| Yasuaki Kurata | ... | Masahiro Kai | |
| Simon Yam | ... | Ryu Tenmei | |
| Meg Lam | ... | Suzie Wong (as Lum Ken-Ming) | |
| Anzu Lawson | ... | Milly McKenzie (as Cristina Lawson) | |
| Bolo Yeung | ... | Chang Lee - The Vietnamese Cobra | |
| John Ladalski | ... | John O'Brien | |
| Stuart Smith | ... | Gang Leader (as Stuart Smita) | |
| Richard Foo | ... | Shop Owner | |
| Raja Lion | ... | Fighter #2 | |
| rest of cast listed alphabetically: | |||
| Ken Boyle | ... | Hank Chow | |
| Shinya Ono | |||
| Kazuya Shimizu | ... | Punk (uncredited) | |
Directed by | |||
| Shuji Goto | |||
Writing credits(in alphabetical order) | ||
| Yoshiaki Kashigawa | writer | |
Produced by | |||
| Yasuaki Kurata | .... | producer | |
| Hiroaki Tokano | .... | producer | |
Original Music by | |||
| Yuji Ohgami | |||
| Recent Posts (updated daily) | User |
|---|---|
| Same villian as Bloodsport? | the_toastman |
| really tall fighter | rosskirschner |
| I love the actors broken english in this! | ez-e21420 |
| what are you talking about | ary08004 |
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| Chop Socky: Cinema Hong Kong | Kickboxer 4: The Aggressor | The King of the Kickboxers | The Forbidden Kingdom | Mortal Kombat: Annihilation |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb Hong Kong section |
The only possible source of entertainment in a movie like "Bloodfight" is the fighting, but even that is spoiled here by terrible direction, bad camera angles and sloppy editing. The plot rambles on for about an hour, then turns into a tenth-rate "Rocky". The Oriental actors, burdened with someone's idiotic decision that they should all speak exclusively in English (in a misconceived attempt to help the film break more easily into the American market, perhaps?), recite their lines robotically, without any feeling. On the other hand, the white actors, who can speak English more fluently, can't act (only Cristina Lawson comes close to doing both of those things simultaneously). "Bloodfight" is only for those who'll watch Bolo Yeung in any film, no matter how atrocious it may be. (*)