Crazy in Alabama (1999)

Director:

Antonio Banderas

Writers (WGA):

Mark Childress (novel)
Mark Childress (screenplay)

Release Date:

22 October 1999 (USA)

Genre:

Drama | Comedy

Tagline:

Sometimes you have to lose your mind to find your freedom

Plot:

An abused wife heads to California to become a movie star while her nephew back in Alabama has to deal with a racially-motivated murder involving a corrupt sheriff.

Plot Keywords:

Alabama | Hollywood | Star | Abusive Husband | Murder

Awards:

3 wins & 4 nominations

Cast

Melanie Griffith	...	Lucille Vinson
David Morse	...	Dove Bullis
Lucas Black	...	Peter Joseph 'Peejoe' Bullis
Cathy Moriarty	...	Earlene Bullis
Meat Loaf	...	Sheriff John Doggett (as Meat Loaf Aday)
Rod Steiger	...	Judge Louis Mead
Richard Schiff	...	Norman the Chauffeur
John Beasley	...	Nehemiah Jackson
Robert Wagner	...	Harry Hall
Noah Emmerich	...	Sheriff Raymond
Sandra Seacat	...	Meemaw
Paul Ben-Victor	...	D.A. Mackie (as Paul Ben Victor)
Brad Beyer	...	Jack
Fannie Flagg	...	Sally the Waitress
Elizabeth Perkins	...	Joan Blake

MPAA:

Rated PG-13 for some violence, thematic material, language and a scene of sensuality.

Runtime:

111 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | SDDS

Certification:

Iceland:L | South Korea:12 | Germany:12 | Argentina:13 | Chile:14 | France:U | New Zealand:M | Norway:11 | Peru:14 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:12 | USA:PG-13 | Singapore:PG | Portugal:M/12 | Finland:K-8

Filming Locations:

Ambassador Hotel - 3400 Wilshire Boulevard, Los Angeles, California, USA

Company:

Green Moon Productions

Trivia:

Two of Lucille's children are played by Melanie Griffith's real-life children: Dakota Johnson and Stella Banderas.

Quotes:

Sheriff John Doggett: You're trespassing on public property!

Movie Connections:

Referenced in Mulholland Dr. (2001)

Soundtrack:

Said I Wasn't Gonna Tell Nobody

A delightful surprise

A real treat, much better than it had any right to be. It's the 1960s in Alabama and Lucille (Melanie Griffith) murders and decapitates her abusive husband Chester, and heads to Hollywood with his head. Meanwhile back home, segregation is being fought in her small town. Our narrator is Lucille's nephew, he is living with his uncle (David Morse), witnessing the evil of the town sheriff (Meat Loaf) and trying to make sense of the civil rights movement.

This is an odd, yet ultimately successful, merging of two very different stories. The Alabama civil rights story is a gentle, human drama, while the Lucille story is broadly colored, with flashy costumes, comical characters, and tart dialogue. Lucille dazzles everyone who meets her, and everything goes her way, despite the fact that Chester's head continues to speak to her, calling her a slut who'll never amount to anything. I can't explain why the surreal comedy works so well in parallel to the small town drama, but it does. Griffith is compelling -- her husband, Antonio Banderas, directs her as he sees her, the camera keeps finding the perfect woman; thrilling, sensual and sweet.

In the "featurette" on the DVD, both Griffith and Banderas say the movie is about freedom, and the stories parallel well because Lucille's freedom from her husband's oppression parallels the blacks' freedom from civil oppression. But I saw it more as an R.D. Laing movie. The truth of Crazy in Alabama is in its title -- sanity IS a sane answer to an insane world. The nation WAS watching Bewitched and shopping for hats while blacks were beaten to death for the right to use whites-only facilities. "Crazy," in this movie, defies definition -- what is individual craziness when the world goes crazy? Lucille's craziness is sweet and understandable; the world's, less so. 9/10