Directed by | |||
| Russell Mulcahy | |||
Writing credits(WGA) | ||
| Brad Mirman | (story) and | |
| Christopher Lambert | (story) | |
| Brad Mirman | (screenplay) | |
Produced by | |||
| Howard Baldwin | .... | producer | |
| Karen Elise Baldwin | .... | co-producer (as Karen Baldwin) | |
| Patrick D. Choi | .... | producer | |
| Richard M. Cohen | .... | executive producer | |
| Jack Gilardi Jr. | .... | co-producer | |
| Christopher Lambert | .... | producer | |
| Nile Niami | .... | producer | |
| Paul Pompian | .... | executive producer | |
Original Music by | |||
| Jim McGrath | (as James McGrath) | ||
Cinematography by | |||
| Jonathan Freeman | |||
| Brett Reynolds | (director of photography) | ||
Film Editing by | |||
| Gordon McClellan | |||
Casting by | |||
| Carmen Tetzlaff | |||
Production Design by | |||
| Tim Boyd | |||
Art Direction by | |||
| Andrew Hull | |||
Set Decoration by | |||
| Gareth Wilson | |||
Costume Design by | |||
| Quita Alfred | |||
Makeup Department | |||
| Russell Cate | .... | prosthetic makeup artist | |
| Katrin Clark | .... | hair stylist | |
| Sylvain Cournoyer | .... | makeup artist | |
| Mark DeLuca | .... | prosthetic makeup artist | |
| Nina Hickling | .... | prosthetic makeup artist | |
| Frances James | .... | prosthetic makeup artist | |
| Didier Lavergne | .... | hair stylist: Mr. Lambert | |
| Didier Lavergne | .... | makeup artist: Mr. Lambert | |
| Liese Mackintosh | .... | prosthetic makeup artist | |
| Louise Mackintosh | .... | prosthetic supervisor | |
| Raymond Mackintosh | .... | prosthetic makeup artist | |
| Mike Makishuck | .... | prosthetic makeup artist | |
| Jay McClennen | .... | prosthetic makeup artist | |
| Don McLeod | .... | prosthetic makeup artist | |
| Cheryl Ross | .... | prosthetic makeup artist | |
| Sean Samson | .... | prosthetic makeup artist | |
| Sean Sansom | .... | makeup effects technician | |
| Adina Shore | .... | assistant hair stylist | |
| Anne Sweeting | .... | hair stylist: Los Angeles | |
| Anne Sweeting | .... | makeup artist: Los Angeles | |
| Joe Ventura | .... | prosthetic makeup artist | |
Second Unit Director or Assistant Director | |||
| Vincent Agostino | .... | first assistant director: Los Angeles | |
| Jeff J.J. Authors | .... | first assistant director | |
| Darrin Brown | .... | third assistant director | |
| Jeff Jensen | .... | second unit director | |
| Frank Lambert | .... | first assistant director: Chicago | |
| Paul Pompian | .... | second unit director: Chicago | |
| Ethan Ross | .... | second assistant director second unit: Los Angeles second unit | |
| Joanne Tickle | .... | second assistant director | |
| Janet Zdyb | .... | trainee assistant director | |
Art Department | |||
| Joseph A. Armetta | .... | art director: Joe Armetta (as Joe Armetta) | |
| Joseph A. Armetta | .... | property master: Los Angeles second unit (as Joe Armetta) | |
| Michael Amor Back | .... | property buyer | |
| Malcolm Gibson | .... | property master | |
| Malcolm Glassford | .... | set dresser | |
| Andrew Hull | .... | first assistant art director | |
| Jane Kim | .... | third assistant art director | |
| Jennifer Kostuik | .... | assistant property master | |
| John Mackenzie | .... | construction coordinator | |
| Raoul Peter Mongilardi | .... | set dresser | |
| Jak Oliver | .... | second scenic painter | |
| Alejandro Patino | .... | construction coordinator: Los Angeles second unit (as Alex Patino) | |
| Derek Stephenson | .... | key scenic painter | |
| Eric Taylor | .... | head carpenter | |
| Arlindo Vicente | .... | lead set dresser | |
| Albert Winbush III | .... | swing: Los Angeles second unit | |
| John Welbanks | .... | assistant art director (uncredited) | |
Sound Department | |||
| Vince Agostini | .... | foley recordist | |
| David Appleby | .... | sound re-recording mixer | |
| Kevin Becker | .... | sound mixer: Chicago | |
| Todd Beckett | .... | sound re-recording mixer | |
| Denis Blais | .... | foley artist | |
| Dennis Carr | .... | sound mixer: Los Angeles second unit | |
| Peter Chapman | .... | assistant sound editor | |
| Eric A. Christoffersen | .... | stereo sound consultant: Dolby (as Eric A. Christofferson) | |
| Ian Hopkins | .... | dialogue editor | |
| Jim Hopkins | .... | supervising sound editor | |
| Richard Kelly | .... | adr editor | |
| Owen Langevin | .... | production sound mixer | |
| Jim Mustol | .... | boom operator: Los Angeles second unit | |
| Tim O'Connell | .... | sound re-recording mixer | |
| Joan Parker | .... | assistant foley artist | |
| Erika Schengili-Roberts | .... | boom operator | |
| Arnie Stewart | .... | sound effects editor (as Arnold Stewart) | |
| Jim Thompson | .... | boom operator | |
| Mike Woroniuk | .... | sound re-recording mixer | |
Special Effects by | |||
| Warren Appleby | .... | special effects key | |
| Charles Belardinelli | .... | special effects foreman | |
| Thomas L. Bellissimo | .... | special effects coordinator: second unit, Los Angeles | |
| Michael Kavanagh | .... | special effects coordinator | |
Visual Effects by | |||
| Steve Bentley | .... | lead high speed compositor | |
| Steve Bentley | .... | visual effects director | |
| Warren Clute | .... | visual effects producer | |
| Michael Rochford | .... | on-set compositor | |
| Adam Rofusz | .... | senior animator | |
| David Roy-Worthington | .... | digital painter | |
| David Roy-Worthington | .... | visual programmer | |
Stunts | |||
| Brittney Banks | .... | stunts | |
| Matt Birman | .... | stunts | |
| Wayne Downer | .... | stunts | |
| Cort Hessler | .... | stunts | |
| Dave Hospes | .... | stunts | |
| Jamie Jones | .... | stunts | |
| Lance King | .... | stunt driver | |
| Steve Lucescu | .... | stunts | |
| Patrick Mark | .... | stunts | |
| Leslie McMichael | .... | stunts (as Lesley Spondberg) | |
| John Stoneham Jr. | .... | stunt coordinator | |
| John Stoneham Jr. | .... | stunts | |
| John Stoneham Sr. | .... | stunts | |
Casting Department | |||
| Aric Dupere | .... | extras casting assistant | |
| Donna Dupere | .... | extras casting | |
| Irenee Gallagher | .... | baby casting: second unit, Los Angeles | |
| Jeff Olan | .... | extras casting: second unit, Los Angeles | |
| Marissa Richmond | .... | casting: Canada | |
| Mary Jo Slater | .... | casting: USA | |
Costume and Wardrobe Department | |||
| Kim W. Chow | .... | key costumer (as Kim Chow) | |
| Pauline Chung | .... | assistant costume designer | |
| Shelley Lewis | .... | key costumer | |
| Karen Mann | .... | costumer: second unit, Los Angeles | |
| Carol Quiroz | .... | set costumer: second unit, Los Angeles | |
Music Department | |||
| Pete Coulman | .... | orchestrator | |
| Mike Duncan | .... | music recordist | |
| Martin Loomer | .... | music preparation | |
| Jim McGrath | .... | conductor (as James McGrath) | |
| Roberto Occhipinti | .... | orchestra contractor | |
| Dan Parr | .... | additional orchestrator | |
| Michael Plourde | .... | additional orchestrator | |
Transportation Department | |||
| Timothy E. Henley | .... | transportation coordinator: second unit, Los Angeles (as Tim Henley) | |
| John Hiltz | .... | head driver | |
| Fred Ionson | .... | transportation coordinator | |
| Jason Leeking | .... | driver | |
| Chris Mulsoff | .... | driver: camera truck, Chicago | |
| Joe Norris | .... | driver | |
| Steve Pyke | .... | driver: honeywagon | |
| Bruce Raymer | .... | transportation captain | |
| Mike Riportella | .... | transportation captain: second unit, Los Angeles | |
| Rob Sargeant | .... | driver | |
| Robert Thomas | .... | driver | |
Thanks | |||
| Daphne Bailie | .... | special thanks (as Daphne Bailie R.N.) | |
| Steve Brookman | .... | special thanks | |
| John D. Crededio | .... | special thanks | |
| Ron De Rosa | .... | special thanks | |
| Philip J. Hacker | .... | special thanks | |
| Mike Marchen | .... | special thanks (as Det. Constable Mike Marchen) | |
| Buckley Norris | .... | special thanks | |
| Gary L. Prange | .... | special thanks | |
| Nick Ruta | .... | special thanks | |
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| Se7en | Mystic River | The Black Widow | Like Minds | The Case of the Scorpion's Tail |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
***SPOILERS*** What the movie "Resurrection" shows is that religious nuts, from all dominations and cultures, are about as dedicated to their religious beliefs as those who try to suppress and eradicate them.
This deranged psycho is out on the streets of Chicago trying to replicated Jesus' Easter suffering by using unsuspecting persons, whom he kidnaps and brutally murders, body parts in his recreating Jesus' ordeal on the Cross. This wacko goes so far as seeking out his victim in that they have the same biblical names that connects them, in the Bible, with Jesus' Apostles! He also makes sure that his victims are also the same age that Jesus was when he was crucified: 33 years old!
It's transplanted , from New Orleans, Cajun Chicago police detective John Prudhomme, Christopher Lambert, who gets the jump on the killer by deciphering his notes, that he carved into his victims bodies, he left at his crime scenes. Det. Prudhomme's attempt to catch the elusive killer leads to his partner Det. Hollinsworth, Leland Orsen, ending up not only getting shot by the police, in mistaking him for the killer, but having his left leg cut off, by the killer, when he's left alone and under intensive care in his hospital room!
As things turn out it takes FBI profiler Agent Wingate, Robert Joy, to get Det. Prudhomme as well as the Chicago PD to finally get it straight in not just why this psycho is committing these ghastly crimes but who he really is! This revelation, on Agent Wingate's part, is by far the most shocking and surprising sequence in the movie.
What really makes the movie "Ressurection" go completely downhill is that after the killer's identity is revealed he walks right into a trap, that with his great intelligence and intuition he should have seen coming, that Det. Prudhomme and the Chicago PD set for him. With the killer being so smart as well as omnipresent during the first 75 minutes of the movie he then, after he's discovered, does everything in not at all bothering to prove his innocence that he easily can, by his manipulating the law and the courts, but goes out of his way in his death wish-like effort to prove his guilt instead! This has him going on a mindless and murderous rampage knocking off some dozen people by the time the movies over! Most, if not all, of those that he murders have nothing at all to do with his sick scheme in replicating the Miracle of Easter!
You have to have a really strong stomach to be able to sit through this movie that tries to outdo the film "Se7en" which has an almost identical storyline. "Ressurection" goes to show how unchecked religion, or religious fanaticism, can effect a disturbed and unstable mind who uses it for his own sick and maniacal purpose's. In the case of the movie "Ressurection" the sick person who's mind is effected uses religion, like the psycho in Se7en, to mask his dark and deep psychotic and murderous fantasies by having it justify not, what in reality it would do, condemn them!