Austria, a little farming valley. Beginning of the century. When one of the farmers is found murdered one day, his labourers know of nothing, but are relieved, as the tyranny has ended. ... See full summary »
A man who accused a catholic bishop of abusing him when he was a child dies in the Austrian city Salzburg. Everyone except his widow and the eccentrical detective Simon Brenner keeps silent and believes that the man killed himself.
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A neo-Nazi organization is recruiting in the 1980s, and two youths of high-school age join for similar reasons, despite class differences. Thomas is the son of a self-made industrialist ... See full summary »
After an unprecedented global pandemic has turned the majority of humankind into violent "Infected," a man gifted with the ability to speak the Infected's new language leads the last survivors on a hunt for Patient Zero and a cure.
Frantisek, the main character is returning to his family. Until now he's been, "successfully" avoiding all relationships. He is an ingenuous and a pure person and thus, is regarded as an ... See full summary »
Austria, a little farming valley. Beginning of the century. When one of the farmers is found murdered one day, his labourers know of nothing, but are relieved, as the tyranny has ended. Then, something new happens for the first time in history: The farm workers inherit the whole farm together, as the farmer himself was childless. Now, conflicts come up, as nobody is the boss and nobody has to obey. Written by
Julian Reischl <firstname.lastname@example.org>
When a farmer is murdered he unexpectedly wills his farm and all his belongings to his 10 peasants, 7 of which decide, even more unexpectedly, to keep the farm and try to run it themselves despite the scorn and outrage of the "legitimate" farmers. Thus, they become the "one-seventh farmers" in this second feature length movie by prominent Austrian writer/director Stefan Ruzowitzky. A beautifully made movie about class struggles, injustice and vain arrogance (among other things), Die Siebtelbauern is also not a film that unravels the way you'd like it too (thus, it isn't really for everyone). This is quite a bleak film, but it is also extremely engaging as you truly feel for the characters, who were all wonderfully acted. Also serving the film perfectly is its beautiful music, consisting mainly of haunting piano pieces which set the tone very well. Most amusing of all is a well-made nod by Ruzowitzky to First Blood (aka the first Rambo movie) towards the end of the film, which you're likely to appreciate if you've seen said film. All in all, while it isn't essential viewing, this is a splendidly crafted little film, very engaging, beautiful, realistic and dark, and at least on par with Ruzowitzky latest, the Oscar-winning WW2 prison film Die Fälscher (The Counterfeiters).
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