Hosted by Robert Culp, this two-hour program combines film clips, behind the scenes footage, and recent interviews to create a look at the troubled 1958-1963 production. The interviews ... See full summary »
The Jews of Poland (invaded by Germany in 1939) are depicted as filthy, evil, corrupt, and intent on world domination. Street scenes are shown prejudicially, along with clips from Jewish ... See full summary »
By mid-1940, Hitler had conquered all of Northern Europe and now Britain was under seige by air and U-boat; something had to be done or defeat was inevitable. Winston Churchill established ... See full summary »
For Love and For Life places the 1987 March on Washington in perspective among the major political events of our times. It recounts how the events were organized, and creates all the ... See full summary »
To mark his 21st anniversary in broadcasting, the commentator Darcus Howe picks up on his chosen topic for another piece of work; racism. However, when Howe came to England "racism" was ... See full summary »
Louis Theroux travels to California to meet the man dubbed "the most dangerous racist in America"; Tom Metzger. Louis meets him, his family and his publicity manager as well as following him to skinhead rallies and on a visit to Mexico.
One teacher and a handful of students, who are pariahs in more traditional schools because of the sexual preferences, struggle with all of the angst and troubles of high school kids in additions to the problems novel to their situation.
This film discusses the effect on how major American films in Hollywood were influenced by the Eastern European Jewish culture that most of the major movie moguls who controlled the studios shared. Through clips of various films, the filmmakers illustrate the dominant themes like that of the outsider, the outspoken American patriotism, and rooting for the underdog in society. Written by
Kenneth Chisholm <email@example.com>
The film gives a montage of clips from films made by Hollywood to bolster American war efforts in the wake of Pearl Harbor. Included is Sands of Iwo Jima (1949), which was not made until 1949, four years after the war had already ended. See more »
Hollywood culture is the dominant culture. It is the fantasy structure that we are all living inside.
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This documentary goes by two names--"Hollywoodism: Jews, Movies and the American Dream" as well as "Hollywood: An Empire of Their Own". The Netflix title is the latter one--and was billed as a documentary about the Jewish moguls responsible for creating the Hollywood film industry. The former title, however, has MUCH more to do with the film, as it's less a history and more a thesis about the loss of Jewishness of these moguls and the substitution of a Judeo-Christian form of Americanism into the American consciousness. So, instead of a documentary about film history, it's more a discussion of this lack of Jewishness among these men...and it's much, much more intellectual and far less entertaining. Often, I felt like the film was talking above the viewer and also, at times, used the selective use of the facts--ignoring those that did not support their ideas and touting those that did. A few examples:
Talking as if these Jewish men had positive feelings towards Black Americans. While they cited a few examples of positive roles in films, they ignored horrible examples of racism like the popularity of Steppin Fetchit and Willie Best's films.
Saying that the monster films of the 30s and 40s were metaphors for the Jewish experience. Huh?! While some COULD possibly interpret them that way, I am pretty sure that was not the films' intention.
Discussing how these moguls were pretty quiet about the Holocaust (which is true) but ignoring that these same moguls chose to break US laws about neutrality when they portrayed the Nazi regime as evil in films made just before the US entered WWII (yes, in a big departure from free speech, there really was such a law).
Blaming the moguls' performance at the House Committee on Unamerican Activities was why these men soon lost control of the studios. Many lost control because they died...not because of the HUAC and some others lingered (such as Jack Warner) for decades after these hearings.
All in all, I felt I was less seeing a film about Hollywood and more watching a film that was meant to prove some vague concept...a very vague one. Overall, a disappointment.
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