Master explorer Dirk Pitt goes on the adventure of a lifetime of seeking out a lost Civil War battleship known as the "Ship of Death" in the deserts of West Africa while helping a WHO doctor being hounded by a ruthless dictator.
On the run from the law, desperate drug runner Astor and his beautiful prisoner struggle through the savage heat. They are offered a ride by two unsuspecting travelers. Claiming to be ... See full summary »
In the midst of World War II, the battle below the seas rages. The Nazi's have the upper edge as the Allies are unable to crack their war codes. That is, until a wrecked U-boat sends out an SOS signal, and the Allies realise this is their chance to seize the 'enigma coding machine'. But masquerading as Nazi's and taking over the U-boat is the smallest of their problems. The action really begins when they get stranded on the U-boat. Written by
Director Jonathan Mostow was inspired to do the film after touring the World War II submarine USS Pompanito, in San Francisco. See more »
At the beginning of the movie when the U-571 is under depth charge attack from the British destroyer, the order is given to surface the sub due to damage. When they surface, the Captain reports "All clear!" and orders lookouts to the bridge. What happened to the British destroyer that was just attacking them? It should have still been nearby and would have seen them surface. See more »
Defenders of this film, stop whining that "it's just a movie." Fellow Americans, stop being so friggin' defensive when people complain about the pathetic, insipid, insulting posturing we do.
By now anyone who's read anything about this movie knows it was the English and not the Americans who captured the Enigma machine (and also that at the time the story allegedly takes place, the US wasn't even in the war).
But here is the most evil thing about "U-571" -- director Jonathan Mostow in many interviews has complained that the great submarine movie "Das Boot" was a lie because it portrayed the German crew as sailors, soldiers, human beings and not Nazis. This is why he opens his film with the U-boat crew gunning down a lifeboat of helpless, unarmed Allied survivors. Jonathan Mostow perpetuates every lie, every war-time propaganda fabrication, every stereotype ever perpetrated about the enemy. During wartime such propaganda is necessary... but this is sixty years later. No one is in any way excusing the monstrousness of the Nazis. But it is stupid and blind to portray every single German as cut from that same blood-stained cloth. Even English viewers -- who have far, far more reason to hate the Nazis than any American -- have been quick to point out the foulness of Mostow's vision.
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