Finbar and Danny are close childhood friends who live in a depressing neighbourhood in an Irish town. Finbar gets the chance to play soccer in an international soccer team abroad but can't ... See full summary »
Jonathan Rhys Meyers,
The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy's mother Janet and grandmother Kath. Billy is a drug ... See full summary »
Bertolt Brecht lives! Maggie Hadleigh-West walks crowded urban streets carrying a video camera and microphone, trailed by one or two women also with cameras. Whenever a man harasses her, ... See full summary »
This is a story of a man (Walker), suffering from dwarfism, who writes an autobiographical account of his life. In flashbacks, we see how he was conceived to a woman (Parillaud) at the end ... See full summary »
Romantic drama set in rural Ireland of the 1930s. The story begins when 19-year-old Elizabeth has a brief fling with an actor and falls pregnant. Community pressure forces her to marry a ... See full summary »
Elisabeth Dermot Walsh,
After failing school, 18 year old Irish leaves his small town of Kerry to find work. In London, he finds a job at an oil refinery and befriends a crude Scottish worker, but soon starts ... See full summary »
Trapped in her own doll-like existence, Faith dreams that one day she can be a real mother to her daughter Nell she abandoned seven years ago. But time has run out. Her sister Eris can no ... See full summary »
Tom (Freddie Cunliffe), an alienated 15 year old boy, finds the that opportunity for close observation of his father, after their move from London to rural Devon and the birth of a new baby, reveals a world run through with darkness and pain. Tom is unable to reconcile the life he's known what he sees with his own eyes, and blames his 18 year old sister, Jessie (Lara Belmont). Both Tom and Jessie struggle to find some path to truth and sanity as the human forces around them work in polarity with their isolation to either assist them, or destroy them. Written by
John Sacksteder <email@example.com>
A newly updated and fully revised 20th Anniversary Edition of The War Zone (novel) was published in 2009, including both the original British and American opening chapters, an afterword by Tim Roth and a Diary of the Making of the Film by Alexander Stuart. See more »
A melancholic boy faces the prospects of adapting to life in a craggy, rugged English countryside separated from the London he knows. We soon discover things are going to go from bad to worse. "The War Zone" is a special film about incest taken entirely from the perspective of the teenage son, Tom, and his sister, Jessie, giving it a quality of children versus their parents. Incest has been broached before in other films like "Celebration" and "The Sweet Hereafter" but never with such all encompassing realism as "The War Zone". You feel like a voyeur prying in other people's business. Director Tim Roth presents scene after scene of stark, uninviting, seashore landscapes as well as a mesmerizing movie score that vacillates between rushed crescendos and unnerving calm to give "The War Zone" a cold, somber tenseness. The acting is outstanding but Freddie Cunliffe as Tom and Lara Belmont as Jessie carry the film with their brave, demanding portrayals. Tom must weigh the secret he knows with preserving the stability of the home. He is so perplexed about normal love and the mere act of lust that when he comes upon attractive neighbor, Lucy and the set-up vixen, Carol, he becomes stupefied rather than attracted to them. Jessie must walk a fine line between the sex act she craves and her sense of right and wrong. Indeed, at one point, we sympathize with her less because she doesn't seem to mind her predicament. "The War Zone" ends in a way some will find unsatisfying but it is very consistent with the film's theme - lost children who will never find their way back.
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