Europe, 1940. For thousands of Jews, a Japanese diplomat and his wife defy Tokyo and the Nazis, and offer visas, for life.

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Won 1 Oscar. Another 8 wins & 2 nominations. See more awards »
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Cast

Credited cast:
...
...
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Helena Rosen
...
Nathan Rosen
Shizuko Hoshi ...
Narrator (Elderly Mrs. Sugihara)
Rest of cast listed alphabetically:
...
Woman
...
Brother
Martin Fontana ...
Man
...
Cantor
Alan H. Friedenthal ...
Refugee #1
Eric Gugisch ...
German Officer
...
Setsuko
...
Brother
Noel Miller ...
Young Man
...
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Storyline

Haunted by the sight of hundreds of Jewish refugees outside the consulate gates, a Japanese diplomat and his wife, stationed in Kaunas, Lithuania at the beginning of World War II, must decide how much they are willing to risk. Inspired by a true story, VISAS AND VIRTUE explores the moral and professional dilemmas that Consul General Chiune "Sempo" Sugihara faces in making a life or death decision: defy his own government's direct orders and risk his career, by issuing live-saving transit visas, or obey orders and turn his back on humanity. This Academy Award® winning 26-minute portrait gracefully captured in period black and white by noted cinematographer Hiro Narita poignantly pays tribute to the rescuer of 6,000 Jews from the Holocaust. Written by Cedar Grove Productions

Plot Summary | Plot Synopsis

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A short film inspired by the true story of Chiune Sugihara

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Short

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Details

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Release Date:

20 April 1997 (USA)  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Director Robert Wise, and actors George Takei and Richard Dreyfuss all gave money to help make this film. See more »

Goofs

Although Shizuko Hoshi performed the scripted voice-over narration for the film (as an elderly Mrs. Sugihara), there are three lines of narration that are not her voice, but instead are spoken by Susan Fukuda (who plays younger Mrs. Sugihara). This was due to an error by the director, Chris Tashima, during post production. Tashima had always intended to have Hoshi provide narration throughout. During principal photography, sound mixer Yehuda Maayan recorded a temp track of Fukuda reading all of the voice over lines, so that editor Irvin Paik would have an audio track to cut with in editing. Later in post production, a recording session was arranged with Hoshi, and Tashima made a dialogue cue sheet of all the narration lines for Hoshi to record from. However, he missed three lines from the script. It was only discovered in final sound editing that the three lines were never recorded by Hoshi. With a completion date nearing, it was decided to go with takes from Fukuda's temp track (to save time). As it turns out, in the finished film, Tashima felt it actually works very well, since the three lines that are spoken by Fukuda are heard during the 1940 scenes in Lithuania (where Fukuda is also onscreen), and, as a more subtle audio transition, it helped the audience ease back into 1985 (when Hoshi is heard in closing narration). See more »

Quotes

Yukiko Sugihara: Even a hunter cannot kill a bird which flies to him for refuge.
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Connections

Referenced in Popcorn Zen: Episode #2.2 (2006) See more »

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User Reviews

 
Get out your handkerchiefs when you see this excellent film.
10 November 1999 | by (Los Angeles, CA) – See all my reviews

If you get a chance to see this film, grab it!

I saw "Visas and Virtue" the week after it won the Academy Award for best live action short, and there wasn't a dry eye in the house by the time it ended. With good reason: In telling the story of the Japanese consul in Lithuania who, against the orders of his government and at great personal risk, continued to grant transit visas to Jews fleeing Hitler, the film makers touch several deep places; it is difficult to resist the emotional pull of the themes they explore.

Beautifully shot, mostly in black and white, the story is told both richly and economically. Crammed into about half an hour are such story threads as how the consul and his wife carefully arrange the interviews so that the rules are technically followed, how the stress of both the external crisis of war and refugees and the internal one of personal honor and loyalty and right action affects their family, and the desperation and gratitude of the people who are helped and who, unexpectedly, can help him.

It's a great shame that a short film like this won't be seen by the large audience it deserves.


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