IMDb > Wild Man Blues (1997)
Wild Man Blues
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Wild Man Blues (1997) More at IMDbPro »

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Wild Man Blues (1997) -- Open-ended Trailer from Fine Line

Overview

User Rating:
6.9/10   1,104 votes
MOVIEmeter: ?
Down 4% in popularity this week. See why on IMDbPro.
Director:
Contact:
View company contact information for Wild Man Blues on IMDbPro.
Release Date:
17 April 1998 (USA) more
Awards:
3 wins & 2 nominations more
User Comments:
One Funny Man more (17 total)

Cast

  (Complete credited cast)
Letty Aronson ... Herself - Sister of Woody Allen
Soon-Yi Previn ... Herself (as Soon Yi Previn)
Dan Barrett ... Himself - the Trombonist
Simon Wettenhall ... Himself - the Trumpeter (as Simon Wettenthall)
John Gill ... Himself - the Drummer and Vocalist
Greg Cohen ... Himself - the Bassist
Cynthia Sayer ... Herself - the Pianist
Eddy Davis ... Himself - the Band Director and Banjoist

Woody Allen ... Himself - the Clarinetist
Nettie Konigsberg ... Herself - Mother of Woody Allen
Martin Konigsberg ... Himself - Father of Woody Allen
more

Additional Details

MPAA:
Rated PG for brief language.
Runtime:
105 min
Country:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:

Fun Stuff

Trivia:
Woody Allen's parents, who were well into their 90s at the time of filming, appear on-screen late in the film. This marked the first time that Martin Konigsberg and Nettie Konigsberg had anything even remotely to do with their son's film career (although they were consistently satirized throughout the years). more
Quotes:
Woody Allen: I'm appropriately animate for a human being in the context in which I exist. more
Movie Connections:
References A Streetcar Named Desire (1951) more
Soundtrack:
Old Rugged Cross more

FAQ

This FAQ is empty. Add the first question.
11 out of 13 people found the following comment useful.
One Funny Man, 26 September 2002
Author: harry-76 from Cleveland, Ohio

If you thought you had be Jewish or from New York to fully appreciate Woody Allen, this movie proves otherwise.

Documentarian Barbara Kopple took her hand-held camera on Allen's '96 European tour, in which he and his jazz band played a whopping 18 concerts in 23 days. She photographed him everywhere but in the "john": in airplanes, hotel rooms, lobbies, receptions, backstage, onstage, in the streets--everywhere.

His deadpan quips and jousts buoy up what would have been a conventional travelogue. You're never sure whether Allen's being serious or satiric, but one finds one's self laughing at nearly all his comments. He's just an amusing guy.

For comedic reasons, it certainly helps that Woody has one of the funniest faces around--even without his "vanishing creme and beauty gel" he comments is amongst his toilitry. As to his tour, this is a chance to see and hear what's been talked about for years. That is, an example of Woody's playing in that certain lower Manhattan pub where he's tooted his "licorice stick"--even being loyal to that group one year rather than bothering to go pick up an "Oscar."

Playing the clarinet since age 15, Allen admits to practicing two hours daily--a "must," he says, "just to keep the chops in shape." It also helps that his playing is "only a hobby, to have fun." Judging from his New Orleans style jazz performance, he's probably being quite honest.

But he also seems to be bringing some extra-musical attributes to his concerts--a whole range of associations with his past creative efforts. All the laughs, pleasures, joys, frustrations, and sorrows associated with his total body of work seem to be reprised as he--now a genuine icon--stands there, slim of body, pouring his heart out in every selection.

Ably assisted by musicians on the trumpet, trombone, drums, piano, banjo and bass, Allen is clearly the star, appearing in a strictly all-musical format. There are only a few words of introduction and closing sentences from him. The rest is ninety minutes of pure music.

How remarkable are his European followers! They simply love and adore him. They mob him outside his hotel, backstage and through the streets as he walks, taking endless photos ("It's the same photo," he quips). They wave ecstatically at him as he takes gondola rides in Venice. The staid English stand and cheer at the end of his London concerts. Nationalistic Parisians drool over his weak attempts to greet them in French.

Europeans also love the more esoteric Allen films, like "Interiors," which flopped in the US. There's no doubt: Woody Allen is an overseas hero. An added final bonus is Allen with his mom and dad in their NYC apartment, they obviously proud of but publicly reserved about their son's accomplishments. "In spite of the fact that you beat me daily," Allen quips to his mom.

We're fortunate to have this 105-minute documentary for posterity. It may prove increasingly valuable as time goes on.

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