Porter Stoddard is a well-known New York architect who is at a crossroads... a nexus where twists and turns lead to myriad missteps, some with his wife Ellie, others with longtime friends ...
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The US needs to convince the visiting emir Khala'ad of Othar to allow an American military base in his strategic realm. Clueless nightclub waitress Sunny Ann Davis accidentally spots and ... See full summary »
A marriage that seemed perfect comes crashing down after the death of Jack Saunders, husband of Adrienne Saunders. Strange developments begin to be discovered by Adrienne regarding Jack's ... See full summary »
Reporter Ernest Hemingway is an ambulance driver in Italy during World War I. While bravely risking his life in the line of duty, he is injured and ends up in the hospital, where he falls ... See full summary »
Porter Stoddard is a well-known New York architect who is at a crossroads... a nexus where twists and turns lead to myriad missteps, some with his wife Ellie, others with longtime friends Mona and her husband Griffin. Deciding which direction to take often leads to unexpected encounters with hilarious consequences. Written by
Sarah Lean <Sarah.Lean@talk21.com>
The film was released (2001) three years after filming initially began (1998). See more »
When the Claybournes arrive at the cabin in their Hummer, Mr. Clayboure gets out with his shotgun, walks toward the cabin and shoots the bear suit. When we cut to Mrs. Claybourne's reaction, the shotgun is leaning against the rear tire. See more »
Mother, I think you really have a problem.
You're damned right I have a problem. He won't do it to me anymore. Yes, his limp carrot is the root of all my problems. All my doctors tell me so. Every motherfucking one of them.
Fucking. Going upstairs.
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Written by Don D. Robey (as Don Robey) p/k/a Deadric Malone
Performed by Royal Crown Revue
Courtesy of Warner Bros. Records Inc.
By Arrangement with Warner Special Products and RCR Mgmt. See more »
Just a terrible mess of a movie that has only the most tenacious plot line running through it. Stories are picked up and dropped willy nilly adding up to pretty much nothing. This notorious flop reportedly cost many, many millions of dollars but they certainly don't show on screen. Diane Keaton and Goldie Hawn try to do something with their parts although they are ill served by the script. Everybody else goes down with the ship, poor Charlton Heston and Marian Seldes are made ridiculous in yet another totally needless subplot. A perfect example of a director and studio lucky enough to gather a great group of talent and then squander them totally.
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