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Town & Country (2001)

Porter Stoddard is a well-known New York architect who is at a crossroads... a nexus where twists and turns lead to myriad missteps, some with his wife Ellie, others with longtime friends ... See full summary »

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1 win & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Alex
...
Ellie
...
...
Vincent Lascoumes ...
Waiter
...
Barney (as Bill Hootkins)
...
Yolanda
...
Tom (as Joshua Hartnett)
...
Alice
...
Omar
...
Alejandro
...
Holly
...
McKlellen
Eve Crawford ...
Margaret
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Storyline

Porter Stoddard is a well-known New York architect who is at a crossroads... a nexus where twists and turns lead to myriad missteps, some with his wife Ellie, others with longtime friends Mona and her husband Griffin. Deciding which direction to take often leads to unexpected encounters with hilarious consequences. Written by Sarah Lean <Sarah.Lean@talk21.com>

Plot Summary | Add Synopsis

Taglines:

There's no such thing as a small affair.

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated R for sexuality and language | See all certifications »
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Details

Country:

Language:

Release Date:

27 April 2001 (USA)  »

Also Known As:

Aitia diazygiou  »

Box Office

Budget:

$90,000,000 (estimated)

Opening Weekend:

$3,029,858 (USA) (29 April 2001)

Gross:

$6,719,973 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Filming was originally supposed to wrap by the fall of 1998 for a summer or fall 1999 release. Various problems occurred during filming, however, including Warren Beatty's meticulous demand for many takes. See more »

Goofs

When Porter and Griffin are having lunch in the hotel the girl (who becomes Porter's first affair) is playing a double bass in the lobby. The soundtrack music, apart from being very obviously not synchronised with what she is playing, is a viola or possibly violin - definitely not a bass. See more »

Quotes

Porter: I understand that you were an intimate of Hemingway's.
Eugenie's Father: Intimate? Is that some kind of homo thing?
See more »

Connections

Featured in Siskel & Ebert: The Worst Films of 2001 (2002) See more »

Soundtracks

The Peanut Vendor
(1931)
Music by Moïse Simons (as Moise Simons)
Lyrics by L. Wolfe Gilbert and Marion Sunshine
Performed by Stan Kenton and His Orchestra (as Stan Kenton and his Orchestra)
Courtesy of Capitol Records
Under license from EMI-Capitol Music Special Markets
See more »

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User Reviews

 
Not a total dog, but still not even half as good
17 December 2006 | by (West Lafayette, Indiana) – See all my reviews

I remembered seeing the advertisement for this movie at my local theater when it came out. But I was unaware of the nightmare it was to film it & release it; all I did know was that it was in & out of the theater faster than COOL AS ICE. I had no idea this movie even existed until I read James Robert Parish's book FIASCO, which has a chapter on the making of TOWN & COUNTRY...and which, rest assured, is more funny & believable than what shows up on the screen.

After searching relatively high & low to find this movie (it was released on DVD, but logically, stores do not exactly keep a copy on hand), I watched it knowing about its history & that chances are, I would likely want to throw things at the screen. I am glad to say I made it through the first viewing alive, but will start by saying that no, this movie is not a winner in the slightest. Yet is it an all-around creative bomb? Not so fast.

Starting to film without a complete script was the oldest mistake in the book & they made it. Yet while it may have been a patchwork effort without much rhyme or reason, some lines were funny & rather inspired (most of them coming from Garry Shandling, who almost walks away with the movie, such as it is). Maybe having mature, veteran actors mouth some of the more scatological dialogue (as if this was supposed to be a senior's version of American PIE) was not wise, but that is often funny to watch in itself. Diane Keaton's line near the end, "Is there any women in this room you haven't slept with?", could easily be what audiences have been wondering for years.

The only thing the script missed was continuity & structure, and all that showed on the screen, resulting in a film that looked & acted choppy, with many characters played by big names being reduced to glorified cameos, making you wonder if there is a lot left on the cutting room floor (but we cannot blame the editor for all that, seeing as how they did not have much to work with).

The producers should have been well aware that working with Warren Beatty, a famously noncommittal perfectionist, was not going to be clear sailing. Part of (if not all) the script problems can be laid at his door, since he kept insisting on changes to the dialogue, taking up time & (most obviously) money. And of course, Warren was in his early 60s when he made this movie, playing the same old Casanova he always did. Audiences, most especially the young people who make up a large part of who goes to the movies, are not going to buy that anymore, or are unwilling to try. The studio should have saw this in the beginning & realized the chances of a box office success were slim to none, and thus rein in the budget before it went haywire.

After reading Parish's book & seeing just how things went bad with TOWN & COUNTRY, I rather think a movie about the making of a movie like TOWN & COUNTRY would have been better (and with all the same actors). What went on behind the scenes was funny & screwball in itself, and most of all, it was not even scripted at all. There was potential for a movie like TOWN & COUNTRY, but if a script had been agreed on before the cameras started rolling, then the financial fallout would not have been so large. As it remains now, it is one of the biggest box-office duds in Hollywood history, and the chances of it ever turning a profit are almost nonexistent (just think about inflation).

Final thoughts: For what it was worth, the actors gave it their best shot with this movie, never once placing tongue firmly in cheek with their parts (though, by all accounts, that would have improved things). I am not sure if anyone of them knew they were making something special.

A good portion of the script was actually funny, but whenever it tried to get serious & make some kind of statement about infidelity & morality, it went downhill from there. Even the much-bandied-about ending is so artificial & predictable, you can see it coming from a mile away. More of a cop-out & a feeling of "Let's just finish this thing already!"

Most of the people involved in making this movie have survived professionally, but only time will tell how Warren Beatty fares (that is, if he makes another movie again). Hopefully, the TOWN & COUNTRY incident awoke him to the fact he needs to finally revise (or abandon altogether) his stock character if he ever wants to work regularly & be taken seriously again.


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