Rosa Lynn sends her druggie daughter Loretta and her children Thomas and Tracy away from the big city to live with their uncle Earl in the ancestral home in rural Mississippi. Earl puts ... See full summary »
Los-Angeles commercials director Max visits his friend, artist Charlie, who was diagnosed with AIDS in New York. There he meets Karen, they are attracted to each other and after they meet ... See full summary »
A 25 year old female White House staffer, Carla Town is murdered in the White House. D.C. homicide detective Regis is assigned to investigate, only to find all evidence suppressed by the ... See full summary »
Alek is an immigrant from the Soviet Union who was a talented boxer in his day, but he was not allowed on the Soviet national team because he was a Jew. Depressed and discouraged, he meets ... See full summary »
Klaus Maria Brandauer,
Secret Ops agent Marcus is sent to Detroit to take out an arms dealer and the head of the hedge fund that is financing him. His CIA backup has other plans and turns on him and it's a fight to survive in a hospital.
Shaw is an operative for the United Nations' covert dirty-tricks squad, using espionage and quasi-ethical tactics to secure peace and cooperation. When a shipping container full of dead ... See full summary »
Three tales of African-American characters. "Long Black Song": a farmer with an unfaithful wife. "The Boy Who Painted Christ Black": school principal defends a controversial work by his ... See full summary »
Two converging story lines involving corrupt cops ripping off drug dealers and serial killers are followed as former drug dealer Lucky, trying to go straight after doing a prison stint, ... See full summary »
Rosa Lynn sends her druggie daughter Loretta and her children Thomas and Tracy away from the big city to live with their uncle Earl in the ancestral home in rural Mississippi. Earl puts Loretta to work in his restaurant, Just Chicken, while also telling them about the generations of their family, the Sinclairs, dating back to their time in slavery before the the Civil War. Written by
Jon Reeves <firstname.lastname@example.org>
Many people board the bus at the depot, but while traveling cross country the bus is clearly empty (apart from the driver). See more »
I don't know how she's going to recognize me. She thinks somebody else is her own dead mother.
Oh, yeah? Maybe somethin' come back if she more of ya.
Dad, how many times we got to talk about this? I'm not moving back to Mississippi.
But your roots are here.
You taught me that my roots are here.
[pause, looks at the checkerboard]
Whose move is it? You always do this. Why do you always start talking and then you...
See more »
A warm and life affirming story. Alfre Woodard gives another memorable, emotionally compelling performance in a story that engages from frame one. Al Freeman's fabulously inspired and understated performance as Uncle Earl is a lesson in how to fully inhabit a character without chewing the scenery. His is a most convincing and moving performance that should not be missed.
Mary Alice has become one of the great African American screen matriarchs now, possessing a vulnerable serenity in this role which underscores our hopes for the rebirth of the urban progeny at the core of this film.
Maya Angelou got up to directorial speed fairly quickly in this debut although some blocking and editing from early in the project (in opening scenes especially) are rough. She doesn't show a professional sense of timing in many of her edits and scene endings, but the heart she brings to her material more than compensates. And there are instances of excellent intercharacter cutting in scenes where it counts. It's fair to say that there's not a wasted scene anywhere in this film. It's equally fair to say that some scenes show more directorial finesse than others. Look for even greater work from this master poet.
The only disappointment is Stanley Clarke's score, an unfortunate embarrassment for Mr. Clarke who is an accomplished jazz bassist otherwise. His score shows little ability to become emotionally involved with dramatic material and no skill with scenic beats and transitions. Clarke had a major opportunity to deliver here and he blew it -- and this is truly a hard movie to screw up.
"Down in the Delta" is movie blessed with plenty of heart and a talented ensemble that delivers. Well worth two hours of your time.
2 of 3 people found this review helpful.
Was this review helpful to you?