André, relatively poor, falls in love with Silvia, a neighbor whom he spies with a telescope. Falling more and more in love with her, he begins to follow her around the city and realizes ... See full summary »
Renata de Lélis,
Lisbela is a young woman who loves going to the movies. Leléu is a con man, going from town to town selling all sort of things and performing as master of ceremonies for some cheesy numbers... See full summary »
Brazilian MD Drauzio Varella starts AIDS prevention in Brazil's largest prison, Carandiru, in São Paulo, where the population is nearly double its 4,000 maximum. Doc learns from experience ... See full summary »
Fernando, a journalist, and his friend César join terrorist group MR8 in order to fight Brazilian dictatorial regime during the late sixties. Cesare, however, is wounded and captured during... See full summary »
The life and times of Cazuza, Brazilian singer/poet/enfant terrible, from his start with rock group "Barão Vermelho", to his death from Aids, in 1990, showing his career, love affairs, and involvement with drugs.
Daniel de Oliveira,
The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small Northeast Brazil town. But when they die, they have to be judged by ... See full summary »
Dora, a dour old woman, works at a Rio de Janeiro central station, writing letters for customers and mailing them. She hates customers and calls them 'trash'. Josue is a 9-year-old boy who never met his father. His mother is sending letters to his father through Dora. When she dies in a car accident, Dora takes Josue and takes a trip with him to find his father. Written by
Vinicius de Oliveira, a shoeshine boy, beat out more than 1,500 other young actors for the role of Josué. See more »
[dictating a letter]
My darling, My heart belongs to you. No matter what you've done, I still love you. I love you. While you're locked in there all those years, I'll be locked up out here, waiting for you.
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I was surprised when I first saw Central do Brasil. First, because, living in Brasil, I have had the chance to see the rise and fall of our movie production. Suddenly, a powerful cinematographic milestone comes as a delightful surprise to movie lovers down here. A few things must be said: it's pretty obvious that Central do Brasil is too much of a real and daring movie for the Academy. It's almost a relief that it didn't get any Oscars, but was praised all over the world, winning more than 50 ( !!!) prizes in Europe, Asia and Americas. For those who find it boring, it's time to reavaluate your concepts on what good cinema is. Stop seeing The Patriots and Independence Days that infect America's so-called Industry, and try to research a little bit more on sense and sensibility!!
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