| Shô Aikawa | ... | Yuuji | |
| Xianmei Chen | ... | Lili | |
| Ming-Jun Gao | |||
| Jianqin He | |||
| Blackie Ko Shou Liang | ... | Whorehouse Proprietor | |
| Tomorowo Taguchi |
Directed by | |||
| Takashi Miike | |||
Writing credits(in alphabetical order) | ||
| Seigo Inoue | ||
Produced by | |||
| Tetsuya Ikeda | .... | producer | |
| Tsutomu Tsuchikawa | .... | producer: Daiei | |
Original Music by | |||
| Kôji Endô | |||
Film Editing by | |||
| Yasushi Shimamura | |||
Second Unit Director or Assistant Director | |||
| Masashi Minami | .... | assistant director | |
|
|
|
|
|
| Branded to Kill | Dead or Alive | Deadly Outlaw: Rekka | Blues Harp | Ichi the Killer |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb Japan section |
The same day as watching Shinjuku Triad Society I continued with this one. It was a Japanese film special and I didn't read any background info before the movie whatsoever, but after STS (and Kuroshiya Ichi a month before) I decided to give a miss to all Miike films. Luckily I did not know this was Miike.
This was really a surprise noir after the no substance of the previous mentioned. A yakuza goes to Taiwan and works as a hit-man when suddenly his son is dumped upon him, a son he didn't know he had and doesn't want to have either. I don't want to give away much but the movie is dense with atmosphere and humour, it's easily his best alongside Audition, Birdpeople of China and The Negotiator. Akin for Takeshi Kitano, but definitely Miike.