An unsuccessful over-the-top actress becomes a successful over-the-top authoress in this biography of Jacqueline Susann, the famed writer of "The Valley Of The Dolls" and other trashy ... See full summary »
A rich businessman, Dylan McDermott, mistakenly believes that Matthew Perry, who is bidding on a $90 million restoration contract, is gay and asks him to keep tabs on his mistress, Neve ... See full summary »
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
An unsuccessful over-the-top actress becomes a successful over-the-top authoress in this biography of Jacqueline Susann, the famed writer of "The Valley Of The Dolls" and other trashy novels. Facing a failing career, Susann meets a successful promoter who becomes her husband. After several failures to place her in commercials and a TV quiz show, he hits upon the idea for her to become a writer. In the pre-60's, her books were looked upon as trash and non-printable. But then the sexual revolution hit and an audience was born for her books. The story shows the hidden behind the scenes story of Susan's life, including her autistic son and her continuing bout with cancer that she hid up to her death. Written by
John Sacksteder <firstname.lastname@example.org>
All I know about are people fucking their way to the movies, and popping pills and ending up in the gutter. All I know about are aging stars, hopeful whores, and cheap studs. All I know about are tits, ass, and the truth... and nobody writes books about that.
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Sorry to say, I was disappointed by this film. When it ended, I had the feeling that I had just watched a TV movie, (an activity I try to avoid.) I rented the DVD, not because of any great admiration of Jacqueline Suzann, but because the cast looked great. Admittedly, the cast did not disappoint. David Hyde Pierce and John Cleese make for several enjoyable scenes. I like Nathan Lane. He's a genuinely engaging personality, with real warmth and charm. Nevertheless, it was his narration that pulled the quality down a few notches for me. It wasn't his delivery of the narration, but the writing itself that was at fault. It's cliché and sentimental to a fault. Burt Bacharach's musical direction only made matters worse. I admire Bacharach tremendously, and rank his scores for Casino Royal and What's New Pussycat among my favorites. But it just didn't work here. * out of ****
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