is, of course, outrageous and is not blessed with capable execution as the screenplay is a disorganized mess of cliche and confusion, the direction is agonizingly clumsy, the acting is, for the most part, shallow and production values, even after allowance is made for an obviously scant budget, are of a very low level, notably the sound track. Sound mixing, dubbing and editing during post-production are abysmal, with the scoring not only boringly derivative but obtrusive to the extent that dialogue is often drowned out; at other times the track completely disappears; conjunctive with the production's many other weaknesses, the product is a poorly made work that clearly attempts to justify violent, sadistic, and grisly sociopathic activity by its female juridical protagonist.
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